Aavo Padharo, words of welcome in the language of Gujarat because it is here that these words ring truly and the guest is 'God' and the people of Gujarat are gregariously friendly, inviting and will entice you to come again and again.
Here in Gujarat you will discover centuries of history as spanning the geological core of the earth onto a fascinatingly vibrant future. Gujarat is unique in its geological and topographical landscape. From volcanic outpourings, through bedrock to fossil fields of indigenous dinosaurs, from the art of the Neolithic cave painter to the stone masterpieces of a series of civilized architecture, Gujarat has it all.
Ancient cave paintings to historic murals, natural and man made caves. Art, history, music, culture, all dovetails within each other to form a wondrous matrix, that is the cultural exuberance of the people of the state.
Location
Western tip of India
Climate
Wet in the southern districts and Desertic in the north-west region.
Major Cities
Ahmedabad, Vadodara, Surat, Rajkot, Bhuj, Junagadh, Jamnagar
Arts and Crafts
The Arts and Crafts of Gujarat woven within a strong traditional base with an ecologically vibrant perspective reflects the rich cultural and historical diversity of the state. Crafts in Gujarat mirror the anthropological and cultural, religious and ritualistic, climatic and topographical, professional and technical facets creating a unique social identity of the varied communities involved in their conception and fabrication.
Ever since the Harappan Civilization, along the banks of the River Indus the state has witnessed centuries of evolution in tradition. Craft societies in Gujarat evolved in harmony with nature and tried to create an ecological balance between aesthetics and utilitarian value. The raw basis of creativity for the local artisan emerged from the sensitivity of knowing his fellow villagers who were also his clients, at a very intimate and personal level.
In Gujarat, craft related guilds or clusters and their inter dependency have been the corner stones of trade and commerce. Trade with vivid cultures of varied eras enriched and contributed to the growing creativity and development of arts and crafts of the state.
Art and craft forms of the state are products of daily need, manifestation of cultural and ritualistic evolvement, innovation of new forms, techniques and a magnificent display of the creator’s self-expression. With the growth of urban settlements, the inherited intellectual wealth of culture and folk traditions is constantly undergoing change and adapting to its new settings, dovetailing tradition and modernity for continued sustainability of the art and craft forms.
Folks Art Forms Of Gujarat
An Amalgamation of arts and culture has been formatting excellent instances of creativity in the Folk Art history of Gujarat. The artists explored different mediums to exhibit their creativity and imagination while continuing to feed social and cultural necessities. Religion plays a major role in the history of folk art forms and has been practiced by various communities for preaching and popularizing their beliefs. Aesthetic appeal and beautification blended along with functional needs and necessities has been the core impetus in the origin of varied folk art forms.
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Mata-ni-Pachedi
Mata-ni-Pachedi are a uniquely hand painted and natural dyed narrative folk art form of Gujarat. This textile art is a ritualistic temple hanging depicting the myths and legends of the mother goddess. Mata-ni-Pachedi traditionally served as a temporary shrine for some semi-nomadic rural communities in Gujarat. This Kalamkari art work is hand painted by the Chitara artists belonging to the Devi pujak, Vaghari community and is commissioned by other semi-nomadic groups for their ritualistic use. The bold, empowering illustration of the Mother Goddess as the central theme, surrounded with intricate graphical depictions of stories and myths, embellished with patterns of nature is the unique identity of this textile art form. Traditionally Maroon and Black extracted from natural dyestuffs like madder and oxidized metal, were the only colors used, with the surface of the textile material forming the third color. Gradually other natural dyestuffs like haldi, mehendi, kattha etc, have been added to the color palette to reach out to a larger clientele. Today’s Chitara artist has transcended beyond to wider market adaptability and a more variety of textile products.
- Geographical Origins in State- Ahmedabad district( Vasna Barrage Road, Mirzapur near GPO), Viramgam; Surendranagar District- Limbdi; Kheda Distrcit- Chaklasi village
- Community Involved- Chitara from the Devipujak Waghari community
- Traditional Product- Textile Mural
- Contemporary Products- Home Furnishings- Cushion covers Bed Covers, Curtains, Upholstery; Apparels and Accessories- Saris, Dupattas, Stoles etc.
- Raw Material Used- Fabric(Cotton/jute), Dyestuffs(Turmeric, henna, Oxidized metal, madder, indigo, Myrobalan, alizarin) ; Mordants (alum, oxidized metal, copper)
- Tools and Equipment- Neem Tree twig, bamboo twig, blocks
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Pithora Paintings
Pithora is a traditional mural painted on the mud walls of living spaces having ritualistic and religious significance for Rathwa, Bhil and Nayak communities. The term Pithora traces its origins to the Rathwa tribal deity of food grains, God Pithoro. These paintings have a deep connection with the tribal communities and the sacramental aspect of the forest which nurtures them. The paintings usually encompass the marriage of the god Pithoro surrounded by a variety of images dealing with myths, history and daily life. The random balance of the wilderness is mirrored in the composition of these paintings and the elements are lucidly patterned echoing surrounding visual inputs.
It is a male dominated art form having a group of painters taking part in the commissioned ritual. The vibrant color palette was conventionally sourced from natural mineral dyestuffs with the color fixer extracted from the flowers of the Mahuda tree. Contemporary artists addressing an urban audience have shifted to canvas with fabric and chemical paints. The main colors are yellow, indigo, orange, green, vermilion, red, ultramarine, black and silver.
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Geographical Origins in State- Panchmahal District, Dahod district, Vadodara District
- Community Involved- Bhils, Rathwas, Nayaks
- Traditional Product- Murals
- Contemporary Products- Murals; Paintings on canvas
- Raw Material Used- Canvas, paints
- Tools and Equipment- brush, bamboo twig
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Warli
The simplistically lyrical abstract images depicting a traditional celebration of life form the essence of a Warli mural or painting. The Warlis are a tribal community living on the fringes of southern Gujarat flowing into the state of Maharashtra. They are Agrarian community of forest gatherers subsisting on rice as the main staple. Women of the Warli tribe are the artists and the paintings involve imagery from daily life. The tribal belief is rooted in the cyclical continuation of the universe which forms the spirit of their work.
Traditionally worked as a mural on the kitchen wall of the home to celebrate an event, the art form has now surpassed into varied range of contemporary products. Conventionally, grounded rice flour was used as the primary source extracting white color. While white is still the essential component of the painting, other materials are replacing the natural source.
- Geographical Origins in State- Surat District, Dang district
- Community Involved- Warli
- Traditional Product- Murals
- Contemporary Products- Murals; Paintings on canvas
- Raw Material Used- Canvas, paints
- Tools and Equipment- brush, bamboo twig
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Wooden Crafts
Block Making
A block is an essential tool used in printing textiles. Wooden block makers in Gujarat belonged earlier to the Gajjar community but now a few other communities are also practicing the trade. Block making is a highly skilled craft form as the design that it finally prints over all has to dovetail in perfectly, each relative block used to add on a separate color changing the vibrancy of the printed fabric. Teak or saag wood is the ideal raw material. The print design is carved onto this by hand tools mostly made by the artisan himself. This is strictly a male dominated craft form. The carved out patterns vary according to the requirement of the client. This craft form has seen a decline as other printing alternatives have started appearing in the market. There are very few families in Pethapur, once the hub of block making, practicing this craft. Recent migration of skilled artisans from Jaipur and Benaras to Narol in Ahmedabad district has created a new center and there has been resurgence in this craft form.
- Geographical Origins in State- Gandhinagar and Ahmedabad district
- Community Involved- Gajjar and Prajapati
- Traditional Products- Blocks for textile printing
- Contemporary Products- Blocks for textile printing
- Raw Material Used- wood
- Tools and Equipment- compass, hammer, hand drill, chisel, wood relief carving tools
Wood Work
Wood craft is the art of sculpting wood and embellishing it with intricate patterns to create objects of beauty and daily use. Wood work is prevalent in one form or another across the length and breadth of the state. The Kacchhi Megwals of Ludiya village in the Banni grasslands are wonderful engravers, patterning the wood surface with amazing relief work and fashioning a range of products. Gujarat has a wide array of folk and tribal musical instruments, a lot of which need the skills of a suthar(carpenter) to give them timber and tone. The Suthars of Amreli district make vessels and religious objects of esoteric beauty by embossing metal onto the wooden surface.
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Geographical Origins in State- Bhavnagar, Amreli, Kutch district
- Community Involved- local carpenters
- Traditional Products- carved stands for cots, cradles, buttermilk churners, camel saddles, pitchforks, spice containers
- Contemporary Products- furniture, brackets, pillars, spice containers, frames
- Raw Material Used- wood
- Tools and Equipment- axes, compasses, hand drills, files, chisels etc
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Marquetry-
The art of inlay work on wood is called Marquetry. This craft form was brought to the shores of Gujarat from Persia by the Irani community and is practiced today by local carpenters in Surat. Wooden objects such as boxes and ornament cases are first designed and then delicate inlay work is undertaken on the surface using slivers of tinted wood called veneer. This skilled and time consuming craft form uses geometric shapes as a basic design format.
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Geographical Origins in State- Surat District
- Community Involved-
- Traditional Products- Jewelry boxes
- Contemporary Products- Jewelry boxes, photo frames, side tables
- Raw Material Used- wood and acrylic
- Tools and Equipment- chisels, cutters, measuring scales
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Sankheda Furniture
The brightly lacquered and colorfully tasseled furniture of Sankheda forms a unique identity for Gujarat. Sankheda furniture is teak wood with lacquer overlaid on it using a unique process; the artisans belong to the Kharadi community of Sankheda village in Vadodara district. Creation of a Sankheda product involves first shaping the teakwood pieces on a lathe, before applying powdered tin premixed in a solvent. A coat of lacquer is applied and then polished using a specific leaf. The finished pieces are assembled together to make the required furniture. Sankheda furniture is used both for ceremonial and social purposes and enjoys a wide demand abroad.
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Geographical Origins in State- Vadodara district( Sankheda)
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Community Involved- Kharadi
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Traditional Products- cots, toys, cradles
- Contemporary Products- chairs, table, center tables, mirror frames, swings, bangle stands, cupboard doors, cradles
- Raw Material Used- wood, lac, dyes
- Tools and Equipment- pointed and flat edged tools, stands, screw drivers, lathe, brushes
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Lacquer Work
Lacquer work involves a finishing process done on a variety of wooden products, including furniture and toys. Lac is a natural resin which is heated and then mixed with a brilliant range of color dyes. The desired object is turned on a hand-operated lathe while lac is poured on it. The rotational heat fixes the colors on the surface which is then polished. Artisans in Mahuva village in Bhavanagar district make a fascinating array of lacquer wooden toys that command a wide export appeal. The artisans of other areas in Gujarat produce a wide range of toys and utensils involving abstract designs etched in lac.
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Geographical Origins in State- Kutch district(Nakhatrana, Nirona, Lakhapat, Bhachau, Ludiya, Rapad) Bhavanagar district( Mahua)
- Community Involved- Wadha Kohlis, Meghwals, Maniars
- Traditional Products- utensils, toys, mortar and pestle
- Contemporary Products- toys, utensils, mortar and pestle, legs of tables and cots, chests, thread wrappers, bangle stands, spoons, ladles etc
- Raw Material Used- wood, lac, pigment dyes
- Tools and Equipment- axe, chisels, lathe, iron bar for support
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Wooden Masks
In Gujarat, Wooden Masks making and wearing form an important part of tribal rituals. The Warli tribe fashions life size masks which are worn during religious ceremonies. Soft wood is used in the making of a mask and the artisan is usually commissioned to design a mask by the entire village. It is considered a great honor to wear the mask during rituals and the wearer usually gives an honorarium to the mask maker.
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Geographical Origins in State- Valsad district
- Community Involved- Warli tribe
- Traditional Products- Ritual Mask
- Contemporary Products- Ritual Mask
- Raw Material Used- Pangaro and Savaro wood
- Tools and Equipment- Axes, Knives, chisels, grinders, bamboo sticks
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Bamboo Craft
Bamboo grows a plenty in the forests of Dang and is harvested by tribal communities there. Slivers of bamboo are woven together to make several objects such as baskets, mats and sieves. Some artisans also make toys out of bamboo to be sold at the local ‘haat’. Bamboo slivers are adeptly woven together to create sturdy containers for grain and house hold goods storage.
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Geographical Origins in State- Dang, Narmada, Dahod districts
- Community Involved- Kotwalia tribe
- Traditional Products- animal figures, mats, baskets, storage baskets, broom,
- Contemporary Products- animal figures, mats, baskets, storage baskets, hangers, toys, broom, hand fans
- Raw Material Used- bamboo
- Tools and Equipment- knife, scissors, knives, hammers, files, stands, axes
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Mud Craft
Clay relief work
Certain tribal communities in the arid Kutch region add color to their living spaces by decorating them in a celebration of life. Living spaces or Bhungas while being replastered every Diwali festival with Lipan are intricately worked at by the women in clay relief and mirrors to add a sense of magnificent beauty to their homes. Local clay is used to create the visual textures. Artisans also use this material along with bamboo to mold intricate geometric design forms bordering their doors and windows.
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Geographical Origins in State- Kutch district( Hodka, Dhordo, Bhirandiyara, Ludiya, Gorewali, Banni)
- Community Involved- Rabari, Jath
- Traditional Products- Mural on wall, Kothlo(storage granaries), Chula(stove), Paniyara(clay platform), Utroni(clay stand), Pedlo( Platform for storage)
- Contemporary Products- Kothlo(storage granaries), decorative pieces
Raw Material Used- clay
- Tools and Equipment- twigs from local tree
Painted Pottery
The potter across communities in Gujarat has always been an important figure, his skills dating back to the Indus Valley Civilization. Pottery vessels are a key design innovation in the history of human civilization. While working on the pots the potter also uses ingove that is clay based color in simple patterns both geometric and animal to add to the utilitarian vessels inherent beauty.
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Geographical Origins in State- Kutch District (Khavda, Lodai, Bhuj)
- Community Involved- local potters
- Traditional Products- Water pots
- Contemporary Products- water pots, money boxes
- Raw Material Used- red clay, black clay
- Tools and Equipment- wooden potters wheel, knife, bamboo twigs
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Terracotta
The art of terracotta is one of the oldest known skills in human history; this gave the potter’s kiln significance in village activities. Tribal communities mainly in the areas bordering the state of Madhya Pradesh use a variety of hand crafted clay animals such as horses and elephants as offerings to the gods. These are also placed at Paliyas (tribal monuments honoring ancestors). Potters in Bhil and Rathwa communities also make beautiful vessels lined with resin which gives them a shine and also helps retain moisture for household storage. In the district of Kutch a unique musical instrument dating back 4000 years called the Bonido is still fashioned by local artisans.
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Geographical Origins in State- Vadodara district( Chota Udaipur, Tejgadh, Kawath, Naswari, Panwar, Devhaat, Panchmahal), Banaskatha district(Poshina), Surat District(Mandvi), Patan strict
- Community Involved- Local Potters community, Bhil, Gharasiya, Rathwa,
- Traditional Products- Horse, Pots
- Contemporary Products- Small and big vessels, toys, horses, pots, flat pans
- Raw Material Used- Red and black clay
- Tools and Equipment- Wooden potters wheel, knives, wooden tools for beating the clay
Stone Crafts-
Agate Stone Work
Geological upheavals and time have contributed to the creation of semi-precious stones generated through a variety of interactions between the flora, fauna and the ever changing ocean belt. Some of these often get washed ashore by the tides causing a glimmer and glitter of natural shades. The Agate is one such bounty of the ocean, which is hand crafted by the artisans of Khambat into utilitarian products. The creation process involves heating the stones to slough out surface impurities and then polish them to get the desired effect. Agate earlier had a major export market but now ornamentation blended with other semi-precious elements is also becoming extremely popular locally.
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Geographical Origins in State- Anand District (Khambat)
- Community Involved-
- Traditional Products- Necklaces, paperweights, toys, ritual objects, idols
- Contemporary Products-) – Lampshades, nameplates, jewelry, statues, display objects
- Raw Material Used- Agate stone, red clay
- Tools and Equipment- Hammer, drilling machine
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Stone Carving
The temples and Havelis of Gujarat command their own niche within the history of traditional Indian architecture. Carved pillars, ceilings, panels, frames, gateways and statutory are part of this rich cultural tradition in structural design. Religious and other architectural marvels in stone has been the purview of the Sompura community in Gujarat. Legend has it that the Sompuras are descendents of Aparajita the son of Vishwakarma. These stone workers originally worked in wood and ivory, later graduating exclusively to stone. Commonly used stones are marble, granite, sandstone and the carving is determined by the tensile structure of the material. The craft form is mostly undertaken for religious purposes but for commercial purposes various accessories are also fashioned and produced.
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Geographical Origins in State- Surendranagar district( Halvad, Dhangadhra, Wadhwan), Bhavangar (Palitana) Rajkot, Bhavnagar, Junagadh, Porbandar
- Community Involved- Sompuras
- Traditional Products- Idols
- Contemporary Products-) – Idols, Garden objects, figurines,
- Raw Material Used- Agate stone, red clay
- Tools and Equipment- Hammer, drilling machine, chisels of various sizes
Metal Crafts
Silver Ornaments
Silver is used in Gujarat to create ornamentation and heighten the affluence of class and societies. Silver ornaments in a variety of styles have developed according to various influences and usually a tribe or community can be identified by the style and design of its silver ornamentation. Almost all tribal communities regard silver as an essential part of their garments accessories. Innovations and style in silver jewelry have begun to incorporate various tastes to cater to a wider market. Silver ornaments of tribal areas are a class apart, pleasant and exotic in their simplicity, patterns and shapes in a blending with their natural surroundings. These have also begun to cater to other non-traditional markets thus assuring a continuity of the tribal craft form.
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Geographical Origins in State- Patan, Kutch, Rajkot, Jamnagar, Dahod, Vadodara, Panchmahal districts
- Community Involved- Soni community, Rabari, Bharwad, Ahir, Anbi, Mutwa, Patel and tribal communities
- Traditional Products- Jewelry- anklets, necklaces, bangles, waist bands, buttons, pendants, earstud
- Contemporary Products- Jewelry- anklets, necklaces, bangles, waist bands, buttons, pendants, earstud
- Raw Material Used- silver
- Tools and Equipment- furnace, hammers, punchers, fliers, scissors
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Silver Ware
Handcrafted silver ware in Gujarat has magnificent stylization of design, delicately enmeshed within patterns containing flora, fauna, geometrical and linear images creating a magnificently filigreed plethora. Silver, with intense relief work on its surface is wrought into utensils which form an important part and parcel of a bride’s ensemble. Silver utensils like plates, glasses, spoons etc are also used for ceremonial occasions and medicinal reasons.
- Geographical Origins in State- Kutch(Bhuj, Anjar, Mandvi)
- Community Involved- Lohar and Soni community
- Traditional Products- perfume sprinklers, utensils, jewelry boxes, thrones, cribs, seats, flower vases, religious products
- Contemporary Products- perfume sprinklers, utensils, jewelry boxes, religious products
- Raw Material Used- silver sheets,
- Tools and Equipment- furnace, hammers, punchers, fliers, scissors
Devru- Embossed metal craft form
Devru, as the name suggests is a depiction of tribal deities embossed on silver. The artisans originally migrated from Maharashtra and settled amongst the tribal belt of Dharmapur and Bardoli. The process of making a devru involves flattening silver sheets by machine and reverse embossing done on the required piece. This is then filled with lacquer and a copper sheet is pasted across the back, the Devrus are commissioned mainly to celebrate the harvest season by certain tribal communities in South Gujarat.
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Geographical Origins in State- Vadodara District( Dharampur)
- Community Involved- Tribal communities
- Traditional Products- Ritual objects
- Contemporary Products- Ritual objects
- Raw Material Used- Silver sheets, cooper sheets, wax
- Tools and Equipment- Hammer, pliers, scissors, design dies, furnace
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Brass and Copper Ware
Copper and brass utensils are items of daily usage in households through out the state of Gujarat. This craft form is the domain of the Kansara community concentrated mainly in Sehore, Dhaboi and Ahmedabad. Though resembling utensils of clay, metal ware comes in all shapes and sizes. The artisans handcraft a variety of utensils for household use, storage and ceremonial occasions. Traditional percussion musical instruments such as the Noubat were also hand crafted by the Kansaras. The objects are made by heating and hammering the sheet metal, the hammer strokes give a unique texture to the finished products, riveting and soldering is done later to fix the joints. The job involves a lot of skilled physical labor, while the men fashion the utensil, women later polish it using a mixture of tamarind and water.
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Geographical Origins in State- Vadodara( Dhaboi), Kheda(Nadiad), Mehsana(Visnagar), Ahmedabad
- Community Involved- Kansara
Traditional Products- pots, utensils
- Contemporary Products- pots, utensils, lamps, water containers
Raw Material Used- Copper and brass metal, wax
Tools and Equipment- hammers, files, compass, cutters, cutters, scissors, beating wooden tools, furnace
Bell Making
The melodious tinkling of bells like water cascading off rocky slopes marks the advent of a herd of cattle especially in Kutch and Saurashtra. This trade originated in Sindh and was brought in through migratory herdsmen. The Lohars in Zura and Nirona villages of Kutch district are renowned for this craft. Though the demand amongst pastoral communities still exists; the bell makers through style and design additions have popularized this craft as decorative pieces for the urban market. The shape and size determine the timber of sound. The pitch of each bell is set with the aid of an instrument called eklavai.
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Geographical Origins in State- Kutch district
- Community Involved- Lohars
- Traditional Products- bells
- Contemporary Products- bells, toys, morchang(musical instrument), show pieces
- Raw Material Used- Copper
- Tools and Equipment- furnace, compass, hammer, pliers
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Leather Work
Leather craft in Gujarat is practiced largely by the Meghwal and Mochi communities in close association with Maldharis(cattle herders) from where leather was traditionally sourced. Today the leather used comes from a variety of sources, ranging from hard to soft quality. Both men and women work in this field, Meghwal women using a variety of metal punches create different design on a leather surface and stitch in various fabrics forming a reverse appliqué style. This finished leather art work is then used in the making of various accessories.
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Geographical Origins in State- Vadodara, Banaskatha, Kutch districts
- Community Involved- Meghwal, Mochi,
- Traditional Products- Mojris (sandals), animal trappings, toran, saddles
- Contemporary Products-) - Mojris (sandals), Bags, lamps, accessories, animal trappings, jewelry boxes, mirrors etc.
- Raw Material Used- Leather
- Tools and Equipment- Sewing Needles, Punchers, Scissors
Kite Making
Skies over the cities of Gujarat are dotted with colorful kites to celebrate the festival of Uttarayan, Kite making is a seasonal craft form. Kites come in all sizes, though the square shape remains the same with a triangular tail attached. The bamboo splints involved in the making of a kite come from Eastern India while the paper comes from Karnataka. Once the paper is cut, the same is sent to Mahua where artisans strengthen the edges. These along with string, glue and splints form the raw material base which the artisans in Ahmedabad shape into acrobatically agile kites. Though seasonal a single kite is the handwork of many urban artisans.
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Geographical Origins in State- Ahmedabad
- Community Involved-
- Traditional Products- Manja(kite thread), Firki(thread roll),kites
- Contemporary Products-) – Firki(thread roll), Manja(kite thread), kites
- Raw Material Used- paper, wood, thread
- Tools and Equipment- scissors
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Textile Craft Forms
Patola- Double Ikat Textile
A Patola belongs to a select group of exquisite textile craft forms of the world and is a pinnacle of Gujarat’s legacy of textiles. The Patola silk Saris are renowned for their complex double ikat technique. A Double ikat is characterized by intricate tie and dye resist of the warp and weft pre weaving process. The design format follows a geometrical pattern in an interweave of colors mirroring the architectural beauty of Ranki vav, a marvel of the Solanki dynasty in Patan. During the 11th-12th century AD weavers from Jalna in central Maharashtra were invited by the royal court to settle down in Patan thus initiating an exclusive and glorious style in silk saris. These were favored by rich merchants and traders in Gujarat and were even exported to Southeast Asia and Indonesia. The patola weave is a skill intensive process where an entire sari takes almost 4-6 months to fabricate.
Geographical Origins in State- Patan District
Community Involved- Salvi family
Traditional Product- Saris
Contemporary Products- Saris, scarves, stoles, woven borders, tablecloths,
Raw Material Used- Silk yarn, natural dyestuff/ chemical dyes
Tools and Equipment- Hand operated harness loom
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Single Ikat Textiles
The Rashtriyashala in Rajkot initiated a program by inviting a member of the Salvi family from Patan to have a workshop with local weavers dovetailing them into the Patola heritage. The Rajkot weavers specialize in a single ikat weave and are using a varied range of raw materials to activate a more affordable market source.
Geographical Origins in State- Rashtriyashala- Rajkot
Community Involved- Local weavers
Traditional Product- Saris
Contemporary Products- Saris
Raw Material Used- Cotton, silk, rayon yarns, chemical dyes
Tools and Equipment- Harness loom
Bandhani
Bandhani as a textile craft form is spread throughout the world with delightful variations according to topographical, climatic and community influences. Patterns are created on the fabric by resisting sections of the cloth by tying them before the dyeing process. Bandhani of Gujarat is known for its intricacy and delicate detailing of dot patterns. This craft form is prevalent all over the state with variations according to community need, ritual use or social occasions. The color patterns and positioning of the design along with its theme and elements differs according to the community using it. Design elements vary from simple flora and fauna to patterned landscapes, mythological themes, and geometrical designs. Overall dot patterns give an excitingly wonderful texture to the fabric. According to the demands of the product the bandhani is worked on a variety of fabrics.
Geographical Origins in State- Kutch, Jamnagar, Surendranagar, Anand districts
Community Involved- Traditionally practiced by Khatri artisans though now other communities are also adapting the profession.
Traditional Product- Saris, Aba, Dupatta or odhni, gharchola saris, panetar saris
Contemporary Products- Saris, scarves, stoles, yardage, salwar-kurta, garments
Raw Material Used- Cotton fabric, silk fabric, natural dyestuffs- indigo, alizarin, myrabalan, alum, oxidized iron, chemical dyes
Tools and Equipment- Pointed rings, dye vats, stencils
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Ajrakh
Ajrakh is a form of lime resist, double sided block printing and is a shared heritage of Kutch, Sindh and Rajasthan. Ajrakh is an old, traditional mode of printing based on strict geometric principles and mathematical codes. The complex design forms on the fabric are interpreted as a binding of the universe, showcasing elements that make up nature. The ever changing sky is also mirrored on an Ajrakh fabric which explains the origins of the term ‘Ajrakh’ meaning evening sky in Arabic. The fabric undergoes a complex treatment of lime resist, mordanting, printing and dieing, with the deepest blue of indigo and the red of madder forming its primal identity. The Ajrakh fabric has been known for its inherent quality of remaining cool in the summer and warm in the winter.
Geographical Origins in State- Kutch District(Ajrakpur, Dhamadka, Khavda)
Community Involved- Khatri
Traditional Product- Men’s sarong(lungis), turbans
Contemporary Products- Men’s sarong(lungis), turbans Saris, scarves, stoles, tablecloths, cushion covers, bed covers, curtains,
Raw Material Used- Cotton/silk/cotton jute fabric, natural dyestuffs- indigo, alizarin, myrabalan, alum, oxidized iron,
Tools and Equipment- Blocks, brushes, vessels, Printing table
Block Printing
Block printing is one of the oldest surfacial textile art forms in Gujarat dating back 4000 years. This unique craft form established historical links of the state with other civilizations, the oldest dated examples were found in the EL Fostat Collection in Egypt. Block printing is practiced all over Gujarat and is still a significant textile item of export. A Block is a carved relief design on the surface of a wooden piece. The surface of the block is first smeared with dye and then applied on the fabric forming a regular repeat pattern. Block printing designs vary according to a variety of use, elements and design themes. Some of the most popularly known ‘block printed textiles’ of Gujarat are Ajrakh, Sirak, Saudagiri, jaal etc. Direct, Resist, discharge, and batik methods are some of the prevalent techniques used in Gujarat.
Geographical Origins in State- Kutch, Ahmedabad, Banaskatha, Jamnagar districts
Community Involved- Khatri
Traditional Product- Men’s sarong(lungis), Bed covers, tent hangings, yardage, garments, saris etc
Contemporary Products- Home Furnishings (bed covers, cushion covers, curtains, table sets) apparels and accessories.
Raw Material Used- Cotton/silk/cotton jute fabric, natural dyestuffs- indigo, alizarin, myrabalan, alum, oxidized iron, chemical dyes( acid, aerosol, pigment)
Tools and Equipment- Blocks, brushes, vessels, Printing table
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Embroidery
In Gujarat, Embroidery has been a textile art which is dexterously worked on fabric with needle and thread creating a colorful juxtaposition of patterns and forms in a celebration of life enchanting both the user as well as the viewer. It is an age old tradition generally passed down from mother to daughter with minor variations in technique. The styles range from the bold to the intricately detailed. Embroidery apart from helping to pass the time, also identified variations in communities according to the design pattern and images sown on the fabric. The choice of fabric and thread depends largely on end usage and the kind of technique involved differs across community lines. Some of the prominent embroidery styles according to community and region are Rabari, Jath, Suf, Mutwa, Ahir, Ari, Bhadwad, Kanbira, Khudi Tebha, Jardosi, Parsi and Khatla.
Embroidery was seen earlier as a means of social expression, but today’s contemporary markets have developed embroidery into a viable craft form being utilized in a wide range of products. In certain parts of Gujarat, men folk also have picked up this form because of its market viability.
Geographical Origins in State- Kutch, Ahmedabad, Anand, Surendranagar, Patan, Panchmahal, Bharuch, Rajkot, Jamnagar, Junagadh, Bhavnagar
Community Involved- Rabari, Ahir, Meghwal, Soda Rajput, Jat, Bhadwad, Mansuri, Mochi, Dawoodi Bohra, Nagar , Parsi etc
Traditional Products- Garments, Home Furnishings, Accessories
Contemporary Products- Home Furnishings, apparels and accessories.
Raw Material Used- Cotton/silk/cotton jute fabric, Leather, Cotton/ silk yarn for embroidery
Tools and Equipment- Sewing Needles, Punchers, Scissors
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Appliqué
Appliqué is an ancient textile art technique prevalent the world over of reutilizing worn or old fabric and working it into other products of household use while increasing its durability and strength. The art of appliqué is commonly practiced by communities across the state of Gujarat. A charming variety of styles, methods and an interesting bevy of patterns add to the beauty and difference across communities, elevating Gujarati appliqué to an eco-friendly aesthetically enervating craft form. The increase in commercial value has appliqué incorporating design innovations and utilizing a wider variety of interesting, new textiles to suit every occasion.
Geographical Origins in State- Kutch, Ahmedabad, Vadodara, Jamnagar districts
Community Involved- Rabari, Meghwal, Jat, Mutwa, and Islamic communities
Traditional Products- quilts, torans, pouches, cart covers
Contemporary Products- cushion cover, quilts, bags, pouches, wall hangings
Raw Material Used- fabric pieces
Tools and Equipment- scissors, needle Top
RoganRogan is the art of painting the surface of fabric in a variety of forms and design patterns. The Rogan artist uses a mixture of purified castor oil and a natural dye-paste made from earth and mineral sources, applying it over the fabric with a metal stylus. The finished product leaves an interesting embossed feel over the design. The craft form requires skill and is quite labor intensive. Rogan is available in a wide range of color and patterns. It began as a cheap alternative to embroidered textiles and mirrors a lot of patterns and forms common to it.
Geographical Origins in State- Kutch district
Community Involved- Khatri, Ahir
Traditional Products- skirts for Ahir women, scarves, toran
Contemporary Products- wall pieces, scarves, cushion covers, bed covers
Raw Material Used- resin, pigment dyes
Tools and Equipment- furnace, wooden stick, aluminum pots, grinding stones
Namda
The craft of felted Namda is practiced by the Pinjara and Mansuri communities of Eastern Kutch district, who also make felted Daddis or saddles commissioned by the Darbar community of Saurashtra. The craft traces its origins to Central Asia and was introduced here through migratory trade. Wool is rolled by hand into felt to make slivers and balls which are then spread out and joined together to create a fascinating pattern. The craft form relies on the wool’s adhesiveness to bind the various parts. The entire family of artisans participates in the making of this craft item.
Geographical Origins in State- Kutch district
Community Involved- Pinjara and Mansuri
Traditional Products- Prayer rugs, toran, caps
Contemporary Products- floor coverings, caps, saddles, toran
Raw Material Used- wool, fabric
Tools and Equipment- needle, thread, tool to separate the wool fibers, wooden rods
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Mashru
Mashru is a mixed fabric of cotton and silk tie and dyed yarn, woven in a satin weave to enable the silk to float above the cotton. As certain religions frowned upon the use of silk this technique offered a way out increasing its value as yardage in the use of garments. Mashru is today used by various communities and is also actively exported to Turkey and the Middle East.
Geographical Origins in State- Patan district
Community Involved- Local weavers
Traditional Products- Yardage( which was later stitched into garments by the users)
Contemporary Products- Yardage
Raw Material Used- Cotton and silk yarn, dyes
Tools and Equipment- Pit loom
Bead work
Beadwork is an old craft form but gained popularity in Gujarat post 18th century when beads began to be used in conjunction with embroidery. A variety of jewelry and accessories are also now being made using beads in various colors, shapes and sizes. Beadwork ornamentation form an important part of a tribal woman’s dress wear and vibrantly exciting work is to be found around the tribal belt of South Gujarat. Bead work in embroidery is popular throughout the state varying in style according to the region. Beads braiding techniques are also used to make torans and accessories by women in Amreli and Ahmedabad districts.
Geographical Origins in State- Vadodara, Kutch, Dahod
Community Involved- tribal communities
Traditional Products- necklaces, anklets, earrings, bracelets
Contemporary Products- necklaces, anklets, earrings, bracelets
Raw Material Used- wood, glass, metal, terracotta beads
Tools and Equipment- thread and needle
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Dances of Gujarat
Gujarat, home of diverse indigenous tribes and communities is a land of celebration, articulated with ethos and gaiety of originality and creativity. Nritya or dance, a movement, a glance, a practical opera, an impromptu jig, all of whom conveys inklings of who we are and where we belong! Through times primordial mankind has traversed the boundaries of expression, using and developing constantly and evolving tools as supplements to aid the human body and mind in search for self expression.
Dance forms of Gujarat reflect and resonates the exclusively rich diversity while defining the cultural identity and uniqueness of the state. In Gujarat, the desire to express a gamut of emotions varying from the most obscure and sometimes mundane elements to triumphant and exultant occasions, ranging from happiness to anger, entertainment to communication, chroniclers of life and death, celebration of events, fairs and festivals, rituals and religions, community bonding and the release of the cathartic self has found means of expression through the element of dance!
Garba or Garbo
Garba or Garbo is one of the most vital and popular form of dance which has won attention and admiration across the world. Over generations people in Gujarat have considered this highly appreciated manner of dance as prime form of gaiety and celebration. The origin of the word Garba lies in the cosmic perception of Garbha or the womb as the ultimate well spring of life. Traditionally, this is indicated with setting up in the center of the ceremonial venue an Image or idol of Mother Goddess along with nine grains symbolizing the nine planets sprouted in earthen pots and a diya or light signifying energy. Garba, the dance which is composed in rhythmic recurrence of the dancers going around the symbols in rounds, represent the magic circle of life around the embryonic existence. Garba forms the most unique ritual during Festivals like Navratri, Sharad Purnima, Vasant Panchami and Holi. Navratri, the nine day festival of venerating the mother goddess is considered incomplete without the festive performance of garba. While, all celebratory and special social occasions like engagements, marriage, pregnancy, child birth etc are bejeweled by the graceful movements and poise of garba musicians and dancers. The dance form with variations defining the topography and ethnic differences is equally enjoyed by all communities and social strata of the state.
Dressed and adorned in traditional multicolored attires, men and women partake in this spirited celebration with bliss and fervor. The unique essence of the ceremony is the songs on which the dance is performed and is handed down through generations. One of the singers, sing the first line followed by the synchronized chorus of others and the clapping hands of the dancers. Sweeping and swaying gestures of the dance along with the hum of the songs and applaud of the hands correspond to the drumming of the dhol. With the beat of the musical instrument, the performance which begins with a slow tempo catches up to the prompt pace and zeal of the musician and the dancers. Garba today in some cosmopolitan areas has moved beyond the traditional norms and is also an eminent dance form during Navratri showcasing contemporary trends, music and styles of performances. Sheri or traditional garba can still be enjoyed in villages and certain parts of Baroda, which is also known as the garba capital of Gujarat! Top
Raas Raas, the unique dance form which originated in the region of Kutch and Saurashtra has become an integral component of entire Gujarat’s ethnic persona. The dance form dates back to the Puranic period and is believed that Raas Leela or Raas used to be performed by Shri Krishna along with his Gopis to rejoice love and ardor. In certain regions of Gujarat, the pastoral communities relate the dance form to agricultural rituals and perform it to celebrate good harvest. It is practiced all over the country as well as Gujarat with stylistic differences; in the state, history recounts 36 different forms of raas styles, out of which only few have significantly survived at present. This ardent dance form is enlivened with varied approaches of the dancers signifying their cultural and guild identity.
Danda Rasaka in which danda or sticks are used, is also prevalently known as Dandiya and is quite admired by young men and women of all communities. In this the dancers move back and forth in circle, to the beat of the dhol harmonizing the vociferous tempo created by the striking of wooden sticks of the partakers. A similar act known as Mandala or Tala Rasaka is performed on the beats of handclaps; this was traditionally also known as Hallisaka and finds a mention in Harivamsa Purana.
Maniaro, the raas practiced by the Mer community who belong to the warrior origins traces the rhythmic movements of swords and is full of vehement zest and passion. Gof Raas is another unique form of this dance form in which the performers holding colored strings tied on a pole, move in circles weaving and unweaving different patterns.
Exclusive and vibrant raas styles, with the dancers attired in ethnical costumes and the spirited musical pace intensify the zeal and delight of the onlookers bringing them closer to the unique cultural plethora of the region. Top
Hoda Raas and Raasda
Hoda Raas is practiced by the Bharwad or the Shepard community characterizing the Gop culture in Saurashtra. The Hoda Raas is choreographed with pairs facing each other and opposite partners clap hands while thumping their feet on the ground. The homogeny of sound produced by this compliments each other and resonates even without vocal music.
Raasda is similar form of dance composition customary to the community. This dance form is performed by both men and women, expressing joy and fervor and has so religious significance. The participants use the reverberation caused by clapping hands as the music beat for this performing art.
Top Hudo
Hudo dance form is one of the most unique and vibrant attraction of the Tarnetar Fair. It is performed by the men of Bharwad or Shepard community with vigor and gusto, complimenting the colorful costumes and jewelry. Bharwad men and women dressed in multihued, embroidered attire, heavy jewelry and embellished shoes dance to the tune of love songs with a verve and desire to match each others intensity and zest. Standing in pairs facing each other, the men mimic flocks of sheep ramming their heads. The rhythm and tempo of the dance form keeps building up as they shuffle back and forth clapping their hands with a thundering force. Top
Tippani
Tippani is a style of dancing which reflects the dynamism and cadence of fun and pleasure, translated by women even in mundane chores like construction. The coastal region of Chorwad in Saurashtra is home to the Kharva and the Koli tribes. Women of these communities working as laborers in architectural construction sites used tippani, a long stick fitted with a square wooden or iron block at one end to beat the lime into the foundation. The striking of sticks together on the surface of the floor creates an enchanting and vivacious beat evading the monotony of tiresome and strenuous process of their task. This simple manner of amusement gave name to the dance form and has got interpreted into famous performing art known as tippani in which women stand in two rows facing one another and sway with pleasure to the beats of the stick and music. TopDangi Nritya
Dangi Nritya is known for its vim and vigor full of life and soul and it echoes the reverence of nature and celebration of life by the indigenous tribes residing in the Dang region of Gujarat. This clannish dance form performed by the Bhil, Konkan and Warli tribes is a unique, harmonious blend of Gujarati and Maharashtrian cultural ethos. Men and women dancers hold hands at the waist and form a chain almost emulating the sinewy appearance of a snake. With the changing tunes of the musical instrument kahalya or sharnai, the leader of the sequence direct varied chala or movements creating an undulating serpentine dance routine. 25-27 different types of chalas or movements are maneuvered in fraction of seconds imparting a vivacious enthusiasm to the dancer as well as the viewer. The most illustrious chala of building a human pyramid can make one skip a heart beat while watching the dancers compose the form keeping sync with the music and equilibrium. TopSiddhi Dhamal
Metronome beats of percussion instruments making a wide array of drums and cymbals and thumping feet identify the Siddhi Dhamal dance form. The performance is reminiscent of the vitality and fervor of Shamanic ritual ethos and is performed by the Siddhi community, who originally migrated from East Africa bringing along with them their cultural and traditional minutiae. Siddhi men in Kutch and Saurashtra areas where the indigenous tribe resides, practice this distinctive form of dance during festive occasions. Forceful, dynamic leaps and jumps, fierce facial expressions and an exclusive range of musical instruments create an animistic ambience for the onlooker. The distinctive use of mashira, a prop used during the dance makes Siddhi Dhamal an inimitable and astonishing for of performance. Mashira the prop is made of a coconut casting filled with shells and wrapped in fabric, and at the culmination of the performance it is tossed in air, followed by its cracking on the dancer’s head.
Sufi Dhamal akin to Sufi Dervish dancing is another form of dance practiced by the Siddhi community in Bharuch. The community here is considered to be hereditary keepers of a famous Sufi shrine and the music and dance is a form of votive offering to the saint. Top
Manjira Nritya The sweet tymphony of cymbals created by a folk percussion instrument known as manjira characterizes the dance form and is known as Manjira Nritya. The dance forms part of religious ceremonies and is accompanied by Bhajans or devotional songs. The dancers perform variety of poses by standing, turning, sitting and lying on the ground. Manjiras tied on their feet and hands create melodious symphony of bringing serene and delightful spiritual experience for the listener.
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Holi Nritya
Holi, the festival welcoming spring is another popular occasion besides Navratri when various tribes and communities celebrate and express their joy and venerate nature through the form of dance.
In Panchmahal district, the adivasis or tribal people get together during the Golgadheda fair and relight and dance with the drumming of dhol. Another form of dance in the same region is performed during this time in reminiscing to Lord Shiva’s Tandav Nritya.
Aaleni-Haleni is practiced by the Bhil women in Vadodara district, to welcome spring which brings greenery along with the fiery warm hues of flowers from the Flame of Forest trees. Men and women holding each others waist form a chain and dance to the melody of nature in harmony with the musical instruments.
Rathwa Holi Nritya is one of the most delightful and picturesque dance form rejoicing the advent of spring is practiced by the Rathwa community in the regions of Chota Udaipur. Men of this community are bedecked in traditional attire and silver jewelry; their bodies are decorated with repetitive small white circles made of rice powder and ash giving him the regal appearance of a leopard, his head is crowned with a royal head gear of peacock feathers and he wears a belt made of large metal bells around his waist. Decked for the occasion, these men with drums in hand, sing and dance echoing rhythm of jingling bells with their exaggerated hip movements.
Following this is performed the Bhangoria dance, in which these men form a human pyramid while women of their kin dressed in bright red veils and skirts hold hands making a large circle moving around the human sculpture.
Bhavada, the mask dance performed by the Kunkanas, Varli and Gamit tribes is also a very unique form of performing art in reverence to the harvest season. Elaborately painted masks made of wood are worn by the tribal dancers as they move from place to place to collect contributions. Bhavada dance sometimes carries on through the night and dancers wearing different wooden masks representing characters of social or religious significance bring life to the performance.
The vast state of Gujarat is home to miscellaneous groups or communities with widely divergent anthropological, professional and religious backgrounds. This social diversity along with the significantly assorted ecological variations has been primary source of inspiration giving birth to number of dance forms. Garba and Raas are the most prevalent forms of expression performed with stylistic variations defining the individuality and eccentricity of the communities. Besides these there are innumerable styles of dances forming part of rural Gujarat’s daily life. Changing times and trends and introduction to popular forms of technological media are also spelling a death knell for many of the exclusive art and dance forms. Top
Agriculture
Khetibaadi or agriculture forms the vital segment of Gujarat’s economy and is the prime source of income for rural residents. Around the length and breadth of the state, the miscellany of lands is marked by the assorted range of numerous crops and plants. In Gujarat, farming and other related guilds form an integral component for a number of communities and their life, culture and social ethos revolve around it. The harvest seasons, mark the beginning and end of enduring economic cycles and festive occasions like Diwali and Holi celebrate these rotations. Art, music and dance forms in many regions of Gujarat have found their origins in the celebratory veneration of nature and its blessing in form of crop cultivation.
The history of agricultural processes in the state goes back to almost 3000 years. Located on the banks of river Indus, parts of northern Gujarat has been a significant settlement zone for early Agrarian communities. In Gujarat, Topographic diversity, varied range of soil types and distinctive agro-climatic conditions has been ideal for the growth of plants which directly or indirectly have been conducive to the generation of trade and commerce. Cultivation of Cotton, Indigo, and Al attracted a major amount of attention across the world and created a revolution in agricultural and textile history.
Geo-political stability ensured long periods of peace and prosperity thus propelling advancement in agricultural implements, soil and crop experimentation and the domestication of certain flora and fauna which would later prove to be commercially viable.
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Agro- Products
At present, the agricultural sector accounts for almost 15% of Gujarat’s GDP (Gross Domestic Product). The state with its wide natural horizon and indigenous pastoral communities yield momentous variety and magnitude of agro-based products. Over years cash crop has been pre-dominating the agricultural sector of Gujarat. The state is considered to be the second highest producer of tobacco and 18% of cotton and 30 % of groundnut cultivation of the country is accounted from Gujarat. Some of the other cash crop varieties being popularly grown in the state include, paddy/rice, maize, sesame, castor, mustard,isabgol, cumin, sugarcane, jawar, bajra, wheat, pulses, tuwar, chilies, potatoes, onion, ginger, garlic and gram.
The agricultural sector also constitutes of adequate amount of forest yield, medicinal or herbal plants and aromatic categories of shrubbery. Honey, wax, bamboo, teak, khair, sadad, neem, etc exemplifies these varieties. In the recent years, Horticulture has become priority sector in agriculture by virtue of its vast potential improving the socio-economic conditions of the farmers. Growing interest and opportunities provided by the government has recently seen a popular expansion in horticulture cultivation. Valsad in southern Gujarat is considered India’s first integrated horticulture district. Mangoes, banana, lime, pomegranate, dates, amla, papaya, guava, coconut etc are conducive to the soil variety of the region and are cultivated across the state.
Gujarat is also successfully emerging in the field of agro-industries which add value to agricultural products. Ready to use Usable or edible products are also being processed by many farmers keeping in mind the need and requirements of the consumer.
The state is also rich and popular for Dairy Farming and goes into the annals of history for the White or Milk Revolution of Anand District. Animal husbandry and dairy plays a significant role in the rural economy of the state. Dairy farming operates in cooperative basis and has millions of men and women members across the state. Top
Agro-Climatic Condition of the State
The vast state of Gujarat has been categorized based on the agro-climatic conditions of the regions into seven distinctive categories are-
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South Gujarat (Heavy Rain Area) - This segment comprises of the area south of River Ambika and include Dang District and part of Valsad (excludings Navsari and Gandavi talukas) and Surat district (Valod, Vyara, Uchchhal, Songadh and Mahuva). With rainfall rating above 1500mm and deep black soil with patches of coastal alluvial and laterite variety spread all over these areas, the regions are favorable for growing Cotton, Jowar, Paddy, Vegetables, Horticultural Corps, Sugarcane and Hillamillest.
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South Gujarat- It covers areas between River Ambica and Narmada and the district incorporate Valsad (Navsari and Gandavi talukas), Part of Surat district (Kamrej, Nizar, Palsana, Bardoli, Mangrol and Mandvi talukas) and segments of Bharuch district (Ankleshwar, Valia, Junagadh, Rajpipla, Dediapada and Sagabara talukas) Rainfall measures between 1000-1500 mm in these areas and the soil is deep black clayey variety. Cotton, Jowar, wheat, sugarcane and horticultural plants yield good results in these areas.
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Middle Gujarat- The areas between River Narmada and Vishwamitri including districts of Panchmahal, Vadodara, Bharuch district (Bharuch, Amod and Jambusar talukas) and Borsad taluka of Kheda district. 800-1000 mm of rainfall bestows this region and the soil variety encompasses deep black, medium black alluvial to loamy sand. Cotton, Bajra, Tobacco, Pulses, Wheat, Paddy, Maize, Jowar and Sugarcane are popularly grown in these areas.
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North Gujarat- This group includes areas between River Vishwamitri and Sabarmati roping in Sabarkantha District, Part of Ahmedabad district,(includes Dehgam, Dascroi & Sanand talukas), Kheda and Mehsana district and Part of Banaskantha district (Deesa, Dhanera, Palanpur, Danta & Vadgam taluka. With an annual rainfall measuring 625-875 mm and sandy loam to sandy variety of soil the area has been growing Tobacco, Wheat, Jowar, Minor Millet, Vegetables, Spices and condiments and Oil Seeds.
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Bhal and Coastal Area- Area around the gulf of Khambhat and Bhal & coastal region in Bharuch and Surat districts which incorporates Olpad talukas of Surat district, Hansot & Wagra talukas of Bharuch District, Dholka and Dhandhuka talukas of Ahmedabad district, Vallabhipur and Bhavnagar talukas of Bhavnagar district, Limbdi talukas of Suredranagar district. Rainfall rates between 625-1000 mm but the region has medium black, poorly drained and saline soil variety. Groundnut, Cotton, Bajra, Dry wheat Pulse, & Jowar are the crops grown in this region.
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South Saurashtra- The sector includes Junagadh district, Bhavnagar district (Sihor, Ghogha, Savarkundla, Gariadhar, Palitana, Talaja, & Mahuva talukas), Amreli district (Dhari, Kodinar, Rajula, Jafrabad, Khambha, Amreli, Babra, Lilia, Lathi & Kunkavav talukas) and Part of Rajkot district (Jetpur, Dhoraji Upleta & Gondal talukas). Rainfall rates between 625-750 mm and the area constitutes of Shallow medium black calcareous soils. The prevalently grown crops of this area are Groundnut Cotton & Pulses Wheat, Bajra, Jowar, & Sugarcane.
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North Saurashtra- Jamnagar district, Rajkot district (Padadhari Lodhika, Jasdan, Rajkot, Wankaner, Morvi, Jamkandorna & Kotda Sangani Talukas, part of Surendranagar dist. (Wadhvan, Muli,Chotila and Salya talukas) and Bhavnagar district (Gadhada, Umrala, and Botad talukas) fall in this sector. 400-700mm of annual rainfall and shallow medium black soil variety is inherent in these regions. Crops commonly cultivate in these areas are Groundnut, Cotton, Wheat, Bajra, Jowar & Sugarcane.
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North West Zone- The last group or segment comprises of Kutch district, Malia taluka of Rajkot district, Halvad, Dhrangadhra and Dasada talukas of Surendranagar district, Sami, Harij and Chanasma talukas of Mehsana district, Santalpur,Radhanpur Kankrej, Diyodar Vav and Tharad talukas Banaskantha district and, Viramgam and Daskroi city of Ahmedabad district. With an annual rainfall rating between 250-500 mm, the area encompasses of sandy and saline soil variety. Cotton, Jowar,Groundnut, Bajra & Wheat are common harvest of these regions.
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IrrigationIrrigation in the state largely depends on natural resources like rainfall, ground water, and surface water sources. As rainfall varies from region to region, most significant supply for irrigation are ground water and surface water resources. The Sardar Sarovar Narmada Project (39.40 lakh hectares surface water and 29.10 lakh hectares groundwater) irrigates about 68.5 lakh hectares of land. A number of farmers in the state have started adapting rain water harvesting, drip irrigation and other such measures to save water.
Present Day Farmers of Gujarat
Farmers of Gujarat are very progressive and open to advancement and development of farming technologies and enhancements for the betterment of their land and harvest. These socially responsible and considerate cultivators on one hand are aware of the advancement of bio-technology and its benefits to agriculture on the other hand with the growing awareness of issues related to land degradation and climate change, many farmers are reviving traditional methods of natural and organic farming. Gujarat today has a growing keenness in natural ways of cultivation and farmers all over the state are relearning, teaching, sharing and using traditional and ecologically viable farming methods. Top
Musical Instruments
Gujarat has a highly varied assortment of folk music styles, and numerous instruments can be found in different regions of the state. Some, such as the dhol, are not originally Gujarati (the dhol comes from Punjab) but have been completely adopted as a central part of much Gujarati music. Others originated in a region that includes Gujarat but also parts of Rajasthan and Sindh (this is especially true of instruments found in Kutch, since Kutch shares so much culture with Sindh.) And still others are uniquely Gujarati. Because instruments are by nature widespread and shared between many regions, they are listed here all together, not separated regionally, except for those from Kutch, which tend to be different from instruments used in other parts of the state (still, many of these are shared as well.) DholThe dhol and its variants originate in northwest India, including Gujarat, Rajasthan, Haryana, and Punjab, as well as on the Pakistani side of the border, but is popular in many other parts of India as well. It is a barrel shaped drum with two heads, hung over the neck and shoulder of the dholi, or player, so that one head hangs at the height of each hand. Two sticks are used to play the drum; a light, thin one is used on the treble side to achieve a sharper sound, and a thick wooden one, with a curve at the end, is used for the bass side to create a deeper tone.
Traditionally, the heads were made of goat skin, tightened with a rope woven back and forth across the barrel from one head to the other. While this is still common, many dhols are now made with Western synthetic drum heads, especially for the smaller side (giving a sharper sound), tightened with screws. The dhol is used extensively for ras and garba music, as well as for many other varieties of folk music in Gujarat, and bhangra and other folk music of Punjab. The smaller variant of the dhol is called dholak, and in northern Gujarat, the ram dhol is a larger dhol made with cow or camel skin instead of goat.
Manjira
The manjira are a pair of small brass bells, with a flat shape, usually used for singing devotional bhajans, providing a high metallic sound to accompany lower tones from drums.
Ram SagarThe ram sagar is a single-stringed instrument strummed to accompany devotional songs. It is associated with the singer and poet Narsinh Mehta, who would use it while singing his bhajans. Top
Morli (also known as Poongi)
The morli or murli is commonly known as the “snake charmer instrument,” as it is often used for that. The upper part is made of a gourd, which is blown into, and directs the air into two reed pipes in the lower part, which are played by covering and uncovering holes on them. The sound is shrill and buzzing, and quite loud.
Pavari
In southern Gujarat, the pavari is a typical horn. It is made from a gourd and a cow horn, and blown to produce low tones, often a long, monotonous sound as a base for other instruments to play on. It is about 4 and half feet long, with peacock feathers embellishing it on top
Bhungal
The bhungal is a horn made of a very long, thin, copper pipe often around 2 m in length. It is held in the air pointing upward from the head and blown with a trumpet-like blowing technique. Typically played by two musicians, one with the “male” instrument and the other with the “female”, the bhungal is typical in the Gujarati folk theatre style known as bhavai.
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Instruments of Kutch
The deserts of Kutch are home to a great number of musical instruments, many of which are shared with other regions of Gujarat, parts of Rajasthan, and Sindh (now in Pakistan.) A sampling is as follows:
Surando
The surando is a 6-stringed played with a horse-hair bow known as gaz, or gazi according to local dialects. Five of the strings are steel and one is bronze, allowing for different tone. Unlike the Western violin, the surando is held vertically, similar to the classical sarangi. The Surando often accompanies the jodia pava (see below.) Unfortunately, there are no more surando players alive in Gujarat, thought some can still be found in Rajasthan and Sindh (Pakistan.)
Santaar
The santaar is a long-necked instrument that is strummed to accompany folk singing. The strings are normally tuned to the root chord of the key in which the singer will sing. While singing, the singer will strum the santor as a sort of drone, to provide a musical foundation on which to sing, which remains constant throughout the song. The strings are not fretted or otherwise changed, so the notes do not change. Top
Jodia Pava
The jodia pava is actually a pair of flutes held in the mouth at the same time, in which one flute is used to play the melody while the other provides a constant drone note. Both flutes are around 50 cm long, and are known as nar (male) and madi (female, also called mali.) The nar has eight holes and plays a constant drone note; by choosing how many holes to cover before playing, the drone note can be changed. The madi has twelve holes, six of which remain open at all times. The other six are used for weaving a melody on top of the base note from the nar. A special circular breathing technique is used to create a continuous sound that need not be broken in order to take more air into the lungs. The jodia pava is also played by the Jaths in other parts of the state. Top
Ghado or Ghagar
The ghado is a ceramic percussion instrument shaped like a large pot. The ghagar is a larger version of the ghado, with a shorter neck. Rhythms are played with one hand hitting the side of the instrument and the other playing the open mouth at the top, leading to a variety of possible sounds. The ghado is often playing with the surando. Top
Nagfani
The nagfani is a long thin pipe made of brass or bronze, but made in a wavy pattern. The pipe snakes up and down in a serpentine shape, giving it the name nagfani. The blowing technique is similar to that of a conch shell, a trumpet, or an alpenhorn, with the lips pressed together and vibrating to create a long blast of the horn.
Nagara
The Sindhi nagara derives from the naqqarah of Arabia, and refers to a pair of drums. They are made in a hemispherical bowl shape with a skin stretched over the top as a drum head. They are made either from baked earthenware, or a metallic sheet (copper, brass, or iron), with a hole in the back for water to be poured into the bowl. This allows for control over the tension of the drum head; the amount of water controls the type of sound produced. The drums are played by squatting with both drums in front of the playing, and using one drum stick in each hand. The technique is quite complicated, using many different types of strokes to strike each of the drums, often crossing the hands or using backhand strokes to achieve complex rhythms and varied tonality of each beat TopBhorrindo
Very similar to the ocarina of Latin America, the bhorrindo is a hollow clay ball with three or four holes. The largest of the holes is blown across like the mouthpiece of a flute, creating a sound, and the other holes are alternately covered and uncovered to produce different pitches. Because it is easy to play, it is a popular instrument among children, while out herding animals.
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Morchang
Like many different cultures around the world, Kutch has developed a kind of mouth harp, known as the morchang. Because it is made of more robust metal than other mouth harps (such as those found in Vietnam or parts of Siberia), it is more difficult to play, and also gives a different tonal quality. The harp is held between the teeth with the mouth open to use the vocal cavity as a resonance chamber. The vibrating prong that crossed the opening of the mouth is struck with the finger to produce the vibration, which is amplified by the air space in the mouth, cheeks, and neck. Variations in the shape of the chamber, caused by moving the cheeks, tongue, jaw, and neck muscles, can create many variations in the sound, which tends to be quick and rhythmic.
Heritage Hotel |
Balaram Palace Resort |
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Constructed in the late 1920s, Balaram Palace was the weekend retreat and hunting resort of the Lohanis who ruled from Jalore in southwestern Rajasthan. The palace is a gracious work of neo-classical architecture, with 13 acres of private wood-lands and formally landscaped gardens with Mexican lawns, exotic flowerbeds, modern fountains and a well-concealed music system.
Address
Village Chitrasani,
Balaram, Gujarat, India. |
Facilities |
- 4 Gold rooms, 12 Platinum rooms and 1 Nawabi suite all with TV, refrigerator, attached baths, fireplace and handcrafted furniture.
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Reception, Facsimile, travel assistance, credit card acceptance and money exchange counter.
- Fully facilitated conference hall with slide projector, overhead projector and screen.
- Multi-cuisine air-conditioned restaurant.
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Fitness center, swimming pool, riding, slopping arcade
13 acres of private woodlands for walks and gentle treks.
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Distances |
Balaram Palace Resort is located 167 kms. from Ahmedabad, 14 kms. from Palanpur station. It is 3 kms. off the Ahmedabad-Mount Abu National Highway-14. It is a very convenient stopover between Ahmedabad and Destination of Rajasthan. |
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Hotel Nilambag Palace |
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In the hectic commercial and industrial city of Bhavnagar, Nilambag Palace Hotel comes as a pleasant juxtaposition with its cress of lush green lawns and beatific foliage surround the imposing Khakhi stoned structure. Built in 1859 A.D., this relic of the past, home to the ruling Gohil dynasty of Bhavnagar, now stands as a Heritage Hotel.
Address
Bhavnagar-364002, Gujarat, India. |
Facilities |
- 24 air-conditioned double bedrooms with attached baths, period furniture, and telephones.
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Fax-telex, travel assistance. Money changing counter.
- North Indian, Chinese, Continental and South Indian meals available.
- 24-hour room service.
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Romanesque swimming pool, tennis, shopping arcade.
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Riverside Palace / Orchard Palace |
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The Riverside was once the Yuvraj Bungalow (residence of the Crown prince of Gondal). Today it offers suites of dining, drawing, bedroom and bathroom each. Both properties are spanned by historic photographs, miniature and oil paintings, prints, beadwork embroidered wall pieces, antique furniture and brassware. The Huzoor Wing of the Orchard palace is still occupied by members of the royal family. Guests are accommodated in the 1875 AD Riverside Palace.
Address
Palace Road,
Gondal ,
Gujarat, India . |
Facilities |
- 19 double bedrooms with attached baths furnished with attractive period furniture.
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Swimming, squash, table tennis rowing/motor boat cruises on Gondal Lake.
- Jeep Safaris
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Folk Shows and theme parties
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Distances |
Balaram Palace Resort is located 167 kms. from Ahmedabad, 14 kms. from Palanpur station. It is 3 kms. off the Ahmedabad-Mount Abu National Highway-14. It is a very convenient stopover between Ahmedabad and Destination of Rajasthan. |
Rajwant Palace Resort |
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The Rajwant Palace Resort is a part of the 7acre Vijayraj palace complex constructed for Maharajah Vijay Singhji in 1915. The palace resembles a typical European mansion, with its Romanesque dome, classical columns, Greek capitals, and Venetian doors, Gothic arches. The interiors are appointed in original period furniture. A few rooms of the palace are set aside for a museum of trophies, stuffed animals, mirrors, portraits, textiles, glass and ceramics.
AddressDist. Narmada, Rajpipla - 393145, Gujarat, India. |
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Facilities |
- 24 hrs. hot & cold water.
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24 hrs. Room Service.
- Swimming Pool, Indoor & Outdoor Games.
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Laundry service.
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Car Rentals.
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Safe Parking.
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BOB/ Master/Visa Credit Cards accepted.
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Vijay Vilas Palace |
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Built in 1929 by Rao Vijayrajji, this palace is very well-maintained, and often the scene of filming for Bollywood productions. It was built of red sandstone in the Rajput style, with a main central dome, Bengal domes at the sides, bastions at the corner, and colored glass windows. The balcony at the top affords a superb view of the surrounding area, and the king's tomb can also be seen.
The palace is 7 km from the center of town, open every day from 9am-1pm and 3pm-6pm.
Swiss tents with all modern amenities like Air conditioning, hot & cold water, etc are available for accommodation in the palace complex which also consists of a private secluded beach. |
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Royal Oasis & Residency |
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The Royal Oasis and the Residency are located in the erstwhile princely state of Wankaner. The palace is a stupendous work of Venetian-Gothic architecture in an oriental vein, with arches, balconies, marble biradaris and pillared porticoes. The interiors are equally delightful in their profusion of Italian marble, stained glass windows, European chandeliers, French crystal, Belgian glass, Burma teak furniture, Persian rugs, custom woven Mirzapur carpets, magnificent drawing room and spiral staircases.
AddressTaj Palace, Dist. Rajkot, Wankaner, Gujarat, India. |
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Darbargadh Poshina |
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The rulers of Poshina were descendants of the Chalukyas, who ruled much of Gujarat and Central India in the 12 th century. The Darbargadh was once the pride of the Chalukya dynasty. This palace has huge gateways, a massive dome, numerous pillars and arches. It offers pleasant courtyards, gardens, lawns, shady trees and terraces with views of the Arravalli mountains. Ancient fort walls and the old prison are reminders of the property‘s history.
Address
Poshina.
Gujarat, India . |
Facilities |
- 24 air-conditioned double bedrooms with attached baths, period furniture, and telephones.
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Fax-telex, travel assistance. Money changing counter.
- North Indian, Chinese, Continental and South Indian meals available as well as 24-hour room service.
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Romanesque swimming pool, tennis, shopping arcade.
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Distances |
Poshina is located 51 kms. from Abu road station, 140 kms. from Udaipur, 180 kms. from Ahmedabad, Poshina is a possible stopover between Ahmedabad and the destinations of Rajasthan such as Mount Abu, Rankapur, Udaipur etc.
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The House of Mangaldas Girdhardas |
The House of Mangaldas Girdhardas (MG for short) was the home of Mr. Mangaldas Girdhardas - amongst Ahmedabad's foremost businessmen and philanthropist of the early 20th century. He started his career as a store-keeper in a textile mill. Within a decade, he became its owner and soon after, he was over seeing an empire comprising of a clutch of mills and other related businesses. With his increasing influence in the community, he decided to build a new residence for himself and his family in the year 1924, across from the famous Sidi Sayed Mosque. He died soon after in 1928. By 1950, his entire family moved to another location, leaving this house vacant. A large portion of the house was requisitioned by the government between 1955 and 1960 and the rest was used by the accounts offices of the family. One half of the house, that is covered by bill boards and has not been restored, belonged to his brother, Chimanlal Girdhardas and his descendents continue to be its landlords. In 1994, the House of MG was taken over by Victoria Capital Ventures Ltd., a company managed by Abhay Mangaldas, great grand son of MG, for renovation and reuse.
Address
Opp. Sidi Saiyad Mosque, Lal Darwaja,
Ahmedabad - 380001,
Gujarat, India .
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Facilities |
- WiFi Internet connectivity.
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Large attached bathrooms with high pressure showers.
- Powerful split air-conditioning, fans & openable windows.
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29" colour T.V. with multiple channels.
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Refrigerator with International Mini bar.
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DVD/ VCD/ MP3/ World Space radio.
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DVD/ VCD Movie Library.
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Book Library.
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Option of Queen Size twin-bed or double-bed with 8" thick mattress, goose down pillows and extra-soft duvet.
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Electric hot water kettle with complimentary tea & coffee.
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Huge upholstered sofas and swings in most rooms.
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Spacious work table with multi-plug surge protector for easy plug & play.
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Wardrobe with electronic safe.
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Speaker phones.
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Distances |
Poshina is located 51 kms. from Abu road station, 140 kms. from Udaipur, 180 kms. from Ahmedabad, Poshina is a possible stopover between Ahmedabad and the destinations of Rajasthan such as Mount Abu, Rankapur, Udaipur etc. |
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A Home for Nature Lovers |
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Life today demands an escape from the routine, and what better way to spend a couple of days at a destination that will allow you to leave your city life behind and be with nature. To simply enjoy. To rejuvenate. A brief get-away prepares you to be back to your city life with renewed vigour. Irrespective of whether you are a corporate head honcho, businessman, painter or a writer.
Travel back more than a century, in 100 acres of sheer hypnotic greenery. That is when the Jambughoda Palace (now partly converted into A Home for Nature Lovers) was built.
Address
Jambughoda Palace,
Jambughoda - 389390,
Gujarat, India . |
Facilities |
- Pick-up and airport transfer on request
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Telephone
- Durbar Hall (Conference Hall)
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Indian and continental cuisine
- Simple massage
- Escort for sightseeing
- Jeep safari
- Laundry
- Splash pool
- Indoor Games
- First aid
- Gift Shop
- Car park
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The Palace Utelia |
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Utelia was founded in 1786 by Bhav Sinhji, a member of the Vaghela Rajput clan that once ruled much of Gujarat, Rajasthan, Malwa and Rewa. The Palace Utelia was built around the turn of the century to replace a wooden palace by Nekamdar Thakore Saheb Sur Sinhji. The Palace Utelia is a typical work of the Indo-Saracenic architectural style with European influences, and features 5 domes, pillared galleries, balconies and porticos.
Address
Village Utelia,
Ahmedabad ,
Gujarat, India . |
Facilities |
- 14 well-appointed rooms with intricately carved wooden beds and excellent tiled bathrooms, some with private balconies.
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Village tours by bullock cart, horse riding, Jeep safaris, gala evenings of dances and folk music of Gujarat, traditional welcome, personalized.
- Indian, continental and traditional cuisine including Kathiawadi and Rajasthani.
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Distances |
The Palace Utelia is 78 kms from Ahmedabad, 5 kms from Lothal Burkhi railway station. It is 4 kms off the Ahmedabad-Bhavanagar highway |
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The Vijay Vilas Palace Hotels & Resorts |
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The Vijay Vilas Palace was built in 1906 AD by Yuvraj Vijay Sinhji of Palitana, a member of the same Gohil Rajput clan as the Maharajahs of Bhavnagar. The Vijay Vilas palace once the country retreat, of the Gohil Rajputs offers a splendid view of the Shatrunjaya hill and the historic Palitana temples which are situated at close proximity. It offers a convenient base for visiting the famous temples of Palitana and an excursion of the Palitana township. Sihor with the historic old palace of the Maharajas of Bhavnagar, featuring gardens, wall paintings and woodcarvings. Ship breaking yard at Alang.
Address
Adpur-Palitana,
Po. Gheti,
Dist. Bhavnagar,
Bhavnagar - 364265,
Gujarat, India . |
Facilities |
- 6 acres of grounds, with 7 cottages, tennis court, stables and garages.
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The Rajmahal Palace |
The Rajmahal Palace was built in the 19 th century by HH Bal Sinhji and was earlier called Bal Vilas Palace. It is located in 13-14 acres of park-like grounds with tennis courts, lily ponds, fountains, out houses and cricket pitches. The centerpiece is a beautiful pillared courtyard with marble statues. There is a marvelously appointed Darbarhall with painted ceilings, king-sized portraits and a throne. There are beautifully restored vintage cars and a library of automobile books.
Address
Wadhwan,
Dist. Surendranagar,
Ahmedabad ,
Gujarat, India . |
Facilities |
- 10-12 well appointed rooms.
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Garden restaurant, swimming pool and billiard room.
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Distances |
It is 20 kms. from Viramgam station and 120 kms. from Ahmedabad airport |
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Cities |
Ahmedabad |
If you are braced to taste the mystifying paradox that India can serve up, than a visit to its megacity, Ahmedabad, comes as a prescription. Nestled in the heart of Gujarat, this zesty city provides one with a generous buffet of stimulation that swears to enliven all the five senses. A day here is like living through an enigmatic and passionate dance between the old and the contemporary, the virtuous and the ruthless, the peaceful and the chaotic, the artistic and the crude, the spiritual and the material.
But these very opposites often carry many visitors to such thresholds, that after a point, they find themselves immersed in the innate spirit of this enchanting place. Many who came here have never left. It is not because this city is perfect. Far from it. But it is because this city lives from the ‘heart’ and one can feel it. If you can scratch through the surface of the smog, than you'll begin to experience its raw aesthetic energy and irrepressible spirit.
One end the noise of industrial growth and readily sprouting malls will amaze you and on the other end the serenity of the Gandhi ashram on the banks of the Sabarmati river will calm you. The elite educational institutions might impress you, and the unbreakable spirit and hospitality of the people residing at the grassroots might humble you. The traffic will flummox you, but hopefully the art and culture will refresh you.
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History |
Ahmedabad was the largest city in terms of area within the subcontinent before the arrival of the British and the setting of the Madras and Calcutta Presidency. |
Early 11th to 14th Century |
The area around Ahmedabad was ruled by a Bhil king around the 11th century and was known as Ashapalli or Ashaval. The Solanki ruler of Patan, Karandev I, defeated the Bhil king in a war and established his kingdom, Karnavati at what is known as Maninagar today. The Solanki rule retained its hold until the 13th century, after which the reigns fell in the hands of the Vaghela dynasty of Dholka. Towards the end of the thirteenth century, all of Gujarat was captured by the Sultanate of Delhi and the Muzaffarid dynasty ruled here.
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The Legend |
There is a well known legend, that around 1411 Sultan Ahmed Shah was standing by the Sabarmati river when the unusual sight of a hare chasing a ferocious dog caught his attention. He was impressed by the influence of this land that cultivated fearlessness in its people and so he decided to establish his capital in this forest area and named it Ahmedabad. The construction had begun with the fort wall housing the intricately designed city within. The wall was consecrated at four points by four ‘Ahmeds’, Sheikh Ahmed Khattu, Ganj Baksh, Kazi Ahmed, Malek Ahmed and Sultan Ahmed Shah.The construction was completed in 1417 AD. |
The Mughal Reign |
The Muzaffarid dynasty ruled Ahmedabad until 1573 after which Gujarat was conquered by the Mughal emperor Akbar. From an early period the people here displayed a sharp business acumen and added immensely to its prosperity. It became one of the thriving centres of trade of the Mughal empire, especially in textiles, which were exported as far as Middle East and Europe. Some of the major items they traded were cotton, silk and other luxury goods. Sarkhej was the largest producer of Indigo, and India controlled over 90% of the worlds Indigo cultivation. It was during the later part of the Sultanate era that influential nobles moved out of the walled city to set up suburban garden paradises around; today their names are part of the city’s postal heritage. Navrangmiya set up Navrangpura, Usmankhan and Chengiz Khan lend their names to Usmanpura and Chengizpur (also known as Mithakali). The Mughals, when they took over the city, built a series of gardens in their unique style. The names Amraiwadi, Ambawadi and Shahibaug echo memories of past greenery. |
The Marathas Ruled |
In 1630, the city was struck by a devastating famine. This marked the rapid downward fall of this once flourishing fort. In 1753, the armies of the Maratha generals Raghunath Rao and Damaji Gaekwad conquered the city, marking the end of the Mughal empire in Ahmedabad.The city began to disintegrate under this new regime.
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The British Raj and Indian Independence Movement |
In 1818, the British East India Company entered the scene and took over the city from the Marathas. However, the Indian Independence movement laid deep foundations in the city in 1915 when Mahatma Gandhi set up the Kochrab Ashram near Paldi. Thereafter he moved to the Sabarmati Ashram (or the Satyagraha Ashram) in 1917. The ashram became the heartbeat of the national non-violent movement and the nurturing ground for many inspiring revolutionaries and teachers. In 1930 Gandhi vowed to never come back to Ahmedabad till he had attained freedom from the British oppression. He walked on foot from the ashram to Dandi on the historic Salt March. This is when thousands of Ahmedabadis joined in these peaceful protests and once again showed their sacrifice and solidarity in 1942 during the Quit India Movement, rendering many government and economic buildings vacant.
Right up to the late 1970's Ahmedabad was prone to flooding by the Sabarmati River. The most damaging flood on record took place on 23rd September 1875; approximately 3800 houses were inundated besides damage to other properties amounting to a total loss of 7.5 lakhs to the city.
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Independent India |
India attained independence from the British in 1947. However, the partition divided the fabric of the city into communal hatred and terrifying riots broke out between the Hindus and the Muslims. On May 1st, 1960 Gujarat was separated from the State of Bombay and Ahmedabad was named the new state capital of Gujarat. Later the capital was shifted to Gandhinagar. In the ensuing years Ahmedabad became the breeding ground for some of the most well known education institutes, industries, information technology, business, art, music and culture, activism and social development organizations.
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What To See |
- Islamic and Indo-Saracenic style monuments including the Jama Masjid, Rani Rupmati's Mosque, the the Sidi Sayyid Mosque, and the tombs of Ahmed Shah and his queens.
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Mahatma Gandhi's Sabarmati Ashram
- Calico Textile Museum – Asia's largest
- Ahmedabad Heritage Walk – Most mornings from the Swaminarayan Temple to the Jama Masjid, through the alleyways and passages of the old city, visiting many Pols (closed gated residential colonies inhabited by specific communities or guilds) and temples.
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Excursion |
Nearby excursion from Ahmedabad include
- Adlaj Vav, half an hour's drive outside the city is a intricate step well in excellent repair.
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Lothal is a recently excavated Indus Valley Civilization port, about 2 hours drive away, recommended as a half-day excursion in the morning.
- The Sun Temple at Modhera is one of very few temples dedicated to Surya, the Sun God. It was built in 1026 AD and is about 3 hours away from Ahmedabad. Recommended as a full-day excursion
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Bhuj |
Bhuj connects you to a range of civilizations and important events in South Asian history through prehistoric archaeological finds, remnants of the Indus Valley Civilization (Harappans), places associated with the Mahabharata and Alexander the Great's march into India and tombs, palaces and other buildings from the rule of the Naga chiefs, the Jadeja Rajputs, the Gujarat Sultans and the British Raj. Over the 4000-year inhabitation of Kutch it developed trading and migratory relationships with ancient civilizations as far abroad as Zanzibar, the Middle East and Greece, fostering a unique ethnic mix of peoples and traditions in the region.
In a walk around Bhuj, you can see the Hall of Mirrors at the Aina Mahal; climb the bell tower of the Prag Mahal next door; stroll through the produce market; have a famous Kutchi pau bhaji for lunch; examine the 2000-year-old Kshatrapa inscriptions in the Kutch Museum; admire the sculptures of Ramayana characters at the Ramakund stepwell; walk around Hamirsar Lake and watch children jumping into it from the lake walls as the hot afternoon sun subsides; and catch the sunset among the chhatardis of the Kutchi royal family in a peaceful field outside the center of town.
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History |
Kutch has had four thousand years of inhabitation to build up a long and complex history, especially of its capital, Bhuj. The word kutch means “island” in classical Sanskrit, referring to the fact that in antiquity, the Ranns (meaning deserts) of Kutch were submerged by the Indus River flowing into the sea, leaving the area isolated by an immense shallow body of water. In 1819 an earthquake changed the topography and the Indus began to flow further westward, leaving the Ranns (now separated into the Great Rann and Little Rann) as a vast desert of saline flats. During heavy rains, the Ranns still flood, leaving islands, known as beyts, such as Khadir.
Some historians and archaeologists posit that the Harappans (also known as the Indus Valley Civilization) crossed the region by land, from the Indus River to the Sabarmati. Others doubt this, saying that the Ranns would have been permanently underwater at that time and crossing the deserts from Sindh would have to have been done further north. Either way, Harappan artifacts have been found in Khadir, making it one of the longest-inhabited regions of India. Bhuj is almost certainly mentioned in writings of two milennia ago; the writer Strabo (66 BC-24 AD) writes of Tejarashtra, whose principal city Tej is the modern-day Bhuj in all likelihood.
From the 8th to 16th centuries, Kutch was ruled by the Samma Rajputs from Sindh, during what is considered to be Sindh's Golden Age. As the power center in Sindh declined, there was a series of complicated successions and intra-familial murders, leading eventually to the installment of Lakho Jadeja, descended from the Samma Rajputs, as king. From then on the monarchy was known as the Jadeja Rajputs, who ruled directly from Kutch, not from Sindh. In 1549 Khengarji I moved the capital from Anjar to Bhuj, given its strategic location in the center of Kutch. The name of the city was derived from Bhujiyo Dungar, the 160 m. hill that overlooks the city, and said to be the residence of the Great Serpent Bhujang, to whom a temple stands at the top of the hill. In the late 16thcentury, the area came under Mughal dominance, though the Rajput kings still held local administrative powers. King Bharmal I gained favor with the Mughal Emperor by sending many extravagant gifts, and when the Kutchi rulers granted free passage and hospitality to pilgrims bound for Mecca, the Mughals exempted them from paying tribute to the Emperor, and even allowed them to mint a local currency, the kori (which you can see examples of at the Kutch Museum.) At the beginning of the 18th century, Rao Godiji saw the need for Kutch to protect itself in the more volatile vacuum left behind by the decline of the Mughal Empire. He commisioned the building of immense fortifications for Bhuj, including 11 m. walls, and 51 guns around the edge of the city.
In 1741, Lakhpatji I ascended the throne. An extravagant monarch, he commissioned the world-famous Aina Mahal palace, built by master artisan Ramsinh Malam, who trained in Holland and brought back European style and techniques for his designs. Lakhpatji was also a poet, known for inviting poets to the royal palace, as well as dancers and singers. His legacy of encouraging cultural development is still felt today, and having led the kingdom to flourish, he was well loved. Not so his successor, Raydhan II, who was a brutal, iron-fisted madman (most accounts agree he was losing mental stability as the years progressed.) He converted to Islam, which in itself was not a problem until he tried to begin forcibly converting all of his subjects. Though his cruel reign wrecked havoc on the populace, after his decline things evidently returned to normal, and the religious diversity of Kutch continued.
In 1815, the British arrived and seized Bhujiyo Dungar hill. The state became a British protectorate, as the king acknowledged British sovereignty in exchange for local autonomy. Like the Mughals before them, the British began administrative authority over Kutch, but not direct rule. More concerned with securing the Sindh border than collecting resources, there was little British intrusion into local life. In fact, they managed to make peace between the Kutchi kingdom and its neighbors, leading to general prosperity in the area. Building projects abounded in the 19th century, with Pragmalji II on the throne. He had the Prag Mahal palace built, as well as the Ranjit Vilas palace, the Vijay Vilas palace in Mandvi, and many hospitals, schools, irrigation projects and roads. Later considered a princely state, Kutch would continue thus until joining with a newly independent India.
Upon independence, Kutch became a state in India, while neighboring Sindh joined Pakistan. This cost Kutch the nearby major port of Karachi, leading to the development of Kandla as an important port for the region. Twice, territorial disputes with Pakistan over parts of Kutch have led to fighting, once just before the Second Kashmir War and once around the time of the Kargil Conflict. Today no border problems exist, and because the actual frontier lies within the Great Rann, it would be extremely difficult for anyone to cross the vast expanse of very harsh desert, but the Indian Army keeps a close watch anyway. |
Handicraft |
Kutchi handicrafts, renowned the world over, are in abundance in Bhuj, from elaborately embroidered clothing and luxurious quilts to block-printing, heavy silver jewelry and woodcarving. Or better yet, you can use Bhuj as a base for excursions to surrounding towns and villages to meet artisans and their families, see the work being done and buy crafts directly from the artisans themselves. This allows more of the income to go directly to the craftsmen and more importantly, creates a relationship between the maker of an item and its eventual owner, in which each one meets the other, learns something about the other's life and shares a bit of their own identity and background. You will quite likely find the personal interaction more valuable than the commercial one and the memory of the visit will stay with you even if you give away what you bought as gifts. |
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Junagadh |
Few places offer you the chance to probe the earth and the heavens, the human and the wild, as Junagadh does. Towering over the city is Mt. Girnar, a holy site for Hindus and Jains that is climbed by a 9999-step staircase along peaks studded by temples that reach for the sky and look out across the plains. Walking up these stairs in pilgrimage is a unique experience of striving towards the heavens. Back at the base of the mountain, however, deep in the heart of the oldest quarter of the city, you can walk down into the depths of the earth in a pair of ancient stepwells that were not built, but hewn out of solid rock. Spiraling down the staircase of thousand-year-old Navghan Kuvo, plunging 170 feet into the heart of solid rock to find life-giving water at the bottom, is an unparalleled contact with the elements that sustain us.
In the city of Junagadh, you can reach out and touch the two and a half millennia of human civilization, spanning dominant periods of Jainism, Hinduism, Buddhism, and Islam, all of whom left deep imprints on the city. And then you can set off for the Gir National Park to come face to face with the utter wildness of the last of Asiatic Lions, where human civilization is still just incidental to the natural rhythms that have continued for centuries.
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History |
The city of Junagadh, along with Mt. Girnar that looks down upon it, appear in stories and hearsay from long ago, beginning with associations with Krishna during his life in Saurashtra. Reportedly, the main center of the city, the fort known as Uparkot, was built by Chandragupta of the Mauryan empire around 320 BC, and archaeological evidence confirms this, showing that Uparkot has been inhabited continuously since the 3rd century BC. Hence the name Junagadh, which means “ancient fort.” Under the Mauryans, Junagadh was a regional capital, and Emperor Ashoka had stone edicts placed there, still visible today
Junagadh remained important as a regional capital until the 5th century. Then under the Rajputs and Solankis it was less important, as power centers shifted to near Bhavnagar (until the 10th century), later to Patan (until the 15th century), where it stayed when the whole of Gujarat became a province of the Delhi Sultanate, and then to Ahmedabad when Gujarat again became an independent Sultanate. The Mughals took over in the early 16th century, and continued to rule from Ahmedabad, so it was not until the mid 18th century as Mughal rule was in decline that Junagadh once again became an independent princely state, established by an Afghan named Sher Khan Babi, with its capital here.
By the time of Independence from British colonial rule, all the princely states (which numbered 565, and around a hundred were in Saurashtra alone) were given the choice of acceding to India or to Pakistan, with Mountbatten’s caveat that effectively, states could only accede to a nation with whom they shared borders. This determined the choice for nearly all of them. In Junagadh, however, the Nawab opted to accede to Pakistan, saying Junagadh neighbored Pakistan through the sea. India objected, given the 80% Hindu majority, but Pakistan countered that if India could claim Kashmir, with a Muslim majority but a leader who chose India, why should Junagadh not be in Pakistan. After several backs and forths involving uprisings by some parts of Junagadh state, Indian troops being sent in, and many diplomatic maneuvers, the Nawab fled to Pakistan, and a plebiscite was held. The vote overwhelmingly favored joining India, and Junagadh became a part of Saurashtra state, and eventually part of Gujarat.
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Tourist Attractions |
Uperkot Fort:
Uperkot is an impressive fort built in 19 BC by Chandragupta. It was besieged 16 times over an 800-year period. The entrance has an ornate triple gateway leading to the ruins inside where lies the ‘Nilamtope’- a cannon acquired by the Nawab of Junagadh, the ‘Adi Chadi Vav’ and ‘Naughan Kuva’ – two interesting step wells and the Jami Masjid which was built from a demolished Hindu temple. 1500-year old Buddhist caves near the Jami Masjid are also worth a visit.
The Durbar Hall and Museum has an interesting collection of weapons, thrones, silver articles, costumes, paintings, tapestries, and palanquins on display. It is not far from the entrance to the fort.
Mahabat Maqbara , built in 1892, is a glorious mausoleum of Mahabat Khan I. It was built in the Indo Islamic style and has silver doors, minarets and a spiraling stairway.
On the way to the Girnar Hill is an edict of Emperor Ashoka inscribed on a rock dating from the 3rd century BC. The Ashokan edicts impart moral instructions on dharma, harmony, tolerance, and peace. An uneven rock, ten metres tall, bears inscriptions in Brahmi script.
The Girnar Hill is an important pilgrimage place for the Jains and there is a cluster of beautifully carved marble temples on top of the hill.. Since there are a number of important Hindu temples also, you can find many Hindu pilgrims trudging up the hill along with Jains |
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Rajkot |
A chance meeting with a stranger on the streets of Rajkot sparks of the beginnings of knowing an exuberantly spirited city of Gujarat. Walk the streets at any time of the month or day and you will meet people who are lively, vibrant and festive. Sampling delicacies at fast food stalls outside the Galaxy cinema or spinning threads of life in the Rashtriyashala, evenings spent playing cricket at the gymkhana or manufacturing machine tools and auto parts; a citizen of the city spends his life in hard work and leisure.
Typical Kathiawari hospitality greets people from all walks of life and complicated business deals are struck over cups of tea, jalebis and ice-cream. The city over the years has earned the title ‘Rangilo Rajkot’ and the exuberance of the people more than make up for it. Sprawling Rajkot, located on the banks of River Aji and Nirari, is the centre of Saurashtra and a mushrooming industrial hub with wide streets and a distinctly urban architecture. The city is a curious blend of the modern layered over the traditional and it is this uniqueness that attracts people from various parts of the country to come and settle in the heart of Kathiawar.
Under the bustle and noise of pistons and engines, trading and business consuming numerous cups of tea, is a town which has become the educational hub of Saurashtra opening the doors of its elite institutions to a Prince and a commoner alike. From the hallowed gates of the Alfred High school where walked a young Gandhi to the Cricket stadium at Rajkumar College where played a young Ranji, Rajkot is a jewel of Kathiawar. A walk through the streets of the city is the fulfillment of knowledge and nostalgia, the Watson Museum vies for your attention along with the Ramkrishna Math and the Lang Library jostles for space with an evening spent frolicking around the lakes. The tinkling of red bangles at the Bangdi Bazaar match the garish reds of ice candies on summer afternoons, browsing and shopping in Rajkot can be such fun!
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History |
The young city of Rajkot’s lineage with historical anecdotes and tales of valor and achievement was the former capital of the princely state of Saurashtra. |
Foundation Period |
Rajkot is a relatively young kingdom carved out of territories seeded and captured by Thakore Sahib Vibhoji Ajoji Jadeja, a scion of the Jamnagar Royal Family in 1620 AD. He was honored by territories and titles for coming to the aid of a beleaguered Mughal Empire on Gujarat. Rajkot was christened in memory of its co-founder Raju Sandhi. Thereafter successful Thakore sahibs consolidated their territory defeating the local Kathi tribes and skirmishing across the borders of Junagadh. This conflict with the Nawabs of Junagadh was to prove costly for a young Rajkot state.
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Nawabi Rule |
7 gates were studded with metal spikes to ward off an attack by elephant cavalry and the eighth called Khadki Naka was unadorned and protected the Nakhlank temple. Two of the gates survive as Bedi Naka and Rayka Naka to which was added a three storied bell clock tower by the British Political Agent Sir Robert Bell Booth. Nawabi rule in Rajkot lasted all of 12 years until the Jadeja’s wrested back control. |
British Association |
Under a benevolent British administration peace and tranquility reigned over Rajkot and the kingdom was allowed to flower in arts, education and culture. Rural craftsmen received urban patronage and urban Rajkot saw a profusion of construction activities both public and private initiated in the Colonial style. Buildings of noteworthy interest are the Watson Museum and the Lang Library located in the scenic surroundings of the Jubalee gardens, the Cannaught Hall and a Masonic Lodge, the first meeting ground for the masons in western India are noteworthy too. The Rajkumar College was set up in 11 acres of state owned property as an educational institution for the benefit of the nobility of Kathiawar. As a British protectorate Rajkot became a haven for scholars, intellectuals, writers and poets from across the country. It also played host to a variety of young stalwarts who later became the forefront of the Indian Freedom Struggle. |
Mahatma Gandhi’s tryst with Rajkot |
The roots of the Indian Freedom Struggle are firmly enmeshed within the foundation of the city. Mahatma Gandhi spent his formative years, growing up in Rajkot’s Gheekantha area and studying at the then Alfred High School, now renamed as Gandhi Vidyalaya. His father Karamchand Gandhi had been appointed the Diwan of Rajkot by the British as the heir to the throne was a minor. It was later in 1939 that the Mahatma returned back to Rajkot to set up the Rashtriyashala, imparting the ethos of independence through the beneficial weaves of Khadi.
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Post Independence |
Rajkot became the first state to voluntarily merge with the Indian Union and in 1948 became the provincial capital of Saurashtra state with U.N. Dhebar as its first Chief Minister until 1956 when the Saurashtra Peninsula was merged with the bilingual state of Bombay. Rajkot and Saurashtra became a part of Gujarat in 1961 and today Rajkot is a sprawling metropolis of Saurashtra and a pride of Gujarat’s emerging urban cities.
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Tourist Attractions |
Watson Museum & Library
Located in the Jubilee Gardens, the Museum has exhibits like stone sculptures, silverware, paintings, marble statues and carvings. The museum even has exhibits dating back to the Mohenjodaro period.
Kaba Gandhi No Delo
This is the ancestral home of Gandhi. It now houses the Gandhi Smriti – a museum which contains photographs and lots of information on the life of Gandhi. It also has a small weaving school.
Rotary Dolls Museum
This is a unique museum with a collection of over 1400 dolls from all over the world. The Rotary Clubs across the world have generously donated these Dolls to the museum.
Jagat Madir
It is a beautiful sandstone temple in Rajkot dedicated to Shri Ramakrishna Paramhansa
Patola Sari Weaving: Rajkot is famous for its patola weaving industry. Patola are traditionally dyed silk sarees. Dyeing the silk is a torturous process where each thread is dyed separately. You can visit the workshops in the Sarovar Society Area.
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Vadodara |
If you seek the stillness of earth before the human empire, then imagine prehistoric times when the humans here on the banks of the river Vishwamitri, were outnumbered byvad, or banyan trees, from which the place derived its name. If you are an industrialist, then revel in the booming production center that is Vadodara or Baroda (as it is also known).
If you are not, and you wish to escape the industrial fumes, then take a breather in Sayaji Baug, the expansive garden in the center of the city, next to the river, before you explore the rest of the city, still pleasant and relaxing.
If you want to be amused by the ostentation of rulers of the past, visit the Lakshmi Vilas Palace, or the now derelict but once lavish Nazarbaugh Palace.
If you are an artist, art historian, or archaeologist, then go see the extensive collection, from ancient to modern, at the Vodadara Museum and the Maharaja Fateh Singh Museum, the painted walls of the Tambekar Wada haveli, and the Nandlal Bose murals of the Bhagvad Gita in the old Kirti Mandir mousoleum. And to meet artists and students and dip into India's evolving art scene, visit the Maharaja Sayaji University and the Picture Gallery.
If you come during Navratri, the nine night festival of dance in worship of the Mother Goddess, then consider yourself the envy of the rest of Gujarat, for you are in the most sought-after location for the event.
Welcome to the cultural capital of Gujarat. Have your own Vadodara. There’s enough to go around.
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History |
Archaeological research shows humans exploring the area around the river Vishwamitri from pre-historic times. There was first a small settlement near a grove of Akola trees so it came to be known as Ankottaka, now called Akota. A kilometer eastward, a suburb came up near an abundant grove of vad, Banyan trees, and hence came to be known as Vadapadraka. The city was once marked by four gates, still standing, but it expanded over the ages into what is now the third largest city in Gujarat, known as Vadodara (also known as its anglicized form Baroda, until the recent return to the original name, as with other cities such as Mumbai and Chennai. Ancient Vadapadraka was ruled by the Chalukya dynasty in the 10th century, followed by the Solankis, the Vaghelas, and then the Sultans of Delhi and Gujarat. In 1674 the Maratha Empire declared war on the Mughal Empire, and defeated them in central and eastern Gujarat in mid-18th century. Their representatives and ruling dynasty in Gujarat, the Gaekwads (meaning “protector of cows”), after having instigated the adivasi Bhils and Kolis to attack the Mughals, occupied Vadodara as their capital. In the early 19th century, after the Anglo-Maratha war, the British had control of much of Gujarat. Meanwhile, the Gaekwads had come into conflict with the Peshwas, the Marathas of Pune. The Gaekwads signed a special treaty with the British for protection from the Peshwas, and to give Baroda a degree of self-rule. The Gaekwad ruler was high in the pecking order under British rule, and was one of only 5 rulers to receive a 21-gun salute. Baroda was thus one of the few places to remain autonomous until Independence, and like Hyderabad and Mysore, one senses that it retains a flavor of the former princely Gaekwad state and never fully integrated into the central administration.
Among the Gaekwads, ruler Maharaja Sayajirao III, reigning 1875-1939, is credited with the most significant development of the city and bold socio-economic reforms. He brought in changes to textile and other manufacturing processes that moved Baroda towards the booming industrial center it is now. He introduced compulsory primary education, even for girls, which was rare in India then, and organized schools for oppressed classes, adivasis, and Muslims, also progressive moves for his time. He was a promoter of adult education, setting up a network of libraries that are still thriving, and are appreciated as a legacy from the Gaekwad rule. He was also a leader among other Indian kings in his patronage of the arts, in a time when the British largely ignored the local arts, judging them with a biased eye as inferior.
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Best For: |
Vadodara is best viewed during the Navratri when the entire city comes alive to celebrate this important festival. To watch hundreds & hundreds of people gathered together to perform the Garba & Dandiya in perfect synchronization is a visual treat.
Vadodara is also known for the monuments & museums as well as for its handicrafts, textiles & typical Gujarati handcrafted furniture.
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Tourist Attractions |
Laxmi Nivas Palace & Maharaja Fateh Singh Museum- The Laxmi Nivas Palace was built by Maharaja Sayajirao III & its design is based on the Indo-Saracenic style. The palace has a good collection of weapons, marble & bronze sculptures. Located at the south side of the palace is the museum which has an impressive art collection with works of Indian, Chinese, British & Japanese artists. It also houses a collection by paintings by Raja Ravi Varma & various other interesting artifacts.
Sayaji Bagh Park- One of the most famous parks in Baroda, houses the Baroda Museum and Picture Gallery. The park also has a mini railway, zoological park & planetarium. The museum has a good collection of European paintings, Tibetian art, Mughal miniatures, Buddhist & Jain manuscripts etc. The University & Lal Bagh is also in its proximity.
The EME temple in the cantonment area maintained by the army is a beautiful temple dedicated to Lord Shiva. The temple & the idol are made of aluminium , bronze & other alloys. Kirti Mandir & ISKCON temple are the other places of religious interest in Vadodara.
Makarpura Palace, Nazarbaug Palace & Pratap Vilas Palace at Lalbaug are the beautiful palaces built by the royal families. Each of these palaces has a distinct architectural style.
Maharaja Sayajirao University of Baroda, Kirti Stambh, Nyay Mandir, Khanderao Market, Aurobindo Ashram, Hajira Maqbara, Naulakhi Well etc are the other interesting places that are worth a visit.
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Bhavanagar |
If you seek the stillness of earth before the human empire, then imagine prehistoric times when the humans here on the banks of the river Vishwamitri, were outnumbered byvad, or banyan trees, from which the place derived its name. If you are an industrialist, then revel in the booming production center that is Vadodara or Baroda (as it is also known).
If you are not, and you wish to escape the industrial fumes, then take a breather in Sayaji Baug, the expansive garden in the center of the city, next to the river, before you explore the rest of the city, still pleasant and relaxing.
If you want to be amused by the ostentation of rulers of the past, visit the Lakshmi Vilas Palace, or the now derelict but once lavish Nazarbaugh Palace.
If you are an artist, art historian, or archaeologist, then go see the extensive collection, from ancient to modern, at the Vodadara Museum and the Maharaja Fateh Singh Museum, the painted walls of the Tambekar Wada haveli, and the Nandlal Bose murals of the Bhagvad Gita in the old Kirti Mandir mousoleum. And to meet artists and students and dip into India's evolving art scene, visit the Maharaja Sayaji University and the Picture Gallery.
If you come during Navratri, the nine night festival of dance in worship of the Mother Goddess, then consider yourself the envy of the rest of Gujarat, for you are in the most sought-after location for the event.
Welcome to the cultural capital of Gujarat. Have your own Vadodara. There’s enough to go around.
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Diu |
Diu along with Daman is a Union Territory in India that is controlled from the Capital-Delhi. It is famous for being the location of the pivotal Battle of Diu in 1509 between Portugal and a combined force of Turkey,Egypt, Venice, Dubrovnik and the then Sultan of Gujarat, Mahmud Begada. Diu was a Portuguese colony until it was taken over by India in 1961. One can still see Portuguese influence here in the churches.
Diu is known for its fine beaches, churches, pleasant climate, seafood and cheap liquor. It is a popular weekend destination for Gujaratis from the nearby areas who come here to enjoy the cheap booze asGujarat is a state where liquor is prohibited.
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Tourist Attractions |
The imposing Diu Fort scattered with cannon balls, the Diu Museum, the Nagar Seth Haveli, the the boat shaped former jail called Fortim-do-Mar and the Naida Caves are all located in the Diu Town area. Also visit the beautiful churches and chapels with Portuguese style architecture. Few of these churches are the St Paul’s Church, Church of St Francis of Assisi and the St Thomas’ Church.
Around the island you can visit the Nagoa Beach and Jallandhar Shrine or relax at the Sunset Point. See an amazing collection of various shells at the Shell Museum. Vanakbara is a bustling fishing village on the western side of the island.
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Gondal |
Gondal is a city in the Rajkot district of Gujarat. It was one of the eight first class princely states of Kathiawar Agency during Bombay Presidency. The Gondal state was founded in 1634 AD, the Gondal town lies on the banks of Gondali river.
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Tourist Attractions |
The Riverside Palace was built in 1875 AD by Maharajah Bhagwat Sinhji for his son Yuvraj Bhojraji, The "living room" is furnished in typical colonial style with chandelier, antique wooden furniture and sofas; where as the "Indian room" is decorated with beadwork, brassware and paintings.
The Naulakha Palace is the oldest extant palace in Gondal, dating back to the 17th Century. It has legendary stone carvings with exquisite "jharokhas" (balconies), a fabulous pillared courtyard, delicately carved arches, and a unique spiral staircase. The large chandelier-lit "durbar" hall (court house) witnesses stuffed panthers, gilt wooden furniture, and antique mirrors.
The Private palace museum displays an impressive display of silver caskets which were in the services of carrying messages and gifts for Maharajah Bhagwat Sinhji on his silver jubilee as ruler of Gondal.
The Huzoor Palace is the current royal residence, whose one wing is open to public. It is known as the Orchard Palace because of its huge surroundings of fruit orchards, lawns and gardens. The Room of miniatures is a splendid sitting room with a collection of miniature paintings, brass, and antique furniture.
The Royal Garages have an extensive collection of vintage and classic cars.
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Jamnagar |
Jamnagar, historically called Nawanagar or the new city, was one of the most important princely states of Saurashtra. The founder of the princely state of Jamnagar was Jam Rawal, who descended on the northern coast of Kathiawar in 1535 A.D. The city was ruled by the Jadeja Rajputs prior to independence.
Jamnagar is a less visited, delightful little town with ornate buildings and colourful bazaars. Known for its pearl fisheries, and colorful bandhani work, Jamnagar is also home to the only Ayurvedic University in India.
Jamnagar is an ideal base for exploring the coastal stretches up to Dwarka. These coastal stretches have some fine secluded beaches, and flocks of rare species of birds can be spotted here.
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Tourist Attractions |
Lakhota Palace & Ranmal Lake
The Lakhota Palace is a small palace on the Ranmal Lake that once belonged to the Maharaja of Nawanagar. Today it houses a small museum with displays from archaeological sites in the area.
Bala Hanuman Temple
The temple has earned a place in the Guinness Book of World Records for having continuous 24 chanting of the prayer ‘Sri Ram, Jai Ram, Jai Jai Ram', since August 1, 1964.
Pratap Villas
This is a unique museum with a collection of over 1400 dolls from all over the world. The Rotary Clubs across the world have generously donated these Dolls to the museum. A palace inspired by the 'Victoria Memorial' of Calcutta with traditional carvings of birds, animals, creepers and plants. Its three domes are made of glass.
Jain Temples: Wander around the old city areas of the Chandi Bazaar and the Subhas Market. See the splendid Jain Temples. The Shantinath Mandir and the Adinath Mandir have some fine murals and mirror work.
The Khijadiya Bird Sanctuary and the Ayurvedic University are the other places of interest in Jamnagar.
Marine National Park
At a distance of 30 km from Jamnagar in the Gulf of Kachchh, is India's first MarineNational Park covering 42 islands. Of the 42 islands, visitors are only permitted access to Pirotan Island. The area has a unique ecosystem which supports thousands of species a marine iota. Here you can find several species of mangroves, herbs, algae as well as species of sponges, corals, fish, crabs, reptiles and rare birds. December to March is the best time to visit the park. Also visit the Okamadhi Beach and the Narara nearby.
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Surat |
Surat, a major port city in the state of Gujarat is the second largest city in the state. An important seaport frequented by ships from different parts of the world, Surat is best known for its textile & diamond trade. Majority of the world's diamonds are cut and polished here. The city lies on the left bank of the Tapti River. The city was a commercial hub in the British colonial era which resulted in people of various ethnicities settling in Surat.
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Best For: |
Surat is very well known for its textiles (especially sarees) & diamonds.
Surat has distinct local cuisine which is different from other parts of Gujarat. It is spicier & there are many famous local dishes that must not be missed.
Best during festivals. Sankarantri, Ganesh Chaturti, Navratri & Diwali are festivals when the city has a very festive look.
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Tourist Attractions |
The Sardar Patel museum & the Old Fort: The Museum is about 100 years old & has a number of artifacts on display. The Old Fort was built by Mohammed Tuglaq in the 14th century & now houses municipal offices.
Sayaji Bagh Park- One of the most famous parks in Baroda, houses the Baroda Museum and Picture Gallery. The park also has a mini railway, zoological park & planetarium. The museum has a good collection of European paintings, Tibetian art, Mughal miniatures, Buddhist & Jain manuscripts etc. The University & Lal Bagh is also in its proximity.
The English & Dutch cemeteries, The Dutch Gardens & the Maikapul (port from where the ships sailed) are the other ancient places of interest for tourists.
Rangupavan is an open-air theatre in Surat believed to be the biggest theatre in the country. Chowpatti & Gaurav Path are also popular hangout places in Surat.
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Fairs and Festivals |
Chitra vichitra |
The festival begins on the eve of the new moon when the women gather at the river and mourn for their dead through the night. The next day the fair sets off with a generous splashing of dazzling colors and drumming.
The tribal men’s costume generally consists of a blue shirt, dhoti and a red or saffron fenta or turban. The woman don ghagharas which have a circumference of as much as 20 yards, and are covered from head to feet with ornate and heavy silver jewellery, and sometime also beautifully knitted rafia jewellery made from pale yellow or dyed crimson grass. They also use liquid kumkum or vermilion to color their cheeks and lips a brilliant red, while their eyes are outlined vibrantly with kajal.
Every group visiting the fair carries its own drum, so that the atmosphere comes alive with a nonstop beat of drumming. The women sing folk songs in shrill choruses, and everyone dances near the main temple. Over a hundred stalls hold food and drink, and sweets of various kinds. Silver ornaments and household items are out for sale. There is also a giant wheel and a merry-go-round. The dancing and drumming continue for hours until everyone is left exhausted. |
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History |
The name of the fair is derived from two brothers Chitravirya and Vichitravirya, sons of King Shantanu, and step brothers of Bhishma, from the story of the Mahabharata. There is a belief that they had
settled here and were cured of their diseases by the waters of this site. |
When |
The fair is held a fortnight after Holi, around the month of March-April. It starts on the eve of the new moon (called Amavas), the time when the wheat crop is ready for harvest. |
Who Comes |
The fair is one of the most important fairs of the Adivasis in the region, and attracts about 60,000 people, most of them hailing from the Garasia and Bhil communities. People from many far away and distant villages arrive on every imaginable mode of transport, ranging from jeeps to camel carts. The fair is so popular that in 25 to 30 surrounding villages all the houses are deserted for the duration of the fair as every able-bodied person visits it. People come a day or two in advance in large groups and encamp under the banyan trees on the riverside. They spend the night under the sky by the side of small bonfires. |
Interesting facts |
This fair is also a great opportunity for tribal men to meet prospective partners for marriage. Numerous couples have been known to elope directly from the fair site. |
Calender |
14th March 2010 (Sunday)
02nd April 2011 (Saturday)
21st March 2012 (Wednesday)
09th April 2013 (Tuesday)
30th March 2014 (Sunday) |
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Kavant |
Kavant, the gathering arena for a tribal group since time immemorial. It is a gathering of the Rathva community to extemporously recreate the joy of existence and life., it is a sheer delight to watch the exuberance of Rathva men and women dressed in their distinctive finery gradually congregating to sing and dance, discuss marriages and liaisons, barter goods and services all rising to a grand crescendo of gaiety and high energy which almost draws one forth into the mesmerizing world of Rathva culture. The older generation meanwhile set themselves down with their paraphernalia of snacks and condiments to muse about times gone by and matters of import regarding the future of their tribal ethos. |
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When |
The Rathva Festival at Kavant is a pagan ululation to the harvest and the link between man and nature celebrated since time immemorial. It is a gathering of the Rathva community from as far off as Rajasthan and Madhya Pradesh. It usually begins on the third day after Holi. |
Where |
The village of Kavant is located in the heart of the Rathva homeland near the town of Chhota Udepur about a 100 kms from Vadodara which has an air port, a rail link and is a major city. There are two interesting heritage properties which are ideal to stay in near Kavant, the royal palaces at Chhota Udepur and Jambughoda. |
Who Comes |
Rathwa community people along with tourists from all over the world. |
Interesting facts |
The Rathvas loosely inhabit Chhota Udepur in Vadodara District with marginal groups extending into Dahod and Godhra Districts and Alirajpur in adjoining Madhya Pradesh District. The Rathvas are the largest tribal unit in the state of Gujarat. From a history of hunter gatherers they now have graduated to farming and other rural occupations exploring their pastoral destiny. In spite of changing living patterns, they religiously revere their old ways in the celebrations of their rituals and have a deep pride in their traditional culture. Music plays an extremely important part of their lives and no Rathva would feel complete without his lovingly embellished Flute {paavo / piho / pihoto } as a remembrance of his forested homeland. The Rathvas also practice a mural painting form based on ritual traditional beliefs on the inner walls of their homes and dedicated to Pithora, the Rathva universal God of well being.
The Kavant Festival is a catharsis of emotional splendor, a rite of passage, family liaisons and a successful harvest all amalgamated into one tremendous exposition of riot and colour.
The Kavant Mela is a prominent tribal festival in the north-eastern part of Gujarat falling sometime in the month of April. On the way to Kavant village one can sometimes see bedecked groups of tribals trekking towards the venue. Through a variety of modes of transport they arrive, showing off their affluent eye shades, lighters and radios. Women of each village wear a dupatta and skirt of the same dye while the men wear similar turbans and skirts in order to differentiate themselves from other sub-groups. Both men and women are bedecked with community specific silver jewelry which is intricately sinewy and a pleasure to behold. |
History |
Kavant is a harvest festival celebrated with wild abandon through dance primordial blending the rhythm with the shashaying of the forest and the frolicking of the animals in the undergrowth. Surrounded by the beating of drums, the susurrations of a variety of flutes and the stamping of feet, the Rathvas dance in a vast group keeping time to the rise and fall of the crescendo of arrhythmic music in their tryst with destiny. The men folk wear a belt attached with pebble filled gourds and a string of brass bells. As they stamp their feet and gyrate their hips the bells and the pebbled gourds add percussion metronomical beats tintinabulating in the air. Some of the men carry cane sugar signifying the harvest and wear an elaborate headgear which is a conical hat stuck with small framed photos of local deities surrounded by an array of peacock feathers. Rice paste and ash are blended to make a dye painting the bodies with circles and dots in a ritualistic salutation to the jungle cat. Some men and women gather together to form a human pyramid and the surrounding atmosphere rides with the heightened energy and human spirit. |
Calender |
03rd to 04thMarch 2010 (Wed,Thurs)
22nd to 23rdMarch 2011 (Tue,Wed)
10th to 11thMarch 2012 (Sat,Sun)
30th to 31stMarch 2013 (Sat,Sun)
19th to 20thMarch 2014 (Wed,Thurs) |
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Modhera dance festival |
Psychedelic hues of red, yellow, green lights illuminating nooks and corners of intricately carved the Sun Temple of Modhera, during dark and breezy nights of January, create a Chiaroscuro effect of time and space! The Sun Temple of Modhera is a masterpiece of the Golden Age of the Solanki Empire, which hosts the annual Dance Festival and flaunts the glory and splendor of that era. The Modhera Dance Festival which is also prevalently known as the Uttarardh Mahotsavor Modhera Utsavis is one of the most famous celebration of art, music, dance and culture, in this part of the country. This unique occurrence showcases traditional dance forms of the region as well as acts as a platform bringing together the cultural ethos of other regions expressed in form of dance or nritya.
Modhera, the temple of the Sun narrating the history and grandeur of its patrons, the Solankis, is an architectural marvel. This peerless temple space acts as a grandiose backdrop for the vibrant expression of dancers and aesthetical ethnicity of the country. Dance troupes and performers from all regions of the nation bring along a panorama of varied dance forms and styles, interlaced with the essence of their origins. The performers blend in the ambience and bring life to the sandstone figurines carved on the edifice of the temple, singing and narrating legends of times bygone.
The three day festival of Uttarardh Mahotsavis is organized by the Tourism Corporation of Gujarat Limited (TCGL), to venerate and celebrate the inherited treasure of performing arts of the country. The Modhera festival is an ideal opportunity to experience living heritage of Indian dance and music while traversing back in time sitting in the lap of golden history. |
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When |
The exclusive three day Modhera Dance Festival is held every year during the third week end of January after the conclusion of Uttarayan festival. |
Where |
The environs of the Sun Temple in Modhera act a venue and host of this enchanting festival. Modhera is located in the South-west of Mehsana District and is 25 km away from the town of Mehsana. |
Who Comes |
The dance festival is frequently visited by art and dance connoisseurs from all across the world. Classical and folk dancers and musicians from different states of the country exhibit their talent and flair while culture enthusiasts become part of the festival to witness this splendid event. Inhabitants and natives from near by villages also are an indigenous part of the occasion. |
Interesting facts |
This incredible festival of dance, Uttarardh Mahotsav, derives its name from the planetary and astronomical configuration of the Sun. The festival which takes place every year after Uttarayan, at the Modhera temple dedicated to the Sun God venerates the rotational cycle of the earth around the Sun. Uttarayan, the day when the sun starts his voyage towards Uttar or North indicates the end of winter and the beginning of longer days with a pleasant breeze. During Uttarayan, the Sun transmigrates from one planet to the other, it travels from Dhanu or Sagittarius to Makara that is Capricorn. Halfway through this voyage, the time when ‘ardh’ or half of ‘uttar’ or Northward journey is over, the period is known as Uttararadh.
The noteworthy technological splendor of the Modhera temple architecture is the planned engineering based on the planetary position of the planets and the Sun. The main temple or the sanctum is designed focusing on the rays of rising and setting Sun during Equinox. The way the edifice is structured, it ensured on the days of Equinox, that soft, linear rays of Sun showered it with illumination. |
History |
Dance or nritya in India is considered an artistic yoga revealing the spiritual through the corporeal. In the history of India, classical dance forms and temple architecture have enjoyed a very amiable alliance. Innumerable literary and historical evidences state the close association of the expressional form of dance and sacred vicinity of temples. Dance performances presented in the holy premises venerated god while also serving as a platform to convey messages to all social strata on an equal echelon. ‘Nagar Utsav’ was organized in the vicinity of all temples including the sun temples. In respect of the rich cultural legacy of the country and to revive the tradition, the State Government created the annual event of the Modhera Dance Festival. |
Calender |
15th to 17thJanuary 2010 (Fri,Sat,Sun)
21st to 23rdJanuary 2011 (Fri,Sat,Sun)
20th to 22ndJanuary 2012 (Fri,Sat,Sun)
18th to 20thJanuary 2013 (Fri,Sat,Sun)
17th to 19thJanuary 2014 (Fri,Sat,Sun) |
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Rann Utsav |
A plethora of varied hues, profusion of design, superfluity of culture, cornucopia of music and dance, all together in the arid lands of Kutch creates a mosaic of exquisiteness which reflects the identity and spirit of the region. Kutch, one of the most ecologically and ethnically diverse district of the state is a celebratory land of art, crafts, music, dance, people and nature. During the full moon night of the winters amid the awe-inspiring and contrasting landscape each year a three day festive extravaganza brimming with hospitality, vigor and traditional flavor of the area is hosted and known as the Kutch or Rann Mahotsav.
This three to four day carnival organized at the various locales within Kutch takes one around the natural grandiose while introducing the visitor to the indigenous cultural and ethnical flavor of the people. Semi parched Grasslands of the Banni hosts the most magnificent display of vernacular architecture as the exhibition platform for the varied range of arts and crafts of the region. While an array of folk music and dance performances organized in the shimmering moonlit landscape provides the most enchanting experience. The colorful fairs held near the beach or the banks of a lake swings one with the spirit of festivity, fervor and flamboyancy while the organized tour around Kutch is an ideal occasion to be part of the region and experience the zeal and uniqueness of the people through a celebration of life!
Full moon night in the month of December |
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History |
The tourism authorities of Gujarat organize events in Kutch to showcase the rich culture of this
district, one of the largest in India. This Mahotsava under the tutelage of Vibrant Gujarat has been a unique opportunity for people around the world to visit Kutch and experience the true flavor of the region. |
Where |
The celebratory festival begins in the Bhuj city and goes around the district with a grand finale again being held at the preliminary destination. |
Who Comes |
The festival is visited and enjoyed by more than 8000 tourists from all over the world. This is one time when natives of the region and travelers along with Government administrative officers all together come along to celebrate the mystical magic of Kutch and its diversity. |
Interesting facts |
Kutch or Rann Mahotsav, a unique manifestation of varied cultural ethos of the region is known for the ethnic flavor and celebrative zest. This festival provides an exclusive opportunity to witness the creative ingenuity of the artisans and craftspeople, assorted array of folk music and performances, mixed representation of culture and communities, along with a vast diversity in ecology. All this and much more describe and define Kutch and the people. |
Calender |
02nd to 04thDecember 2009 (Wed-Fri)
19th to 21stDecember 2010 (Sun-Tue)
09th to 11thDecember 2011 (Fri-Sun)
28th to 30thDecember 2012 (Fri-Sun)
15th to 17thDecember 2013 (Sat-Tue) |
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Vautha Fair |
Tens of thousands of donkeys, as well as hundreds of camels, adorned in an array of colors and bright embellishments are brought here for the largest animal fair in Gujarat, where they are traded on the fair grounds at the sangam tirtha. People generally arrive here on tractors, buses, chhakdas, camels, jeeps and other variedmeans of transport. For some this place is as divine as the sangam in Allahbad, and many communities even consider this fair more important than Diwali. Seven holy rivers mix waters here: the Vatrak merges with the Meshwo, Hathmati, Shedhi, Majum and Khari before it then meets the Sabarmati, so the locals call itsaptasangam (meeting of seven).
For many years, the tradition has been to camp at the fairgrounds in tents- about 25,000 people stay in 2000 tents on the river bank, spread across three square miles of fairgrounds. Hundreds of families from even nearby villages lock up their homes and move into tents to enjoy the fair for five days. They cook different sweets for each day, often ending with laddoos on the last day of festivity. However, the favorite foods here are the khichu and kachariyu.
As a trading fair, the site is a bustling scene, with a variety of handicraft and food stalls, and active street hawkers and merchants selling everything from trinkets to machinery. In the evenings, numerous small lamps are set afloat in the river by devout pilgrims, producing a shimmering dance of faith and beauty. |
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History |
Legends hold that on a full moon night Kartikeya, the son of Shiva, visited this site on Kartika Purnima during his journey round the earth, and performed austerities at the meeting point of the rivers. His paglas are still worshipped here. Dholka is also believed to be ‘Virata Nagar’ of the Mahabharata where the Pandavas spent the last year of their exile in disguise. |
When |
This fair is held during Kartika Purnima, the full moon night of the month of Kartik in the Hindu calendar, corresponding roughly to the month of November. It lasts for five days. |
Where |
The magnificent Vautha Fair is held every year at Vautha, where two rivers, the Sabarmati and the Vatrak meet. Dholka (26 kms away) is also believed to be ‘Virata Nagar’ of the Mahabharata where the Pandavas spent the last year of their exile in disguise. |
Who Comes |
The village of Vautha is small, with only 2000 inhabitants. Yet this fair brings together more than 500,000 visitors through the five days of the fair. The fair attracts people from the Jath Vanjara communities, as well as other pastoral groups. Villagers from surrounding agricultural areas of Bhal and Nalkantha in Ahmedabad district, and Charotar in Kheda district, are also seen in large numbers. It is good to see that although it was previously a fair frequented mostly by Hindus, now even Muslims visit it in fairly large numbers. |
Interesting facts |
The most important ceremony is a purifying bath in the sacred river on Kartika Purnima, the full moon night, which is believed to absolve one from all sins. |
Calender For The Next 5 YearsIndependent India |
2nd to 3rd November 2009 (Mon, Tue)
21st to 22nd November 2010 (Sun, Mon)
10th to 11th November 2011 (Thu, Fri)
28th to 29th November 2012 (Wed, Thu)
17th to 18th November 2013 (Sun, Mon) |
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Kite Festival |
The festival of Uttarayan is a uniquely Gujarati phenomenon, when the skies over most cities of the state fill with kites from before dawn until well after dark. The festival marks the days in the Hindu calendar when winter begins turning to summer, known as Makar Sankranti or Uttarayan. On what is usually a bright warm sunny day with brisk breezes to lift the kites aloft, across the state almost all normal activity is shut down and everyone takes to the rooftops and roadways to fly kites and compete with their neighbors.
Kites of all shapes and sizes are flown, and the main competition is to battle nearby kite-flyers to cut their strings and bring down their kites. For this, people find their favored kite-makers who prepare strong resilient kite bodies with springy bamboo frames and kite-paper stretched to exactly the right tension. Lastly, the kites are attached to a spool (or firkin) of manja, special kite-string coated with a mixture of glue and glass to be as sharp as possible for cutting strings of rival kites. Production of kites and kite supplies can be seen on the streets of Ahmedabad beginning in November, to get ready for Uttarayan, and nowhere more so than in Patang Bazaar, the special kite market that appears in the old city. For the week preceding the festival, it is open 24 hours a day for all kite lovers to stock up for the festivities.
Parents who normally find their children hard to get out of bed for school will find them setting the alarm for 5 am on 14th Jan., to get up and start flying kites in the ideal pre-dawn wind. The atmosphere is wonderfully festive, as whole families gather on the rooftop, special foods like laddoos, undhyu or surati jamun are prepared for eating over the course of the day, and friends and neighbors visit each other for group kite-flying fun.
Often people look out for which of their friends has the optimum terrace for kite flying and many will congregate there. This leads to many social gatherings that would not otherwise occur, as one person’s brother’s friends meet their classmate’s cousins, because they have all gathered on the rooftop of the same mutual friend. People often find themselves marking time by Uttarayans: “I met you three Uttarayans ago, right?” is a not uncommon phrase. At night, kite fighters send up bright white kites to be seen in the darkness, and skilled fly
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History |
Kites are believed to have first arrived in India either through Muslim traders coming eastward through Persia or Buddhist pilgrims coming from China in search of sacred texts. Either way, they have a long history in the region. Over 1000 years ago, kites were mentioned in song by the composer Santnambe, and numerous classic miniature paintings of typical scenes in the area depict people flying kites. Since Gujarat is at the westernmost edge of India, it is one of the regions where Muslim and Hindu cultures have blended to a great degree in many aspects. Hence, the development of using kites probably brought by Muslims, to celebrate Uttarayan, a Hindu festival. Still, no one knows exactly when this tradition began. |
When |
This fair is held during Kartika Purnima, the full moon night of the month of Kartik in the Hindu calendar, corresponding roughly to the month of November. It lasts for five days. |
Where |
Uttarayan is celebrated across Gujarat, with major centers of kite-flying in Ahmedabad, Surat, Vadodara, Rajkot, Nadiad, among others. The International Kite Festival is held in Ahmedabad. |
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Navratri |
Navratri, meaning 'nine nights', is one of the most popular and widely celebrated Hindu festivals in many parts of India. Gujarat, however, is the only state that erupts into a nine-night dance festival, perhaps the longest in the world. Each night, all over the state, villages and cities alike, people gather in open spaces to celebrate feminine divinity, referred to as Shakti.
The dance form known as raas garba (also joined sometimes by dandiya, which uses small wooden sticks), comes from Lord Krishna's worship rather than Goddess worship, from the Gop culture of Saurashtra and Kutch. Stories of relationships between Krishna and the Gopis, and their emotions, also often make their way into the raas garba music.
Nevertheless, the focal point of every garba circle is the small Goddess shrine erected by each community to mark the beginning of the festival, on the first day of the Hindu month of Ashwin. The shrine includes a garbo, an earthenware pot, in which a betel nut, coconut, and silver coin are placed.
Each night the village or urban neighborhood gathers to perform a puja to one of the nine forms of Goddess. The nine nights are also broken up into sections of three; the first is for Durga, the goddess who destroyed an evil force represented by the demon Mahishasura, and who destroys human impurities; the second is for Lakshmi, the goddess of prosperity; the third is for Saraswati, the goddess of wisdom and art. It is a time to celebrate fertility and the monsoon harvest, represented by a mound of fresh soil in which grains are sown.
After the puja begins the music; it is unmistakable to those who are familiar with the style and irresistible to many. People begin to dance in a circle, whirling away till late into the night. It is not uncommon to find dancers with swords or lit flames and other spectacles.
The traditional dance steps are simple, though over the years people have been inventing more complex steps. Similarly, the music was traditionally acoustic, principally composed of drums and singing, but most people now use amplified sound systems or a blend in the form of a live band with modern instruments.Vadodara is a good place to find the full range of these styles, traditional to modern, acoustic to amplified, simple to complicated, each one represented in its extreme somewhere in the city.
The tenth day, Dashera, also known as Vijayadashami in South India, is celebrated by doing a puja to bless one's vehicle, and is also the day to buy new vehicles, if necessary. It 's also celebrated, probably after getting up far later than usual, by unabashedly eating lots of fafda, a salty fried crunchy snack and jalebi, a sweet fried sticky snack.
Religion and tradition aside, a garba circle can take on a surprising spiritual power. Women often give up certain eatables during these nights, which can be quite a purifying experience, if done right. It is a time for even the most traditional and housebound women to be out of the house and whirling, uninhibited, towards the divinity that hides within her own body. Many of the songs begin slow and gradually speed up, sending the dancers into a trance, especially when the music and dance is in its rawest form. When you come to a garba, wherever in Gujarat you may find yourself for Navratri, imagine this: A circle, or concentric circles, moving around the central representation of a universal creative force, the source of life; everybody performing the same step; a mandala of energetic potential; the Mother Goddess unleashed.
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History |
There are many enthralling legends and myths attached to the history of Navratri: The demon Mahishasur, after being given a boon by the fire god Agni that he wouldn't be killed by weapons bearing masculine names, caused grave destruction and terror. The gods sought the help of Lord Shiva, who advised the invocation of the goddess Shakti. With the gods' prayers, a divine luster sprang from the heart of Lord Shiva and the bodies of all the gods and formed the goddess Adhya Shakti. The gods gave her ornaments, arms and a lion as a vehicle. She fought with the evil Mahishasur for nine long days and nights, and at last, resulted in the beheading of Mahisa on the tenth. The nine nights came to be known as Navratri, while the tenth day was called Vijaya Dashami, the tenth day that brought the triumph of good over the evil. Sati (also known as Uma) married Lord Shiva against the wishes of her father, King Daksha Prajapati. In revenge, Daksha organized a huge yagna and invited all the gods and deities except his new son-in-law. Sati decided to attend the yagna despite Lord Shiva's attempt to persuade her not to. The King ignored his daughter's presence and public ally abused Lord Shiva. Unable to bear her father’s insults, Sati committed suicide by jumping into the yagna fire. However, she was reborn and again won Lord Shiva as her groom and peace was restored. It is believed that since then Uma comes every year with her four children Ganesh, Kartik, Saraswati and Laxmi and two of her best friends or 'sakhis' called Jaya and Bijaya, to visit her parent's home during Navratri. These legends and story are part of the history that surrounds the festival of Navratri and are going to be around as long as the festival continues.
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When |
Navratri is celebrated for nine nights, beginning on the first day of the bright fortnight of the Hindu month Ashwin, roughly corresponding to dates in the Gregorian calendar in September/October. This also usually coincides with the end of the rainy season. Dasara/Vijayadashami, is the tenth day of Ashwin. |
Where |
Garba happens at night in villages and neighborhoods all around Gujarat, so just step outside and follow the booming garba music. Vadodara is considered the cultural capital of Gujarat, and the most sought after location for celebrating Navratri. Try to visit at least one village garba too, for a range of experience. |
Calender |
19th to 27thSeptember 2009
08th to 16thOctomber 2010
28thSeptember to 5thOctomber 2011
16th to 24thOctomber 2012
05th to 13thOctomber 2013 |
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Tarnetar Fair |
If you think you are prepared to walk out of your mundane experience and free-fall into a whirlwind of colors, romance and music, then head for the Tarnetar Fair. Based on the legend of Draupadi's swayamvara, this fair is a celebration of ethnic Gujarat’s folk-dance, music, costumes and the arts, centered around young tribal men and women seeking marriage partners. But even for those not interested in finding a spouse, the romance and excitement in the air are captivating, and every year the fair seems only to grow in popularity, attracting visitors and tourists from Gujarat, elsewhere in India, and even abroad.
Here the many colorful costumes, glittering ornaments and free-spirited movements of folk dances, all combine to create a memorable scene. As the dancers surge in waves of circular movement, the incessant throbbing of the drums keeps them moving in unison, and the drum beats continue throughout the day even as the dancers change from one group to the next. Many kinds of folk dances are performed; by far the most popular is the raas, in which dancers hold sticks to clack against those of other dancers. As many as one to two hundred women perform rasadas in a single circle, to the beats of four drums at a time and the tunes of jodia pavas (double flutes). You may also see people break out into a spontaneous hudo.
Rabari women of nearby Zalawad perform the famous circular folk dance calledrahado. Their marital status is indicated clearly by their costumes; a black zimi(skirt) means she is married. But if a woman is wearing a red zimi, it means she has not yet tied the knot, probably seeking a husband. The potential husbands seeking brides are elegantly dressed in colorful dhotis, artistically designed waistcoats and a head-cloth twisted at an angle, moving about the fairground at Tarnetar with striking umbrellas, advertising the bachelorhood they are keen to relinquish.
Numerous sadhus and bhajan mandlis (religious music groups) are engrossed in singing continuously, accompanied by folk instruments.
The Tarnetar Mela covers a large part of the Tarnetar village with a huge number of stalls put up to sell beautiful local handicrafts unavailable elsewhere, along with ethnic jewellery, statues of deities and traditional attire with tiny mirrors embroidered into the clothing. There are also merry-go-round rides, photographer’s stalls, magic shows and tattoo
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History |
Legend says that this fair has been held here since antiquity. Its origin is linked with the story of Draupadi’s swayamvar, where the great archer Arjun performed the difficult task of piercing the eye of a rotating fish with an arrow, by only looking at its reflection in the water. Through this feat he won his bride Draupadi.
Historically speaking, this festival tradition is believed to have begun 200-250 years ago. The fair is held on the grounds of the temple of Triniteshwar Mahadev, which means "the three-eyed God." The old temple that used to stand in Tarnetar was ruined, but a new one was built by the Gaekwads of Vadodara in the 19th century, and is now the focal point of the festival. It stands on the bank of a rivulet and opens into a beautiful kund. It is locally believed that this site used to be the original course of the Ganga river at some point in history, so a dip in the temple tank is considered by pilgrims to be as auspicious as a swim in the holy Ganga. |
When |
The fair is held for three days every year during the Hindu calendar dates of Bhadarva Sud - 4th, 5th and 6th (during the Gregorian calendar months Aug.-Sept) |
Where |
The Tarnetar fair is held 8 km from the town of Thangadh, in Surendranagar District. This is the nearest railway station, on the Ahmedabad-Hapa broadgauge line. The nearest town with road transportation to other places is Chotila, 25 km from Thangadh, which is connected by ST buses from Rajkot (75 km), Jamnagar (162 km), Ahmedabad (196 km) or Porbandar (252 km.) From Bhavnagar, Chotila can be reached either via Rajkot, a trip of 264 km, or via Botad, a shorter journey of 190 km. Chotila, Thangadh and Tarnetar are well connected by ST buses and other mode of transportation. The nearest airport is Rajkot, 75 km away. |
Who Comes |
Being the most important fair of Saurashtra, Tarnetar is attended by more than 50,000 people. The main castes that have been participating are the Kolis, Rabaris, Bharwads, Khants, Kanbis, Kathis, Charans, the Harijans and the Desh-rabaris. With its growing reputation, visitors from rest of India and many different parts of the world are also seen here.
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Interesting facts |
The Kolis of Saurashtra initiated the custom of embroidering umbrellas, which are exquisitely elaborate in terms of embellishments. The embroidery of each is unique and rises from the edges all the way to the top, with beadwork and patchwork in the design as well. Small colorful handkerchiefs are attached all around the edge, to attract further attention. These men spend over a year embroidering their umbrellas. Their intention is to entice the girls with their art, cloths and head gear and impress them, so that they can propose them for marriage. It is not surprising that, before the fair is over, they usually meet the lady of their choice. |
Calender |
23rd to 25th August 2009 (Sun, Mon, Tue)
11th to 13th September 2010 (Sat, Sun, Mon)
1st to 3rd September 2011 (Thu, Fri, Sat)
19th to 21st September 2012 (Wed, Thu, Fri)
9th to 11th September 2013 (Mon, Tue, Wed) |
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Bhavnath Fair |
On the moonless night when it is believed Lord Shiva performed his tandava, the cosmic dance of destruction, a great mahapuja is performed. This great ritual begins at midnight on Mahashivaratri, when naga bavas, or naked sages, seated on elephants and decked in ornaments, arrive holding flags and blowing conch shells, tungis, and turis, the sounds of which reverberate through the entire space. Leading a large procession to the temple, they thus mark the commencement of an emotive religious ceremony.
Devotees believe that Shiva himself visits the shrine on this occasion. Girnar is said to be the abode of the nine immortal nathas, and eighty-four siddhas, all of whom also visit the temple in their invisible spirit forms during Mahashivaratri. Offerings are made to the deities, and the festive energy courses through performances of dance, music and traditional bhavai theatre.
Before going to the fair, many pilgrims do a parikrama of the holy hills of Girnar, a journey of about 7 km. Visitors are served free meals by the organizers. Special stalls sell idols, rosaries brought from Ayodhya and Mathura, and delectable sweets.
This fair is beautiful but at the same time passionate and intense, so we caution first time visitors to move in groups, not alone. It is a mammoth affair brimming with mysticism and revelry.
When
The fair during Mahashivaratri is held for five days commencing from the Hindu calendar date of Magh Vad 11, during the Gregorian months of February-March.
Where
The Bhavnath Fair is held at the Bhavnath Mahadev Temple near Damodar Kund, at Girnar Taleti, 8 km from Junagadh. Junagadh has a major railway station, and is also connected by ST buses to cities around the state. The nearest airport is in Rajkot, 110 km away.
Who Comes
About one lakh people from different regions of India, particularly from Gujarat and Marwad, have been coming here for many years. While many come clad in lively colors, the Ahirs and Mers of the Junagadh district are the most striking among them.
Interesting Facts
The evening leading up to the midnight ritual of Mahashivaratri, at the wrestling grounds, or akhada, next to the temple, the naga bavas gather for a ritual involving a blend of dance and martial arts
History
The Bhavnath Mahadev temple is a shrine ensconced in myths and legends of the Puranic era. The Shiva linga here is said to have emerged of its own divine intention. Reportedly, when Shiva and Parvati were traveling over the Girnar Hills their divine garment fell over the present Mrigi Kund, making this place an auspicious site for Shiva worshippers. Even today, the naga bavas are known to bathe in the holy Mrigi Kund before joining the Mahashivaratri procession. The fair itself is so ancient that its precise origins are unknown.
Nereby Destinations
The city of Junagadh is only a few kilometers from the fairgrounds at the foot of Mt. Girnar. From there, Gir National Park is only 60 km into the forest, and the city of Porbandar is 112 km away on the west coast. Also accessible is Veraval, where the rebuilt temple of Somnath stands proudly. Further along the coast is the former Portuguese colony of Diu.
Calender
2th February 2010(Friday)
3rd March 2011 (Thursday)
20th February 2012 (Monday)
10th March 2013 (Sunday)
28th February 2014 (Friday)
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Dang Darbar (Holi) |
Dang Darbar honours the tradition of rulers and other heads of villages gathering for durbars during the British rule over India. The tradition continues today in the Dangs, a tribal dominated district, as many of the former Rajas and Naiks are still accorded status unlike the princely families whose title and privy purses were abolished.
When
Dang Darbar is celebrated normally held in March-April each year just a few days before Holi.
Where
Dang Darbar takes place in the Ahwa of the Dang district in the Saputara Hills.
Who Comes
A huge number of tribal inhabitants and visitors come to attend this festival and all those visitors who come from around the world, cannot miss to this opportunity to take part in this festival. For visitors to the Dangs, this festival is a great opportunity to see tribal communities like the Bhils, the Kunbis, the Warlis and the Gamits in their traditional attire.
Interesting Facts
Tribal dances of the region are spectacular to watch. People move in concentric circles holding each other by the waist, dancing to the beat of percussion and wind instruments. Many musical instruments are typical of this district.
All men wear lion clothes with a waistcoat and coloured turban. Women wear sarees and blouses with heavy silver jewellery.
Calender
28th February 2010 (Sunday)
19th March 2011 (Satuarday)
08th March 2012 (Thursday)
27th March 2013 (Wednesday)
16th March 2014 (Sunday)
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Madhavpur Fair |
The fair brings to life the otherwise sleepy town of Madhavpur, which is believed to be the venue of Lord Krishna’s weeding to Rukmini, one of his wives. During the fair Lord Krishna’s marriage is re-enacted by artistes.
Madhavpur also has one of the meditation centers of Osho, where prominent Osho sanyasi Swami Brahm Vedant resides and gives lectures daily. At present time he is making canals for drinking water with the help of other Osho Sanyasis for Madhavpur village
When
This fair is held at Madhavpur near Porbandar to celebrate the marriage of Lord Krishna and Rukmini, on the ninth day of the bright half of the month of Chaitra(March/April).
Where
Madhavpur Fair held in Madhavpur located near the legendary and historic town of Porbandar.
Who Comes
The Mer tribals re-enact their marriages with their life partners which makes up for an interesting ceremony agog with all the splendor and activity befitting a large fair.
Interesting Facts
During the course of the Madhavpur Fair, in Gujarat, India, the Mer tribals re-enact their marriages with their life partners which makes up for an interesting ceremony agog with all the splendor and activity befitting a large fair.
History
According to folklore, lord krishna came to this village after kidnapping Rukmini and got married to her at this very place. In the memory of that event, there is a temple built for lord Madhavray. A celebration of this event is held at Madhavpur in memory of this marriage every year in a cultural fair.
Calender
24th March 2011 (Wednesday)
12th April 2011 (Tuesday)
01th April 2012 (Sunday)
20th April 2013 (Saturday)
08th April 2014 (Tuesday)
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Bhagoria Haat |
Bhagoria Haat is the colorful festival of the Bhils and the Bhilalas. ‘Bhag’ means ‘to run’. This is indicated in the name of the festival, Bhagoria Haat and during the festival the young people elope after choosing their partners and are later on accepted as husband and wife by the society through prearranged customs. It cannot be supposed that every time the boys and girls intending to marry each other meet in the festival for the first time. According to the tradition, the boy is supposed to apply gulal, red powder, on the face of the girl whom he chooses as his wife. If the girl is willing, she also applies gulal on the boy’s face. The girl might not say yes immediately but in due course the boy might go after her and succeed. The Bhagoria Haat also concurs with the completion of harvesting, making it an agricultural festival as well.
When
The Bhagoria Haat Festival is held in the month of March, mainly on various market days before the beginning of the Holi Festival.
Where
This festival is held particularly in the district of West Nimar and Jhabua Jhabua is a quaint town on the Gujarat-Rajasthan border of Madhya Pradesh
Who Comes
The Bhagoria Haat Festival belongs to the local tribes called Bhils and Bhilalas.
Interesting Facts
The Bhagoria Haat in Jhabua, Madhya Pradesh is one of the main festivals of Madhya Pradesh. Tourists who view the state during March will get a flavor of the ethnic richness of this tribal festival of India accompanied by singing, dancing and a general sense of revelry. The festival also highlights the genuine nature of democracy and liberation in all respects in tribal society, starting with the nuclear family which is specified in the amicable selection of partners.
Calender
March (Annual)
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Fairs and Festivals |
Chitra vichitra |
The festival begins on the eve of the new moon when the women gather at the river and mourn for their dead through the night. The next day the fair sets off with a generous splashing of dazzling colors and drumming.
The tribal men’s costume generally consists of a blue shirt, dhoti and a red or saffron fenta or turban. The woman don ghagharas which have a circumference of as much as 20 yards, and are covered from head to feet with ornate and heavy silver jewellery, and sometime also beautifully knitted rafia jewellery made from pale yellow or dyed crimson grass. They also use liquid kumkum or vermilion to color their cheeks and lips a brilliant red, while their eyes are outlined vibrantly with kajal.
Every group visiting the fair carries its own drum, so that the atmosphere comes alive with a nonstop beat of drumming. The women sing folk songs in shrill choruses, and everyone dances near the main temple. Over a hundred stalls hold food and drink, and sweets of various kinds. Silver ornaments and household items are out for sale. There is also a giant wheel and a merry-go-round. The dancing and drumming continue for hours until everyone is left exhausted. |
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History |
The name of the fair is derived from two brothers Chitravirya and Vichitravirya, sons of King Shantanu, and step brothers of Bhishma, from the story of the Mahabharata. There is a belief that they had
settled here and were cured of their diseases by the waters of this site. |
When |
The fair is held a fortnight after Holi, around the month of March-April. It starts on the eve of the new moon (called Amavas), the time when the wheat crop is ready for harvest. |
Who Comes |
The fair is one of the most important fairs of the Adivasis in the region, and attracts about 60,000 people, most of them hailing from the Garasia and Bhil communities. People from many far away and distant villages arrive on every imaginable mode of transport, ranging from jeeps to camel carts. The fair is so popular that in 25 to 30 surrounding villages all the houses are deserted for the duration of the fair as every able-bodied person visits it. People come a day or two in advance in large groups and encamp under the banyan trees on the riverside. They spend the night under the sky by the side of small bonfires. |
Interesting facts |
This fair is also a great opportunity for tribal men to meet prospective partners for marriage. Numerous couples have been known to elope directly from the fair site. |
Calender |
14th March 2010 (Sunday)
02nd April 2011 (Saturday)
21st March 2012 (Wednesday)
09th April 2013 (Tuesday)
30th March 2014 (Sunday) |
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Kavant |
Kavant, the gathering arena for a tribal group since time immemorial. It is a gathering of the Rathva community to extemporously recreate the joy of existence and life., it is a sheer delight to watch the exuberance of Rathva men and women dressed in their distinctive finery gradually congregating to sing and dance, discuss marriages and liaisons, barter goods and services all rising to a grand crescendo of gaiety and high energy which almost draws one forth into the mesmerizing world of Rathva culture. The older generation meanwhile set themselves down with their paraphernalia of snacks and condiments to muse about times gone by and matters of import regarding the future of their tribal ethos. |
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When |
The Rathva Festival at Kavant is a pagan ululation to the harvest and the link between man and nature celebrated since time immemorial. It is a gathering of the Rathva community from as far off as Rajasthan and Madhya Pradesh. It usually begins on the third day after Holi. |
Where |
The village of Kavant is located in the heart of the Rathva homeland near the town of Chhota Udepur about a 100 kms from Vadodara which has an air port, a rail link and is a major city. There are two interesting heritage properties which are ideal to stay in near Kavant, the royal palaces at Chhota Udepur and Jambughoda. |
Who Comes |
Rathwa community people along with tourists from all over the world. |
Interesting facts |
The Rathvas loosely inhabit Chhota Udepur in Vadodara District with marginal groups extending into Dahod and Godhra Districts and Alirajpur in adjoining Madhya Pradesh District. The Rathvas are the largest tribal unit in the state of Gujarat. From a history of hunter gatherers they now have graduated to farming and other rural occupations exploring their pastoral destiny. In spite of changing living patterns, they religiously revere their old ways in the celebrations of their rituals and have a deep pride in their traditional culture. Music plays an extremely important part of their lives and no Rathva would feel complete without his lovingly embellished Flute {paavo / piho / pihoto } as a remembrance of his forested homeland. The Rathvas also practice a mural painting form based on ritual traditional beliefs on the inner walls of their homes and dedicated to Pithora, the Rathva universal God of well being.
The Kavant Festival is a catharsis of emotional splendor, a rite of passage, family liaisons and a successful harvest all amalgamated into one tremendous exposition of riot and colour.
The Kavant Mela is a prominent tribal festival in the north-eastern part of Gujarat falling sometime in the month of April. On the way to Kavant village one can sometimes see bedecked groups of tribals trekking towards the venue. Through a variety of modes of transport they arrive, showing off their affluent eye shades, lighters and radios. Women of each village wear a dupatta and skirt of the same dye while the men wear similar turbans and skirts in order to differentiate themselves from other sub-groups. Both men and women are bedecked with community specific silver jewelry which is intricately sinewy and a pleasure to behold. |
History |
Kavant is a harvest festival celebrated with wild abandon through dance primordial blending the rhythm with the shashaying of the forest and the frolicking of the animals in the undergrowth. Surrounded by the beating of drums, the susurrations of a variety of flutes and the stamping of feet, the Rathvas dance in a vast group keeping time to the rise and fall of the crescendo of arrhythmic music in their tryst with destiny. The men folk wear a belt attached with pebble filled gourds and a string of brass bells. As they stamp their feet and gyrate their hips the bells and the pebbled gourds add percussion metronomical beats tintinabulating in the air. Some of the men carry cane sugar signifying the harvest and wear an elaborate headgear which is a conical hat stuck with small framed photos of local deities surrounded by an array of peacock feathers. Rice paste and ash are blended to make a dye painting the bodies with circles and dots in a ritualistic salutation to the jungle cat. Some men and women gather together to form a human pyramid and the surrounding atmosphere rides with the heightened energy and human spirit. |
Calender |
03rd to 04thMarch 2010 (Wed,Thurs)
22nd to 23rdMarch 2011 (Tue,Wed)
10th to 11thMarch 2012 (Sat,Sun)
30th to 31stMarch 2013 (Sat,Sun)
19th to 20thMarch 2014 (Wed,Thurs) |
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Modhera dance festival |
Psychedelic hues of red, yellow, green lights illuminating nooks and corners of intricately carved the Sun Temple of Modhera, during dark and breezy nights of January, create a Chiaroscuro effect of time and space! The Sun Temple of Modhera is a masterpiece of the Golden Age of the Solanki Empire, which hosts the annual Dance Festival and flaunts the glory and splendor of that era. The Modhera Dance Festival which is also prevalently known as the Uttarardh Mahotsavor Modhera Utsavis is one of the most famous celebration of art, music, dance and culture, in this part of the country. This unique occurrence showcases traditional dance forms of the region as well as acts as a platform bringing together the cultural ethos of other regions expressed in form of dance or nritya.
Modhera, the temple of the Sun narrating the history and grandeur of its patrons, the Solankis, is an architectural marvel. This peerless temple space acts as a grandiose backdrop for the vibrant expression of dancers and aesthetical ethnicity of the country. Dance troupes and performers from all regions of the nation bring along a panorama of varied dance forms and styles, interlaced with the essence of their origins. The performers blend in the ambience and bring life to the sandstone figurines carved on the edifice of the temple, singing and narrating legends of times bygone.
The three day festival of Uttarardh Mahotsavis is organized by the Tourism Corporation of Gujarat Limited (TCGL), to venerate and celebrate the inherited treasure of performing arts of the country. The Modhera festival is an ideal opportunity to experience living heritage of Indian dance and music while traversing back in time sitting in the lap of golden history. |
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When |
The exclusive three day Modhera Dance Festival is held every year during the third week end of January after the conclusion of Uttarayan festival. |
Where |
The environs of the Sun Temple in Modhera act a venue and host of this enchanting festival. Modhera is located in the South-west of Mehsana District and is 25 km away from the town of Mehsana. |
Who Comes |
The dance festival is frequently visited by art and dance connoisseurs from all across the world. Classical and folk dancers and musicians from different states of the country exhibit their talent and flair while culture enthusiasts become part of the festival to witness this splendid event. Inhabitants and natives from near by villages also are an indigenous part of the occasion. |
Interesting facts |
This incredible festival of dance, Uttarardh Mahotsav, derives its name from the planetary and astronomical configuration of the Sun. The festival which takes place every year after Uttarayan, at the Modhera temple dedicated to the Sun God venerates the rotational cycle of the earth around the Sun. Uttarayan, the day when the sun starts his voyage towards Uttar or North indicates the end of winter and the beginning of longer days with a pleasant breeze. During Uttarayan, the Sun transmigrates from one planet to the other, it travels from Dhanu or Sagittarius to Makara that is Capricorn. Halfway through this voyage, the time when ‘ardh’ or half of ‘uttar’ or Northward journey is over, the period is known as Uttararadh.
The noteworthy technological splendor of the Modhera temple architecture is the planned engineering based on the planetary position of the planets and the Sun. The main temple or the sanctum is designed focusing on the rays of rising and setting Sun during Equinox. The way the edifice is structured, it ensured on the days of Equinox, that soft, linear rays of Sun showered it with illumination. |
History |
Dance or nritya in India is considered an artistic yoga revealing the spiritual through the corporeal. In the history of India, classical dance forms and temple architecture have enjoyed a very amiable alliance. Innumerable literary and historical evidences state the close association of the expressional form of dance and sacred vicinity of temples. Dance performances presented in the holy premises venerated god while also serving as a platform to convey messages to all social strata on an equal echelon. ‘Nagar Utsav’ was organized in the vicinity of all temples including the sun temples. In respect of the rich cultural legacy of the country and to revive the tradition, the State Government created the annual event of the Modhera Dance Festival. |
Calender |
15th to 17thJanuary 2010 (Fri,Sat,Sun)
21st to 23rdJanuary 2011 (Fri,Sat,Sun)
20th to 22ndJanuary 2012 (Fri,Sat,Sun)
18th to 20thJanuary 2013 (Fri,Sat,Sun)
17th to 19thJanuary 2014 (Fri,Sat,Sun) |
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Rann Utsav |
A plethora of varied hues, profusion of design, superfluity of culture, cornucopia of music and dance, all together in the arid lands of Kutch creates a mosaic of exquisiteness which reflects the identity and spirit of the region. Kutch, one of the most ecologically and ethnically diverse district of the state is a celebratory land of art, crafts, music, dance, people and nature. During the full moon night of the winters amid the awe-inspiring and contrasting landscape each year a three day festive extravaganza brimming with hospitality, vigor and traditional flavor of the area is hosted and known as the Kutch or Rann Mahotsav.
This three to four day carnival organized at the various locales within Kutch takes one around the natural grandiose while introducing the visitor to the indigenous cultural and ethnical flavor of the people. Semi parched Grasslands of the Banni hosts the most magnificent display of vernacular architecture as the exhibition platform for the varied range of arts and crafts of the region. While an array of folk music and dance performances organized in the shimmering moonlit landscape provides the most enchanting experience. The colorful fairs held near the beach or the banks of a lake swings one with the spirit of festivity, fervor and flamboyancy while the organized tour around Kutch is an ideal occasion to be part of the region and experience the zeal and uniqueness of the people through a celebration of life!
Full moon night in the month of December |
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History |
The tourism authorities of Gujarat organize events in Kutch to showcase the rich culture of this
district, one of the largest in India. This Mahotsava under the tutelage of Vibrant Gujarat has been a unique opportunity for people around the world to visit Kutch and experience the true flavor of the region. |
Where |
The celebratory festival begins in the Bhuj city and goes around the district with a grand finale again being held at the preliminary destination. |
Who Comes |
The festival is visited and enjoyed by more than 8000 tourists from all over the world. This is one time when natives of the region and travelers along with Government administrative officers all together come along to celebrate the mystical magic of Kutch and its diversity. |
Interesting facts |
Kutch or Rann Mahotsav, a unique manifestation of varied cultural ethos of the region is known for the ethnic flavor and celebrative zest. This festival provides an exclusive opportunity to witness the creative ingenuity of the artisans and craftspeople, assorted array of folk music and performances, mixed representation of culture and communities, along with a vast diversity in ecology. All this and much more describe and define Kutch and the people. |
Calender |
02nd to 04thDecember 2009 (Wed-Fri)
19th to 21stDecember 2010 (Sun-Tue)
09th to 11thDecember 2011 (Fri-Sun)
28th to 30thDecember 2012 (Fri-Sun)
15th to 17thDecember 2013 (Sat-Tue) |
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Vautha Fair |
Tens of thousands of donkeys, as well as hundreds of camels, adorned in an array of colors and bright embellishments are brought here for the largest animal fair in Gujarat, where they are traded on the fair grounds at the sangam tirtha. People generally arrive here on tractors, buses, chhakdas, camels, jeeps and other variedmeans of transport. For some this place is as divine as the sangam in Allahbad, and many communities even consider this fair more important than Diwali. Seven holy rivers mix waters here: the Vatrak merges with the Meshwo, Hathmati, Shedhi, Majum and Khari before it then meets the Sabarmati, so the locals call itsaptasangam (meeting of seven).
For many years, the tradition has been to camp at the fairgrounds in tents- about 25,000 people stay in 2000 tents on the river bank, spread across three square miles of fairgrounds. Hundreds of families from even nearby villages lock up their homes and move into tents to enjoy the fair for five days. They cook different sweets for each day, often ending with laddoos on the last day of festivity. However, the favorite foods here are the khichu and kachariyu.
As a trading fair, the site is a bustling scene, with a variety of handicraft and food stalls, and active street hawkers and merchants selling everything from trinkets to machinery. In the evenings, numerous small lamps are set afloat in the river by devout pilgrims, producing a shimmering dance of faith and beauty. |
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History |
Legends hold that on a full moon night Kartikeya, the son of Shiva, visited this site on Kartika Purnima during his journey round the earth, and performed austerities at the meeting point of the rivers. His paglas are still worshipped here. Dholka is also believed to be ‘Virata Nagar’ of the Mahabharata where the Pandavas spent the last year of their exile in disguise. |
When |
This fair is held during Kartika Purnima, the full moon night of the month of Kartik in the Hindu calendar, corresponding roughly to the month of November. It lasts for five days. |
Where |
The magnificent Vautha Fair is held every year at Vautha, where two rivers, the Sabarmati and the Vatrak meet. Dholka (26 kms away) is also believed to be ‘Virata Nagar’ of the Mahabharata where the Pandavas spent the last year of their exile in disguise. |
Who Comes |
The village of Vautha is small, with only 2000 inhabitants. Yet this fair brings together more than 500,000 visitors through the five days of the fair. The fair attracts people from the Jath Vanjara communities, as well as other pastoral groups. Villagers from surrounding agricultural areas of Bhal and Nalkantha in Ahmedabad district, and Charotar in Kheda district, are also seen in large numbers. It is good to see that although it was previously a fair frequented mostly by Hindus, now even Muslims visit it in fairly large numbers. |
Interesting facts |
The most important ceremony is a purifying bath in the sacred river on Kartika Purnima, the full moon night, which is believed to absolve one from all sins. |
Calender For The Next 5 YearsIndependent India |
2nd to 3rd November 2009 (Mon, Tue)
21st to 22nd November 2010 (Sun, Mon)
10th to 11th November 2011 (Thu, Fri)
28th to 29th November 2012 (Wed, Thu)
17th to 18th November 2013 (Sun, Mon) |
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Kite Festival |
The festival of Uttarayan is a uniquely Gujarati phenomenon, when the skies over most cities of the state fill with kites from before dawn until well after dark. The festival marks the days in the Hindu calendar when winter begins turning to summer, known as Makar Sankranti or Uttarayan. On what is usually a bright warm sunny day with brisk breezes to lift the kites aloft, across the state almost all normal activity is shut down and everyone takes to the rooftops and roadways to fly kites and compete with their neighbors.
Kites of all shapes and sizes are flown, and the main competition is to battle nearby kite-flyers to cut their strings and bring down their kites. For this, people find their favored kite-makers who prepare strong resilient kite bodies with springy bamboo frames and kite-paper stretched to exactly the right tension. Lastly, the kites are attached to a spool (or firkin) of manja, special kite-string coated with a mixture of glue and glass to be as sharp as possible for cutting strings of rival kites. Production of kites and kite supplies can be seen on the streets of Ahmedabad beginning in November, to get ready for Uttarayan, and nowhere more so than in Patang Bazaar, the special kite market that appears in the old city. For the week preceding the festival, it is open 24 hours a day for all kite lovers to stock up for the festivities.
Parents who normally find their children hard to get out of bed for school will find them setting the alarm for 5 am on 14th Jan., to get up and start flying kites in the ideal pre-dawn wind. The atmosphere is wonderfully festive, as whole families gather on the rooftop, special foods like laddoos, undhyu or surati jamun are prepared for eating over the course of the day, and friends and neighbors visit each other for group kite-flying fun.
Often people look out for which of their friends has the optimum terrace for kite flying and many will congregate there. This leads to many social gatherings that would not otherwise occur, as one person’s brother’s friends meet their classmate’s cousins, because they have all gathered on the rooftop of the same mutual friend. People often find themselves marking time by Uttarayans: “I met you three Uttarayans ago, right?” is a not uncommon phrase. At night, kite fighters send up bright white kites to be seen in the darkness, and skilled flyers will send aloft their tukkals with strings of brightly lit lanterns in a long line leading back down to the rooftop. From early morning to late at night, Uttarayan provides lots of fun and beautiful sights to remember for a long time.
Since 1989, the city of Ahmedabad has hosted the International Kite Festival as part of the official celebration of Uttarayan, bringing master kite makers and flyers from all over the world to demonstrate their unique creations and wow the crowds with highly unusual kites. In past years, master kite makers from Malaysia have brought their wau-balang kites, llayang-llayang have come from Indonesia, kite innovators from the USA have arrived with giant banner kites, and Japaneserokkaku fighting kites have shared the skies with Italian sculptural kites, Chinese flying dragons, and the latest high-tech modern wonders. A master kite maker andfamous kite flyer Rasulbhai Rahimbhai of Ahmedabad trains of up to 500 kites on a single string have come to be a classic attraction. Almost every known variety of kite can be seen in the skies over Sardar Patel Stadium in Ahmedabad, from box kites to high-speed sport kites, from windsocs and spinsocs to hand-painted artistic kites.
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History |
Kites are believed to have first arrived in India either through Muslim traders coming eastward through Persia or Buddhist pilgrims coming from China in search of sacred texts. Either way, they have a long history in the region. Over 1000 years ago, kites were mentioned in song by the composer Santnambe, and numerous classic miniature paintings of typical scenes in the area depict people flying kites. Since Gujarat is at the westernmost edge of India, it is one of the regions where Muslim and Hindu cultures have blended to a great degree in many aspects. Hence, the development of using kites, probably brought by Muslims, to celebrate Uttarayan, a Hindu festival. Still, no one knows exactly when this tradition began. |
When |
This fair is held during Kartika Purnima, the full moon night of the month of Kartik in the Hindu calendar, corresponding roughly to the month of November. It lasts for five days. |
Where |
Uttarayan is celebrated across Gujarat, with major centers of kite-flying in Ahmedabad, Surat, Vadodara, Rajkot, Nadiad, among others. The International Kite Festival is held in Ahmedabad. |
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Navratri |
Navratri, meaning 'nine nights', is one of the most popular and widely celebrated Hindu festivals in many parts of India. Gujarat, however, is the only state that erupts into a nine-night dance festival, perhaps the longest in the world. Each night, all over the state, villages and cities alike, people gather in open spaces to celebrate feminine divinity, referred to as Shakti.
The dance form known as ras garba (also joined sometimes by dandiya, which uses small wooden sticks), comes from Lord Krishna's worship rather than Goddess worship, from the Gop culture of Saurashtra and Kutch. Stories of relationships between Krishna and the Gopis, and their emotions, also often make their way into the ras garba music.
Nevertheless, the focal point of every garba circle is the small Goddess shrine erected by each community to mark the beginning of the festival, on the first day of the Hindu month of Ashwin. The shrine includes a garbo, an earthenware pot, in which a betel nut, coconut, and silver coin are placed.
Each night the village or urban neighborhood gathers to perform a puja to one of the nine forms of Goddess. The nine nights are also broken up into sections of three; the first is for Durga, the goddess who destroyed an evil force represented by the demon Mahishasura, and who destroys human impurities; the second is for Lakshmi, the goddess of prosperity; the third is for Saraswati, the goddess of wisdom and art. It is a time to celebrate fertility and the monsoon harvest, represented by a mound of fresh soil in which grains are sown.
After the puja begins the music; it is unmistakable to those who are familiar with the style and irresistible to many. People begin to dance in a circle, whirling away till late into the night. It is not uncommon to find dancers with swords or lit flames and other spectacles.
The traditional dance steps are simple, though over the years people have been inventing more complex steps. Similarly, the music was traditionally acoustic, principally composed of drums and singing, but most people now use amplified sound systems or a blend in the form of a live band with modern instruments.Vadodara is a good place to find the full range of these styles, traditional to modern, acoustic to amplified, simple to complicated, each one represented in its extreme somewhere in the city.
The tenth day, Dashera, also known as Vijayadashami in South India, is celebrated by doing a puja to bless one's vehicle, and is also the day to buy new vehicles, if necessary. It 's also celebrated, probably after getting up far later than usual, by unabashedly eating lots of fafda, a salty fried crunchy snack and jalebi, a sweet fried sticky snack.
Religion and tradition aside, a garba circle can take on a surprising spiritual power. Women often give up certain eatables during these nights, which can be quite a purifying experience, if done right. It is a time for even the most traditional and housebound women to be out of the house and whirling, uninhibited, towards the divinity that hides within her own body. Many of the songs begin slow and gradually speed up, sending the dancers into a trance, especially when the music and dance is in its rawest form. When you come to a garba, wherever in Gujarat you may find yourself for Navratri, imagine this: A circle, or concentric circles, moving around the central representation of a universal creative force, the source of life; everybody performing the same step; a mandala of energetic potential; the Mother Goddess unleashed.
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History |
There are many enthralling legends and myths attached to the history of Navratri:
The demon Mahishasur, after being given a boon by the fire god Agni that he wouldn't be killed by weapons bearing masculine
names, caused grave destruction and terror. The gods sought the help of Lord Shiva, who advised the invocation of the goddess
Shakti. With the gods' prayers, a divine luster sprang from the heart of Lord Shiva and the bodies of all the gods and formed the
goddess Adhya Shakti. The gods gave her ornaments, arms and a lion as a vehicle. She fought with the evil Mahishasur for nine
long days and nights, and at last, resulted in the beheading of Mahisa on the tenth. The nine nights came to be known as Navratri,
while the tenth day was called Vijaya Dashami, the tenth day that brought the triumph of good over the evil.
Sati (also known as Uma) married Lord Shiva against the wishes of her father, King Daksha Prajapati. In revenge, Daksha
organized a huge yagna and invited all the gods and deities except his new son-in-law. Sati decided to attend the yagna despite
Lord Shiva's attempt to persuade her not to. The King ignored his daughter's presence and publically abused Lord Shiva.
Unable to bear her father’s insults, Sati committed suicide by jumping into the yagna fire. However, she was reborn and again
won Lord Shiva as her groom and peace was restored. It is believed that since then Uma comes every year with her four children
Ganesh, Kartik, Saraswati and Laxmi and two of her best friends or 'sakhis' called Jaya and Bijaya, to visit her parent's home
during Navratri.
These legends and story are part of the history that surrounds the festival of Navratri and are going to be around as long as the festival
continues. |
When |
Navratri is celebrated for nine nights, beginning on the first day of the bright fortnight of the Hindu month Ashwin, roughly corresponding to dates in the Gregorian calendar in September/October. This also usually coincides with the end of the rainy season. Dasara/Vijayadashami, is the tenth day of Ashwin. |
Where |
Garba happens at night in villages and neighborhoods all around Gujarat, so just step outside and follow the booming garba music. Vadodara is considered the cultural capital of Gujarat, and the most sought after location for celebrating Navratri. Try to visit at least one village garba too, for a range of experience. |
Calender |
19th to 27thSeptember 2009
08th to 16thOctomber 2010
28thSeptember to 5thOctomber 2011
16th to 24thOctomber 2012
05th to 13thOctomber 2013 |
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Tarnetar Fair |
If you think you are prepared to walk out of your mundane experience and free-fall into a whirlwind of colors, romance and music, then head for the Tarnetar Fair.
Based on the legend of Draupadi's swayamvara, this fair is a celebration of ethnic Gujarat’s folk-dance, music, costumes and the arts, centered around young tribal men and women seeking marriage partners. But even for those not interested in finding a spouse, the romance and excitement in the air are captivating, and every year the fair seems only to grow in popularity, attracting visitors and tourists from Gujarat, elsewhere in India, and even abroad.
Here the many colorful costumes, glittering ornaments and free-spirited movements of folk dances, all combine to create a memorable scene. As the dancers surge in waves of circular movement, the incessant throbbing of the drums keeps them moving in unison, and the drum beats continue throughout the day even as the dancers change from one group to the next. Many kinds of folk dances are performed; by far the most popular is the raas, in which dancers hold sticks to clack against those of other dancers. As many as one to two hundred women perform rasadas in a single circle, to the beats of four drums at a time and the tunes of jodia pavas (double flutes). You may also see people break out into a spontaneous hudo.
Rabari women of nearby Zalawad perform the famous circular folk dance calledrahado. Their marital status is indicated clearly by their costumes; a black zimi(skirt) means she is married. But if a woman is wearing a red zimi, it means she has not yet tied the knot, probably seeking a husband. The potential husbands seeking brides are elegantly dressed in colorful dhotis, artistically designed waistcoats and a head-cloth twisted at an angle, moving about the fairground at Tarnetar with striking umbrellas, advertising the bachelorhood they are keen to relinquish.
Numerous sadhus and bhajan mandlis (religious music groups) are engrossed in singing continuously, accompanied by folk instruments.
The Tarnetar Mela covers a large part of the Tarnetar village with a huge number of stalls put up to sell beautiful local handicrafts unavailable elsewhere, along with ethnic jewelery, statues of deities and traditional attire with tiny mirrors embroidered into the clothing. There are also merry-go-round rides, photographers stalls, magic shows and tattoo artists who attract a large variety of visitors.
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History |
Legend says that this fair has been held here since antiquity. Its origin is linked with the story of Draupadi’s swayamvar, where the great archer Arjun performed the difficult task of piercing the eye of a rotating fish with an arrow, by only looking at its reflection in the water. Through this feat he won his bride Draupadi.
Historically speaking, this festival tradition is believed to have begun 200-250 years ago. The fair is held on the grounds of the temple of Triniteshwar Mahadev, which means "the three-eyed God." The old temple that used to stand in Tarnetar was ruined, but a new one was built by the Gaekwads of Vadodara in the 19th century, and is now the focal point of the festival. It stands on the bank of a rivulet and opens into a beautiful kund. It is locally believed that this site used to be the original course of the Ganga river at some point in history, so a dip in the temple tank is considered by pilgrims to be as auspicious as a swim in the holy Ganga. |
When |
The fair is held for three days every year during the Hindu calendar dates of Bhadarva Sud - 4th, 5th and 6th (during the Gregorian calendar months Aug.-Sept) |
Where |
The Tarnetar fair is held 8 km from the town of Thangadh, in Surendranagar District. This is the nearest railway station, on the Ahmedabad-Hapa broadgauge line. The nearest town with road transportation to other places is Chotila, 25 km from Thangadh, which is connected by ST buses from Rajkot (75 km), Jamnagar (162 km), Ahmedabad (196 km) or Porbandar (252 km.) From Bhavnagar, Chotila can be reached either via Rajkot, a trip of 264 km, or via Botad, a shorter journey of 190 km. Chotila, Thangadh and Tarnetar are well connected by ST buses and other mode of transportation. The nearest airport is Rajkot, 75 km away. |
Who Comes |
Being the most important fair of Saurashtra, Tarnetar is attended by more than 50,000 people. The main castes that have been participating are the Kolis, Rabaris, Bharwads, Khants, Kanbis, Kathis, Charans, the Harijans and the Desh-rabaris. With its growing reputation, visitors from rest of India and many different parts of the world are also seen here. |
Interesting facts |
The Kolis of Saurashtra initiated the custom of embroidering umbrellas, which are exquisitely elaborate in terms of embellishments. The embroidery of each is unique and rises from the edges all the way to the top, with beadwork and patchwork in the design as well. Small colorful handkerchiefs are attached all around the edge, to attract further attention. These men spend over a year embroidering their umbrellas. Their intention is to entice the girls with their art, cloths and head gear and impress them, so that they can propose them for marriage. It is not surprising that, before the fair is over, they usually meet the lady of their choice. |
Calender |
23rd to 25th August 2009 (Sun, Mon, Tue)
11th to 13th September 2010 (Sat, Sun, Mon)
1st to 3rd September 2011 (Thu, Fri, Sat)
19th to 21st September 2012 (Wed, Thu, Fri)
9th to 11th September 2013 (Mon, Tue, Wed) |
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Wild Life |
Dsada |
Background
The Wild Ass Sanctuary of the Little Rann of Kutch, spreading across nearly 5000 square kilometers of the Little Rann, is the only place on earth where the endangered Indian Wild Ass (Equus hemionus khur), known locally as the ghudkhar, still lives. The only other two subspecies of wild asses live in the high arid plateaus of Tibet, making this the most accessible place to visit wild asses in their natural environs. Standing more than a meter tall at the shoulder and two meters in length, wild asses are very agile and can run long distances at a speed of 50 km/h, making them more like wild horses, and far more captivating than their domesticated cousins. Around 3000 of them live in the sanctuary, and are usually seen in herds, especially around breeding season (foals can be seen with the herds around October and November.)
But the Sanctuary is home to far more than just the wild ass. Among the 32 other species of mammals are the chinkara(Indian gazelle), two types of desert fox (Indian and White-footed), jackals, caracals (African lynx), nilgais(the largest antelope of Asia), Indian wolves, blackbucks, and striped hyenas. From the salty desert, periodically inundated during the monsoons, to wetlands where freshwater rivers draining through the Rann mix into the seawater of the Gulf of Kutch, and the scrub forests found on the beyts, the variety of vegetation types means a similar variety of animals inhabit the area.
Because of the Sanctuary's proximity to the Gulf of Kutch and its location on the migration routes of many bird species, it is a very important site for birds to feed and breed in. Every year, approximately 75,000 birds nest in the reserve. The ceraneous vulture comes from Egypt, the common and demoiselle cranes arrive from Siberia, the blue-tailed bee-eater visits from Europe, and the houbara bustard of Iran and Iraq stops over as well. All of these are commonly sighted in the sanctuary. Also present are sandgrouses, desert wheatears, ten species of lark, the white-browed bulbul, Indian coursers, stoneplovers, shrikes, ducks, geese, three types of ibis, spoonbills, godwits, stints, sandpipers, shanks, moorhens, saras cranes, both Indian flamingoes, and three species of pelican.
The Sanctuary also houses 93 species of invertebrates, including crustaceans, insects, molluscs, spiders, annelids and zooplanktons, as well as four species of frogs and toads, two species of turtles, twelve snakes, fourteen species of lizards and one kind of crocodile. The tidal wetlands along the edge of the Gulf of Kutch are a key breeding area for prawns. |
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Gir |
In Gir you touch the history of India before humanity itself. Before monuments, temples, mosques and palaces. Or rather, a history as humanity was emerging, when humans coexisted with lions, before the former had overrun the continent (and the world) and pushed the latter to the brink of extinction.
Many come to Gir because, outside of Africa, it is the only place with wild lions. But to truly experience Gir and the lions, you must explore their natural habitat, with everything from tiny wild birds, not easily seen, but heard singing in the forest canopy, to crocodiles floating in the marsh waters.
Driving around, you are uncommonly aware you are in someone else's territory. You stay in your vehicle because you are in the home of lions, leopards, hyenas, crocodiles; you remember that humans do not rule the world, and however "advanced" we think we are, most of us would not survive very long on our own in a place like Gir.
That is not to say that all humans are out of place. The local Maldhari community has lived here for generations and coexists magnifcently with the wilderness. They sustain themselves by grazing their livestock and harvesting what they need from the forest. The sizeable portion of their herds lost to lions and other predators is considered prasad, offered in exchange for living in another's homeland.
How many of us are aware, let alone as concientious as the Maldharis about the impact of our lifestyle on other species? How can we be, if we so distance ourselves from the habitats that are ravaged to feed our material appetites? When you visit Gir, try to see the Maldharis not with nostalgia for a picturesque past, but as crucial teachers for a better present and future. You don't have to be a shepherd living with wild lions to learn from their way of life. Ask yourself why we have reached the point where National Parks like Gir are neccessary; what happened to these lions who used to inhabit everywhere from Greece to Bangladesh. If you begin to understand the deeper implications of these questions, you will return home, whether home is a hut in the countryside, or a high-rise apartment, whether in Mumbai or Berlin, charged with new inspiration for evolution in your own life.
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LABELS: National Park & Wildlife Sanctuaries, Tribal, Wildlife |
While Gir is most famous for its lions, the park is one of the most diverse places in Gujarat, both in flora and fauna. |
Flora |
Most of the area is rugged hills, with high ridges and densely forested valleys, wide grassland plateaus, and isolated hilltops. Around half of the forested area of the park is teak forest, with other trees such as khair, dhavdo, timru, amla, and many others. The other half is non-teak forest, with samai, simal, khakhro and asundro jambu, umro, amli, vadand kalam; mostly broadleaf and evergreen trees. The river Hiran is the only one to flow year-round; the rest are seasonal. There are also areas of the park with open scrub and savannah-type grassland. |
Deer and Antelope |
This variety of vegetation provides for a huge array of animals. The most-sighted animal in the park, the chital, or Indian spotted deer, inhabits the dry and mixed deciduous forest, with a population of over 32,000. The more reclusive sambar, the largest of the Indian deer species, weighing 300-500 kg, lives in the wetter western part of the park. Both the sambar and the chausingha, the world's only 4-horned antelope (chau= four,singha= horns), are very dependent on water, and rarely found far from a water source. Another one-of-a-kind is the chinkara, the only gazelle in the world with horns in both males and females. The fastest of the Indian antelopes, the blackbuck, also lives in Gir, but has a relatively small population here compared to Velavadar National Park (near Bhavnagar), as it prefers open grasslands to forests. |
Wild Cats |
Along with the famous lions, who number around 350, the park is also home to four other wild cats. There are around 300 leopards, though they are nocturnal and thus harder to spot. Of the three smaller wildcats, the jungle cat is the most widespread, and lives in deciduous scrub and riverine areas. The mysterious desert cat is almost never seen. The rusty spotted cat, previously thought to only live in the Dangs of southeast Gujarat, has only recently been found in Gir. |
Other animals and reptiles |
The top and middle canopies of the dry, mixed and riverine decidous forests are home to troops of hanuman langur monkeys. The striped hyena is usually seen scavenging alone in the grasslands and scrub forest, far more solitary than the African hyena. Wild boars rooting into the ground for tuber provide aeration of the soil. If you look closer, you may see smaller mammals like pangolins, pale hedgehogs, Indian hares, or grey musk shrews. The ratel or honey badger is renowned for its snake-killing exploits, earning it the “most fearless animal” title in the Guinness Book of World Records. Another snake-killer in Gir is the ruddy mongoose; the snakes they contend with include the common krait, russell’s viper, and the saw-scaled viper. The Kamaleshwar reservoir now houses the largest population of marsh crocodiles in the country. Other reptiles include the soft-shelled turtle, star tortoise, Indian rock python and monitor lizard (which grows to over 1.5 m long; don’t look for the lizards that live in your yard.) |
Birds |
Gir is also home to more kinds of birds than any other park in Gujarat, yet somehow is not known for its birdlife. While it may not have the half-million flamingoes found in Kutch during breeding season, Gir is home to over 300 species of birds, many of which can be seen year-round, from the Malabar whistling thrush to the Paradise flycatcher, from the crested serpent eagle to the king vulture, from pelicans to painted storks. The noted ornithologist Dr. Salim Ali said that if there were no lions here, Gir would be well-known as one of the best bird sanctuaries in western India.
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The Asiatic Lion
Until the early 19th century, Asiatic lions roamed an immense area of South and Southwest Asia, as far east as Greece and as far west as modern Bangladesh. As humanity has lived in this region for millennia, people coexisted with lions for thousands of years, but in the last few centuries, the growth of the human population has come at the cost of the lions’ habitat. Like the Bengal Tiger and the Asiatic Cheetah, lions saw a dramatic decline in population as their preferred habitat of grasslands and semi-forested areas became overrun with humans. Beyond just habitat reduction, though, once guns arrived and became widespread, from 1800-1860, nearly all the lions remaining outside Gujarat were hunted and killed. The last Asiatic lions in India outside of Gir forest were killed in 1886 at Rewah, and the last wild lion sighted the world outside Gir was in Iran in 1941.
In 1901, Lord Curzon was offered to be taken lion hunting while visiting Junagadh. Noting that these were the only lions left in Asia, he declined, and reportedly suggested to the Nawab of Junagadh that it would be better to conserve the lion population than to hunt it. The Nawab began what was probably the first institutional wildlife conservation effort in India and one of the earliest in the world (though various human societies have been operating in ways that conserve wildlife throughout the ages), banning all lion hunting entirely. From a population reported to be as low as 20 in 1913 (considered exaggerated by some wildlife experts, noting that the first official census in the 1930s found over 200 lions), the lions have rebounded to now number 359 in the most recent census of 2005. This is due almost entirely to the Nawab’s conservation efforts, and the Indian Government’s post-independence ban on lion killing in 1955.
Though the lions have maintained a small healthy population, their habitat continues to shrink, and they remain a critically endangered species. The Gir forest area, which covered over 3000 square km in 1880, was reduced to just over 2500 square km by the mid-20th century, and only 1400 square km today. Of that, a mere 258 square km make up the National Park itself. While the population has grown due to successful conservation programs in the park, the park is too small for the number of lions it now houses, and lions are straying outside to seek further living space, often not surviving well in the other areas.
Locally called sher or sinh, the Asiatic lion is over two and a half meters long, weighs 115 to 200 kg, and can run short distances at 65 km/h to chase down the sambar, chital,nilgai, and chinkara that are its preferred prey. However, when not hungry, it will never attack an animal; after a lion makes a kill, it will gorge itself on up to 75 kg of meat, and then not worry about eating for a few days, so it is not unusual to see a well-fed lion lounging calmly beside a herd of grazing deer. The lions prefer open scrub and deciduous forest areas, and are very bold, not shy around humans. So even if they seem tame or timid, do not approach them, they are still very powerful wild animals. |
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Velavadar |
Velavadar Blackbuck National Park |
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If you’ve always dreamed of visiting the African savannah, but haven’t quite managed to make the trip, a journey through Saurashtra may help quench your wanderlust. You find lions to the southwest in the peninsula in Gir, and here, at the Velavadar Black Buck Sanctuary and National Park, you'll find a land of wide-spreading golden grasslands under a deep blue sky, where spiral-horned antelope or the Black Bucks can be seen bounding up out of the grasses.
Close to the coast there are wetlands full of birds, and in the evenings, sea-breezes blow up into the savannah and cools things off after a hot day in the sun. At night, wolves and jackals roam the fields, and the flat country offers a tremendous view of a starry sky.
LABELS: National Park & Wildlife Sanctuaries, Wildlife
Velavadar National Park was formerly the private grassland of the Maharaja of Bhavnagar, where he would hunt blackbucks with his famous hunting cheetahs. Today, the blackbuck is considerably more endangered, and so is protected from hunting, but this sanctuary is just a tiny patch of safe ground for the blackbuck to inhabit. Created in 1976, and nearly doubled in size in 1980, the park now covers 34 square km, which is barely one-sixth the size of the city of Ahmedabad. Of this area, already small, only a little over half (17.5 square km) is usable grassland. An additional 5 square km are covered by the invasive prosopis shrub, and just over 10 square km is made up of saline lands and high tidal mudflats. These mudflats are the high tide zone of the Gulf of Khambhat, and the lower part of the park (not just the tidal area) also floods every so often. The picturesque golden fields turn a deep shade of green during the monsoon. Floods are not uncommon (and not problematic, as they are a natural part of the ecosystem’s cycle). Droughts, however, are also quite common, but pose more of a problem; park caretakers often have to resupply waterholes by bringing in tankers of water from elsewhere. Cyclones have also battered the park on occasion, the worst being in 1982 when 311 blackbucks were killed in the storm.
The blackbuck for which the park was created lives mostly in the grasslands on the northern side. Found only in South Asia, the blackbuck once lived all across India, but now the largest population is here, and few are found outside Gujarat. The conservation of the blackbuck here has been a big success, however, it remains endangered due to its dependence on such a limited area to live in, but the local population has risen from a low of 200 in 1966 to around 3400 now. Given such a large population in such a small area, the chances of spotting one are very high, especially since the wide open grasslands make it easy to spot these animals leaping high over the grasses. The breeding seasons are October and February.
Other animals in the sanctuary include the nilgai (another Indian antelope), jackal, wolf, jungle cat, and fox, but the other main attraction is the bird life. Pelicans, flamingos, white and painted storks, three kinds of cranes, many birds of prey, and the rare Stolizca’s Bushchat all live here, mostly in the southern part of the park, where all the wetlands lie. The extremely rare Lesser Florican, one of the 50 rarest birds in the world, breeds here. If you’re lucky, you might see one of its characteristic courtship displays, in which a male will jump upwards out of the grass to impress females. In the winter, thousands of harriers arrive from central Europe to spend the cooler months here; you can see them in the evenings coming back from feeding around the neighboring cotton fields. One in particular, the Montagu’s Harrier, is a major predator of the locust, a great problem for farms all around the area; as a safe haven for the pest-controlling harriers, the park serves an important role in local agriculture .
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Places of Interests |
Dwarka |
Dwarka is a city in the Jamnagar district of Gujarat and is situated on the western most tip of the country on the Kathiwar Peninsula. The city derives its name from the Sanskrit word ‘dwar’, which means door. The city has a population of about 52,000 and is an important religious and spiritual center in Gujarat. It is considered as one of the four most sacred sites or ‘Dham’ for Hindus- the others being Puri, Badrinath-Kedarnath & Rameshwaram. Dwarka has many temples from different periods in history. As the legend goes Dwarka was once the hometown of Lord Krishna. It is the association with Lord Krishna which makes Dwarka such a holy place for Hindus. Thousands of pilgrims throng the Dwarkanath temple on Krishna Janmashtmi- the day when Lord Krishna was born.
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Best For: |
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The various temples in and around Dwarka, especially the Jagat Mandir which is worth visiting during Janmashtmi & Navratri. |
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Jagat Mandir: |
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The Jagat mandir or temple of the world also known as Dwarkadeesh is dedicated to Lord Krishna. The exquisitely carved, majestic temple is believed to be over 2000 years old. It is an imposing 5-storied structure built on 72 pillars. The temple is said to be built by Lord Krishna’s grandson Vajranabha over the Lord’s residential place. The temple has two entrances- The Moksha Dwar (Door to Salvation) and the Swarga Dwar (Door to Heaven). The Moksha Dwar is the main entrance. Outside the Swarga Dwar there are 56 steps that lead to the Gomti River. Janmashtmi & Navratri are the two major festivals celebrated amidst great rejoicing & festivities. |
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- Sharada Peetha: This is one of the four Mathas established by Jagat-guru Shankaracharya. The Matha runs an educational society, an arts college and a Sanskrit Academy. This Matha was set as one of the four traditional seats in the country for the propagation of Hinduism.
- Bet Dwarka: Bet Dwarka, an island in the Arabian Sea is 5 kms from the Okha Junction at sea. It is about 30 kms from Dwarka. It is the place where Lord Vishnu slew the demon Shankasura. There is a Krishna temple at Bet Dwarka which is worth a visit. The temple built on reclaimed land is a typical Gujarati temple dedicated to Lord Krishna with ornate carvings. A ferry ride has to be taken to reach Bet Dwarka from Okha. Okha is about an hour away from Dwarka.
- Nageswar Mahadev: It has one of the 12 Jyotirlings representing Lord Shiva. It is about 17 kms from Dwarka.
- Rukmani Temple: This temple is another tourist attraction. It is dedicated to Lord Krishna’s wife, Rukmani.
- The other temples in Dwarka are the Trikamji temple, Kalyanrai temple, the Patrani temple, Durvas temple
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Nearby Places: |
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Okha- Okha is an all weather port situated about 30 kms from Dwarka.
Gopi Talav Tirth and nearby temples like Rancchodrai Temple, Devki Temple and temples of the chief queens of Krishna, Mahaprabhuji Bethak, Bala Hanuman and Shankh Talav.
Lighthouse: The lighthouse, which is about 35 kms from Dwarka, also offers a scenic view of the sea and the city of Dwarka. |
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Jambughoda |
Jambughoda is located in the Panchmahal district of Gujarat & is at the foothills of the Vindhyas. In 1990 Jambhughoda was declared as a wildlife sanctuary. The wildlife sanctuary is spread over an area of 130 sq km & has teak, bamboo & mahua tree covering the hilly area. There are forests & villages surrounding the sanctuary. The terrain is hilly & there are a number of tribal settlements in & around Jambughoda.The sanctuary has been a bird watcher’s delight & many noted Ornithologists like Dr. Salim Ali have spent valuable time studying the various species of birds here. Jambughoda is an ideal base for an excursion to the Jambughoda wildlife sanctuary, Ratanmahals Sloth Bear Sanctuary & Champaner-a world heritage site.
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Best For: |
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Holi: Jambughoda is best visited during the Hindu festival of Holi in March/April.
The Bhangoria mela is held during Holi & tribals from the nearby villages gather at Kanwat near Jambughoda. There are various performances, dance, music & celebration.
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Haat: The Haat in Jambughoda is worth a visit. Haat is a weekly market where tribals from the nearby villages come together to sell, buy or exchange commodities of daily use like pottery, vegetables, food grains, cattle, jewelry, clothes etc. Apart from this one can also witness authentic food, tribal song & dance. The Haat bears a festive look with people showing up in large numbers. |
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Places to visit |
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The wildlife sanctuary is the main attraction of Jambughoda. There are several varieties of birds & animals. The sanctuary is home to Panthers and the four-horned Antelopes, Blue Bulls, Barking Deer, Hyenas, Jackals etc. Reptiles such as Cobra, Rat Snake, Russell’s viper and Python are also found here. One can spot a wide variety of birds in the sanctuary like the Paradise Fly Catcher, Golden Oriole, Tailorbird, etc. & migratory birds like Pin-tails, Teals, Brahminy ducks & the Comb Ducks. It is a good idea to carry a pair of binoculars, sturdy shoes & a good camera. The area also has two water reservoirs- one at Kada and the other at Targol. |
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- The Jambughoda Palace is worth a visit. A part of the palace has been converted to a heritage hotel.
- Bhilala and Nayaka tribal villages & Shri Bodeli Teerth, an ancient temple located at Bodeli are some spots worth visiting
- Kada, Targol and Jhand Hanuman temple are also interesting places to see. Kada is also a popular camping site due to its proximity to Vadodara. It is a popular weekend getaway for nature lovers from the city.
- Most of the tribes living in & around Jambughoda are Rathwas & Nayaks. Their houses are beautifully decorated. The wooden door at the entrance is exquisitely carved with tribal motifs. The front area is painted with Pithora paintings.
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Lothal |
Situated about 85 km southwest of Ahmedabad, Lothal is an archaeological site that was a part of theIndus Valley civilisation existing almost 4500 years ago. Discovered in 1954, Lothal was excavated by the Archaeological Survey of India between the years 1955 to 1960.
Lothal (‘mound of the dead’ in Gujarati) is an interesting example of a well planned town from the Indus Valley Civilization. Excavations have revealed a dockyard at Lothal which is the world’s earliest. The complex lock gate system suggests that the Harappans must have possessed great knowledge relating to tides in order to build such a dock. Seals found during excavations reveal that Lothal was a vital and thriving trade centre in ancient times, with its trade of beads, gems and valuable ornaments reaching as far as Mesopotamia, Egypt and Persia.
The vast ruins of Lothal attract tourists to this ancient archaeological site. The ancient dockyard, the acropolis, the lower town, the warehouses, and the drainage system.are the main sites of Lothal.
Adjacent to the excavated areas stands the Archaeological Museum, where some of the most prominent collections of Indus-era antiquities such as jewellery, pottery, seals, weights and measures etc are displayed.
To visit Lothal you can make a day trip from Ahmedabad.
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Porbandar |
Porbandar is a coastal town in Gujarat located between Veraval and Dwarka. The town is famed as the birth place of Mahatma Gandhi. Porbandar is an all weather port situated along the Arabian Sea.
Porbandar is off the tourist map and there is little of tourist interest here. The sea is rough and not suitable for swimming. But if you are here then you can spend your time strolling around town visiting the three storied ancestral home of Mahatma Gandhi. You can also visit the Kirti Mandir nearby which was built in 1950 by Nanaji Bhai Kalidas as a memorial to Mahatma Gandhi. There is a small bookshop and a photographic and pictorial display of the Mahatma’s life and his struggle for independence.
The Darbargadh Palace near the Kirti Mandir, with its typical wood and stone carvings in Gujarati style and the Grishmabhuvan with exquisite carvings and impressive domes are other places you can visit.
Bird watchers can drive to Kuchdi which is a bird sanctuary about 20 mins away from Porbandar.
You can also make a day trip to the forested Barda Hills and the Khambala Dam with its intricate, decorated kiosks. The drive to the hills and the Khambala dam takes about half an hour.
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Poshina |
Poshina is a tribal village in the Aravalis ranges in the northern part of Gujarat. Poshina was conquered from the Rathore Rajputs by the descendants of the Chalukyas. The Chalukyas ruled most Central Indiaand all of Gujarat in the 12th century.
Poshina is home to the Bhil, Garasia and the Rabari tribes who are known for their colourful attires and artistic skills. The village has a number of artisans who make a living by producing handicrafts such silver jewellery, pottery, textiles, tribal arrow crafters, etc.
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Tourist Attraction: |
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Darbargarh is a maginificent heritage hotel built with white marble. The fort has a massive dome, numerous pillars and arches and the property is run by the descendants of Rao Rai Sinh Vaghela who conquered Poshina, around 500 years ago. The Darbarhgarh also organizes Tribal Village Safaris, Camel Cart rides and sightseeing tours and picnics for its guests.
Chitra Vichitra: is an ancient tribal shrine at the confluence of 3 rivers - Aakar, Vaakar and Sabarmati. It is the site of the colourful tribal chitra Vichitra fair is held here every year in the month of March/April. Every year thousands of Bhil and Garasia tribals visit the fair dressed in their colourful best.
A jeep ride through the countryside is a good way to explore Poshina and the rural lifestyle of the locals. Visit the remote villages of the Adivasi and Garasia tribals who will also give you archery demonstrations and entertain you with folk dance performances.
While you are at Poshina you can also make day trips to some interesting places nearby.
Ambaji is a Hindu pilgrimage place near Poshina famous for its Devi Temple. The small town is also known for its marble carving artisans, honey and forest produce. Kumbhariyaji located close to Ambaji is home to a 11th century Jain temple with fine carvings.
Songadhdam is a lake near Poshina that offers spectacular views of the surrounding valleys. Take a boat trip or watch some folk performances by the lake.
One can also visit Idar, a historic town with a hilltop fort.
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Adalaj |
Adalaj Wav is a fine stepwell located 19 kms north of Ahmedabad. The five storey deep step well was built by Queen Rudabai in 1499. The octagonal well has 3 entrances and the platform is supported by 16 pillars. The interiors of these step wells were cool and would provide respite from the soaring temperatures outside hence they were used as meeting and resting places by the locals.
The Adalaj Wav was an architectural splendour with intricate carvings and motifs of birds and flowers.
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Sultan Ahmed Shah mosque |
Sultan Ahmed Shah mosque in Ahmedabad is a religious place for Muslims, well known for its architectural designing. It was constructed in the year 1414 A.D. by Sultan Ahmed Shah, the founder of Ahmedabadcity. Thus, the mosque has been named after its founder. It is one of the oldest mosques of Ahmedabad. Ahmed Shah’s Mosque is built in the conventional architectural style with a dome and minarets. In front of the mosque is a well maintained garden. The mosque is situated to the south-west of the Bhadra Fort
The prayer halls (Mehrabs) of the Ahmad Shah mosque have been intricately designed using black and white marbles. There is a separate chamber for women in the mosque. Towards the north east corner, lies the prayer room for women, which is more popularly known as 'Zenana'. The Ahmad Shah's Mosque inAhmedabad, Gujarat was initially a holy place meant only for the royal class. Only the nobles could come here to worship.
The Ahmed Shah’s Mosque is now one of the major monuments in Ahmedabad and well revered among Muslim pilgrims
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Gandhi Ashram |
Sabarmati Ashram (Gujarati) is located in the Ahmedabad suburb of Sabarmati and on the banks of the Sabarmati River. This was one of the residences of Mahatma Gandhi. It was from there that he started the Dandi March in 1930. Also known as Gandhi Ashram, it is located on the Western banks of Sabarmati River, in the north-western part of the city. This ashram was originally established in the Kochrab area ofAhmedabad in 1915. In 1917 it was shifted to the banks of Sabarmati river. Reasons for this shift given was that he wanted to do some experiments in living e.g farming, animal husbandry, cow breeding, Khadi and related constructive activities for which he was in search of this kind of barren land. Mythologically, it was the ashram site of Dadhichi Rishi who had donated his bones for a righteous war. It is between a jail and a crematorium and he believed that a satyagrahi has invariably to go to either place. Gandhi said, "This is the right place for our activities to carry on the search for Truth and develop fearlessness, for on one side are the iron bolts of the foreigners, and on the other the thunderbolts of Mother Nature." It also is known as Harijan Ashram, or Satyagraha Ashram.
Sabarmati Ashram formerly known as Satyagraha Ashram, was witness to many historical events that shook up the British Empire. Set up in 1915, the Ashram was also a perfect example of a model community based on rules and values.
The Ashram premises houses a museum, which has five units – office, library, two photo galleries and an auditorium. It has perhaps the largest number of original manuscripts of Gandhiji’s letters and articles.
The museum has eight life-size colour oil paintings and an exhibition on Gandhiji’s life “My life is my message” and “Gandhiji in Ahmedabad”. An archive is also set up, which stores 34,066 letters written by Gandhiji, manuscripts of his 8,633 articles, negatives of 6,367 photographs, 134 reels of microfilms of his writings and 210 films on Gandhiji and the freedom struggle. The library has over 30,000 books, 155 letters of felicitation received by Gandhiji besides miscellaneous memorabilia comprising coins, postal stamps and the like.
There is a sound and light show for a minimal fee in Gujarati at 6.30 pm and in English at 8.30 pm on Sundays, Wednesdays and Fridays. On other days the show is in Hindi.
The Ashram is open from 8.30 am to 6.00 pm throughout the year and admission is free.
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Hathising Jain Temple |
Built of white marble and richly carved,this temple has 53 domes with pointed towers. The 24 Jain Tirthankaras are sculptured on the building. There is also a Swaminarayan Temple which is a very coloufull temple inside a large courtyard. It seems the temple was built sometime around 1850.To the south of this temple are nine tombs known as 'Nau Gaz Pir' or 'Nine Yard Saints'. The Temple is dedicated to Dharmanath - the 15th Jina or Jain Apostle. |
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Visiting hours: 9.00 am to 5.00 pm
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Jama Masjid |
This mosque is one of the most beautiful mosques in western India. The mosque has well proportioned architecture. The building is built at a grand scale and is an excellent example of exquisite workmanship. Located in the centre of the old city, this congregational mosque was built by Sultan Ahmed Shah in 1423. Built in yellow sandstone, it combines the best of Hindu and Muslim styles of architecture, standing on 260 pillars supporting 15 domes at varying elevations This monument was built between 1644 and 1658 by five thousand artisans. |
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Rani Roopmati Mosque |
Rani Roopmati Mosque, situated towards the north of Ahmedabad, is a historic monument built by Sultan Mehmud Beghara. It is named after his Hindu wife Rani Roopmati and was constructed during the period of 1430 to 1440 AD. Rani Roopmati was the princess of Dhar, before getting married to the Sultan ofAhmedabad. Her tomb is also situated near the mosque. The mosque presents a fine blend of Indo-Sarcenic style and is another example of extraordinary skilled craftsmanship of Gujarat.
The mosque has three domes supported by pillars. The central dome is elevated to provide natural illumination in the mosque. These three domes are connected to each other by a flat roof. Other than this, the other imposing features of the mosque are a high central arch, slim minarets, carved galleries and an exquisite mehrab. It is popularly known as Masjid-e-Nagina. The entrances on the side are flanked by balcony windows. Due to its exquisite structures, it looks like an architectural gem amongst the monuments in Ahmedabad. The mosque lost one of its minarets in the natural calamity in 1818 AD. |
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Sidi Sayyid Mosque |
A part of the wall in the old citadel (Bhadra) of the mosque built by Ahmed Shah's slave, Sidi Sayyid, is celebrated all over the world for its exquisite stone window tracery - a superb example of delicate carving that transforms stone into filigree. Sidi Sayyid's Mosque is famed for the ten magnificent 'jali' screens lining its upper walls and sits in the centre of a busy traffic circle in the northwest corner of Bhadra. The two semicircular screens high on the western wall are the most spectacular with floral designs exquisitely carved out of the yellow stone so common in Ahmedabad's mosques. The eastern face is open, revealing a host of pillars that divide the hall into heroes and animals from popular Hindu myths - one effect of Hindu and Jain craftsmanship on an Islamic tradition that rarely allowed the depiction of living beings in its mosques. The gardens around it afford good views of the screens. Women cannot enter this mosque The solid fortified citadel, Bhadra, built of deep red stone in 1411 AD as Ahmedabad's first Muslim structure, is relatively plain in comparison to later mosques. The palace inside is now occupied by offices and off-limits to tourists, but you can climb to its roof via a winding staircase just inside the main gateway and survey the streets below from behind its weathered bastions. |
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Champaner |
Many great cities of antiquity around the world were the center of their civilization for centuries, only to be lost to the ages, and then rediscovered centuries or millennia later, reduced to rubble and ruins, with only the largest structures still standing, and the rest mere shadows. Other cities continued to grow and change, leading to eclectic mixes of thousand-year-old forts and temples, medieval streets and markets, government buildings put up by colonial powers, and modern high-rises, offices and strip malls cluttering everywhere in between. But there are not many places in the world that went from being a small place of moderate importance to being the capital of the kingdom to being almost entirely deserted and nearly lost to the wilderness within a century, and in such recent history (a mere 500 years ago.)
Champaner is just such a place. Here you can
find an old palace, fort, several mosques, but also walk the ancient streets just as its inhabitants did five centuries ago. Champaner was an out-of-the-way pilgrimage site for hundreds of years, became the capital of Gujarat, and was then abandoned to be overtaken by the jungle. The city rose and fell almost as fast as the modern stock market, but left behind far more aesthetic remains. The city is remarkably well-preserved, with Hindu and Jain temples a thousand years old, mosques from the time of the Gujarat Sultanate, and the whole workings of a well-planned capital city still in evidence, from granaries and fortifications to stepwells and cemeteries. Champaner became a UNESCO World Heritage Site in 2004. |
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Background
Champaner was founded in the 8th century by King Vanraj Chavda of the Chavda Kingdom. Some attribute the name “Champaner” to his desire to name the city after his friend and minister Champa, while others say it comes from the igneous rocks of Pavagadh, whose light yellow color tinged with red gives the appearance of the champaka, or “flame of the forest” flower. The city and surrounding state of Pavagadh became an important buffer area between Mandu and Gujarat, as well as a key station on trade routes leading from Gujarat to both North and South India. Pavagadh and the city of Champaner were captured by the Chauhan Rajputs around 1300 AD, and they ruled the area for almost the next two hundred years.
Though many of the Gujarat Sultans had attempted to capture Pavagadh, for the strategic reasons mentioned above, it was Mahmud Begda who succeded in 1484, after laying siege to the city for twenty months. He renamed the city Muhammadabad, spent 23 years renovating and enhancing the city, and moved his capital there from Ahmedabad. Champaner’s time as capital was not long, however, as the Mughal Emperor Humayun conquered the city in 1535.
Because the Mughals had captured both Gujarat and Malwa, the city no longer had any strategic value as a buffer, and the capital was moved back to Ahmedabad. For the next four centuries or so, the city was in decline. While at one point it was occupied by the Marathas, it was never given any importance, and some records from this period indicate that while some inhabitants remained, much of the city was overrun by the surrounding forest as the decades and centuries passed. Only scant references exist from a few Islamic (and one Portuguese) writers of the period. Hindu pilgrims also still continued to climb Pavagadh hill to pray at the temple to Mahakali, but took little notice of the ruined city at the foot of the hills.
When the British took control of the area around the beginning of the 19th century, the city was almost completely overrun by the wilderness, and most reports point to a population of only 500. British surveyors took notice of the large monuments lost in the jungle and described of their findings, and later on, limited field studies were undertaken by the German archaeologist Herman Goetz. In 1969 a 7-year study was done by the Maharaja Sayajirao University of Baroda, leading to many insights about the growth and identity of the city.
As it was first a strategic center, it has heavy fortifications especially near the upper portions, and grew downward from there through successive fortifications ending down on the plains. The fort walls reach up to ten meters high, with positions at regular intervals for weapons to be fired from atop them, as well as for troops to move below. Near the Atak Gate are several catapult stands; only the stone frames remain, but stone balls found around the site indicate their use as catapults. The principal township at the base of the hill included the Hissar-i-Khas (the royal palace) as well as the Jami Masjid. Arranged in a circle with the Jami Masjid at the center, major arteries ran from there to the nine major gates of the city, with mosques built near many of the gates, elevated to be widely visible. Large reservoirs to store monsoon rains for the rest of the year were built using earthen berms to contain the natural flow of streams coming downhill. The series of created lakes empty into each other as they successively overflow, eventually ending in the largest lake, the Vada Talav, on the plain below the city. In addition, multiple stepwells helped augment the water supply, as did systems of collecting rooftop rainwater into small tanks for individual buildings. The Jami Masjid had a huge open-air tank for its rainwater collection, called the Hauz-i-Vazu. The extent of urban planning that went into developing the city under Mahmud Begda far outweighs the mere two decades that it served as capital. |
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Pvagadh |
Champaner is located in the Panchmahal district of Gujarat, 47 kms from the city of Vadodara.
Champaner has several historical monuments ranging from the 8th to the 16th century medieval period and was chosen as a UNESCO World Heritage site in 2004.Champaner is at the foot of the Pavagarh fort & it has a number of archaeological & historical monuments like mosques, forts, temples, military & agricultural structures, water installations etc. The Archaeological Survey of India protects about 38 out of the 100 monuments in Champaner. The influence of Hindu as well as Muslim architecture is seen in the monuments of Champaner. It was the capital of Gujarat for a brief period of time (during the 16th century) and had become a major commercial center for trading of fine silk, dyed fabric & sword manufacturing. |
Best For: |
Champaner is an ideal destination for tourists looking for an experience of the bygone era. The various archeological monuments, the blend of Hindu-Muslim architecture, the flora & fauna, the arches, pillars & other ruins provide a taste of the significant period of regional sultanates. Champaner is ideal for heritage walks There are numerous palaces, temples, forts & mosques worth a visit. This is the only unchanged & complete Islamic Pre Mughal city. |
History: |
The history of the Champaner-Pavagadh archaeological park goes back to pre-historic times, when it was first inhabited by the Stone Age man. Then, after a long gap, early settlements were recorded in the 6th and 7th century AD when the site became part of the Maitrak dynasty ruling from Valabhi in Gujarat. With the waning of Maitraks in the 9th century, the region came under the influence of Gurajar Pratihar and Parmara rulers. The site then passed into the hands of Khichi Chauhans of Rajasthan, the descendants of Prithviraj Chauhan in 13th century. The site’s Muslim period began with Sultan Mehmood Begada, who shifted his capital from Ahmedabad to Champaner fort to ward off the Sultans of Mandu. That was in the year 1484. The region passed into the hands of Mughals in the year 1535 when the fledgling town was plundered by Humayun. By the end of 16th century, the town fell from grace, losing its importance as a place of commerce and governance. The architecture is a mix of Muslim and Hindu styles with some pre-Sultanate monuments having Jain motifs. The Muslim monuments, mostly built by Mehmood Begada, like the Jami Masjid, Nagina Masjid, Kevda, Lila Gumbaj are typical of the Sultanate architecture with medieval Hindu influence, attributed mainly to Hindu artisans. |
Jama Masjid- This mosque is a prefect blend of Hindu-Muslim architecture. It is one of the finest mosques in Gujarat. It has beautiful, intricate carving & Jaali work. The structure was built by Sultan Begada in the late 15th century. The mosque is located on a high plinth, has two minars on either side of the central entrance. There are 7 mehrabs (prayer niches) & a separate area reserved for ladies. The mosque is one of the best sites of Champaner. Many mosques built in India after the Jama Masjidwere based on the same architectural lines.
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Nagina Masjid- Also known as Jewel Mosque. The mosque is built with pure white stone. The minarets of the mosque and the niches are filled with artistic designs & floral motifs. The mosque also has a cenotaph on the northeastern side. The façade & columns of the cenotaph are also adorned with geometrical patters & floral motifs that add aesthetic appeal.
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Kevda Masjid and Cenotaph, Lila Gumbaj Ki Masjid, Kamani Masjid, Bawaman Mosque & Sahar Ki Masjid are the other mosques that can be visited in Champaner. All these mosques have a typical style of architecture reflecting the Sultanate period.
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Champaner has three fortifications. The base is (Champaner), the top (Pavagarh) & the area between the base & the top (Marchi). At the base, the Citadel Royal enclosure-of Muhammad Begada is an interesting place for tourists. It is a perfect rectangle enclosed by a wall of massive blocks called Mahmud Beghada's Wall. It has small beautifully carved balconies.
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Makai Kothar & Navlakha Kothar are the structures that were built for storing grains and the Helical Stepped Well built in the 16th century was made with bricks & stone. The steps spiraled & descended downwards. Such helical wells are a distinct architectural style found in Gujarat. |
Kalika Mata Temple (10th-11th century) is located on the Pavagadh hill and is a sacred place of worship for devotees of Goddess Kali. About a million Hindus visit this temple every year. There is also a Shiva temple built in the 10th century. All the Hindu temples have a similar style of architecture with a garbhagriha, mandapa and entrance porch. There are few Digambara & Swetambara Jain temples also in Champaner. |
What to see
The Champaner fort, Pavagadh fort, Patai Rawal Palace and the Jhaveri Mahal Palace, are ruins of forts & palaces worth a visit.
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Zainabad is a small town close to the Little Rann of Kutch & is the ideal base for exploring the Rann of Kutch. Zainabad derives its name from Nawab Zainkhan who ruled the town about a century ago. Zainabad has a rich tradition & culture, which is a blend of Kutch & Saurashtra. The town is well known for its handicrafts & the tribal folks excel at making clothes & decorative pieces with beautiful embroidery, mirror work or appliqué work & patchwork. One can also find exquisite pottery work, terracotta toys, carved wooden furniture. There are a number of ethnic groups & tribes living in this region like the Rabaria / Bharwads, Bajanias, the Sidis, Kutchis, Gujjars & Kolis & it is interesting to observe their lifestyle patterns. Zainabad is a marshy area with thorny bushes & is home to one of the largest wildlife sanctuaries in Indiawhere the chestnut brown & white wild Asiatic Asses can be found. |
What to see |
Zainabad is well known for its wildlife sanctuary, which has a variety of bird and animal species. It is also home to the rare Asiatic Wild Ass, which is seen only in this region. The other wild animals that can be spotted are Nilgai (Blue Bull), Chinkara, Black Buck, Wolves, Jackals, Foxes endangered Ghudkhur, Hedgehogs, Jungle and Desert Cats. The sanctuary is a delight for bird watchers too. There are over 300 species of birds that can be found here. A few of them are the Flamingos, Cranes, Waterfowl, Waders, Raptors Sand grouse, quail, short toed eagle and the endangered Hubara Bustard. One can also sight a number of migratory birds in winters like the blue-tailed bee-eater from Europe; the common crane and the demoiselle crane from Siberia & the ceraneous vulture from Egypt. Visitors are recommended to bring hats/caps, binoculars, flashlight, and thorn proof shoes & water bottles.
Jeep & mini coach safaris are also available which include visits to ancient monuments and inland salt works and other places of interest along with a trip to the sanctuary. |
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Dasada |
Zainabad is a small town close to the Little Rann of Kutch & is the ideal base for exploring the Rann of Kutch. Zainabad derives its name from Nawab Zainkhan who ruled the town about a century ago. Zainabad has a rich tradition & culture, which is a blend of Kutch & Saurashtra. The town is well known for its handicrafts & the tribal folks excel at making clothes & decorative pieces with beautiful embroidery, mirror work or appliqué work & patchwork. One can also find exquisite pottery work, terracotta toys, carved wooden furniture. There are a number of ethnic groups & tribes living in this region like the Rabaria / Bharwads, Bajanias, the Sidis, Kutchis, Gujjars & Kolis & it is interesting to observe their lifestyle patterns. Zainabad is a marshy area with thorny bushes & is home to one of the largest wildlife sanctuaries in Indiawhere the chestnut brown & white wild Asiatic Asses can be found.
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What to see |
Zainabad is well known for its wildlife sanctuary, which has a variety of bird and animal species. It is also home to the rare Asiatic Wild Ass, which is seen only in this region. The other wild animals that can be spotted are Nilgai (Blue Bull), Chinkara, Black Buck, Wolves, Jackals, Foxes endangered Ghudkhur, Hedgehogs, Jungle and Desert Cats. The sanctuary is a delight for bird watchers too. There are over 300 species of birds that can be found here. A few of them are the Flamingos, Cranes, Waterfowl, Waders, Raptors Sand grouse, quail, short toed eagle and the endangered Hubara Bustard. One can also sight a number of migratory birds in winters like the blue-tailed bee-eater from Europe; the common crane and the demoiselle crane from Siberia & the ceraneous vulture from Egypt. Visitors are recommended to bring hats/caps, binoculars, flashlight, and thorn proof shoes & water bottles.
Jeep & mini coach safaris are also available which include visits to ancient monuments and inland salt works and other places of interest along with a trip to the sanctuary. |
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Dasada Wildlife |
Some places in the world are known for lush greenery, others for steep cliffs and snowy glaciers and others still for refreshing water lapping against hot beaches. But of all the landscapes in the world, harsh deserts are perhaps the one that fewest people have experienced. Believing it to be not as pleasant as other landscapes, many people miss out on the tremendous beauty found in deserts. Precisely because there are very few people, visiting deserts like the Little Rann of Kutch which gives a traveler the chance to ponder a world before there were so many of us around.
Only after hours blanketed by the deep silences that fall on the salt flats in the middle of the day, when the only sound is the wind scraping along the sand, can you appreciate the sounds that emerge in the evening, the birds singing, insects chirping and the scuffle of small animals rustling in the brush. Only after looking out at the unending flats do you appreciate the greenery and rich wildlife that congregates on the beyts or islands that rise up out of the Rann. And only after getting to know the desert do you begin to understand a secret, that the beauty of life lies hidden in even the most seemingly desolate of places. |
LABELS: Wildlife, National Park & Wildlife Sanctuaries |
Background |
The Wild Ass Sanctuary of the Little Rann of Kutch, spreading across nearly 5000 square kilometers of the Little Rann, is the only place on earth where the endangered Indian Wild Ass (Equus hemionus khur), known locally as the ghudkhar, still lives. The only other two subspecies of wild asses live in the high arid plateaus of Tibet, making this the most accessible place to visit wild asses in their natural environs. Standing more than a meter tall at the shoulder and two meters in length, wild asses are very agile and can run long distances at a speed of 50 km/h, making them more like wild horses, and far more captivating than their domesticated cousins. Around 3000 of them live in the sanctuary, and are usually seen in herds, especially around breeding season (foals can be seen with the herds around October and November.)
But the Sanctuary is home to far more than just the wild ass. Among the 32 other species of mammals are the chinkara(Indian gazelle), two types of desert fox (Indian and White-footed), jackals, caracals (African lynx), nilgais(the largest antelope of Asia), Indian wolves, blackbucks, and striped hyenas. From the salty desert, periodically inundated during the monsoons, to wetlands where freshwater rivers draining through the Rann mix into the seawater of the Gulf of Kutch, and the scrub forests found on the beyts, the variety of vegetation types means a similar variety of animals inhabit the area.
Because of the Sanctuary's proximity to the Gulf of Kutch and its location on the migration routes of many bird species, it is a very important site for birds to feed and breed in. Every year, approximately 75,000 birds nest in the reserve. The ceraneous vulture comes from Egypt, the common and demoiselle cranes arrive from Siberia, the blue-tailed bee-eater visits from Europe, and the houbara bustard of Iran and Iraq stops over as well. All of these are commonly sighted in the sanctuary. Also present are sandgrouses, desert wheatears, ten species of lark, the white-browed bulbul, Indian coursers, stoneplovers, shrikes, ducks, geese, three types of ibis, spoonbills, godwits, stints, sandpipers, shanks, moorhens, saras cranes, both Indian flamingoes, and three species of pelican.
The Sanctuary also houses 93 species of invertebrates, including crustaceans, insects, molluscs, spiders, annelids and zooplanktons, as well as four species of frogs and toads, two species of turtles, twelve snakes, fourteen species of lizards and one kind of crocodile. The tidal wetlands along the edge of the Gulf of Kutch are a key breeding area for prawns.
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Gir |
Gir National Park & Wildlife Sanctuary (also known as Sasan Gir) is located in the Junagadh Districts ofGujarat, spread over an area of 2450 hectares. The park was set up in 1965 with the aim of protecting the pure Asiatic Lions. Gir is the last home for these Asiatic Lions. Though Gir is the home of the Lions, there are other species also that inhabit the forest. The park has diverse flora & fauna. The animal species include Leopards, Spotted Deer (Chital), Peafowl, Nillgai, Sambar, Chousinga, Wild Boar, Langurs, Jungle cats, Striped Hyenas, Indian Porcupine etc. The bird species include Spoonbill, Ibis, Paradise Flycatcher, Honey Buzzard, Redheaded Merlin, Parakeet, Owl and Spotted dove among many others .Gir is also home to the Siddis, a community that is known to have African origins. Siddis are known for their dance & tribal performances. Kankai Mata and Tulsishyam temples are interesting places to visit as they are known for their hot springs. The Gir Interpretation Zone at Devalia has chained fences and a double gate entry system and was created to reduce tourism hazard & enable tourist to view the wildlife & habitat of Gir. |
Best For: |
Gir is an excellent destination for nature lovers and for people looking for adventure.
The park is open to visitors from mid-October to mid-June but the wildlife is easily spotted between late November & early March when the climate is pleasant, cool & dry. Therefore the best months to visit is between November & March |
Background |
Near by places |
Veraval: |
42 kms from Gir, Veraval is a shipping port which has many historical gates & buildings. It is also know for its shipbuilding yard. |
Somnath: |
40 kms from Gir, Somnath bears religious significance for Hindus (it has one of the 12 Jyotirlings). Somnath has a number of temples & historical ruins. The Sun temple, Ahilya Temples, Treveni Tirth bathing ghats, Prabhas Patan Museum are places to visit. It also has beaches where you can sight many coastal birds. |
Junagadh: |
Junagadh is 60 kms from Gir. Ancient Bhuddhist cave sites, rock edicts of King Ashoka, monument of poet Narsinh Mehta, the Uparkot Fort, the Palace museum, the various mosques, & palaces are all worth a visit here. Junagadh also has a zoo Sakkarbagh Zoological Park) which houses captive bred Asiatic Lions & various bird species. |
Diu: |
An island & a Union territory, Diu is 100 kms from Gir. A popular beach destination, Diu has monuments like the century Portuguese Fort, St Paul's Church, Diu Museum and old Portugese styled houses. |
Jamnagar (150 kms): |
Jamnagar is a princely city known for its bandhani fabric print, royal palaces & temples. The lake in Jamnagar is popular with bird watchers as it has about 75 species of birds. It is also the headquarters of the Gulf of Kutch Marine National Park and Wildlife Reserve, which protects around 42 islands & their coral reefs & mangroves. Khijadiya Bird Sanctuary is also near Jamnagar. |
Girnar Hill & Gondal are also nearby places that have caught the attention of tourists visiting Gir. Further information on Gir can be obtained from The Sanctuary Superintendent, Sasan Gir, Junagadh or the Conservator of Forests, Sardar Baug, Junagadh. |
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Gir |
In Gir you touch the history of India before humanity itself. Before monuments, temples, mosques and palaces. Or rather, a history as humanity was emerging, when humans coexisted with lions, before the former had overrun the continent (and the world) and pushed the latter to the brink of extinction. |
Many come to Gir because, outside of Africa, it is the only place with wild lions. But to truly experience Gir and the lions, you must explore their natural habitat, with everything from tiny wild birds, not easily seen, but heard singing in the forest canopy, to crocodiles floating in the marsh waters. |
Driving around, you are uncommonly aware you are in someone else's territory. You stay in your vehicle because you are in the home of lions, leopards, hyenas, crocodiles; you remember that humans do not rule the world, and however "advanced" we think we are, most of us would not survive very long on our own in a place like Gir. |
That is not to say that all humans are out of place. The local Maldhari community has lived here for generations and coexists magnifcently with the wilderness. They sustain themselves by grazing their livestock and harvesting what they need from the forest. The sizeable portion of their herds lost to lions and other predators is considered prasad, offered in exchange for living in another's homeland. |
How many of us are aware, let alone as concientious as the Maldharis about the impact of our lifestyle on other species? How can we be, if we so distance ourselves from the habitats that are ravaged to feed our material appetites? When you visit Gir, try to see the Maldharis not with nostalgia for a picturesque past, but as crucial teachers for a better present and future. You don't have to be a shepherd living with wild lions to learn from their way of life. Ask yourself why we have reached the point where National Parks like Gir are neccessary; what happened to these lions who used to inhabit everywhere from Greece to Bangladesh. If you begin to understand the deeper implications of these questions, you will return home, whether home is a hut in the countryside, or a high-rise apartment, whether in Mumbai or Berlin, charged with new inspiration for evolution in your own life. |
LABELS: National Park & Wildlife Sanctuaries, Tribal, Wildlife, |
Background |
While Gir is most famous for its lions, the park is one of the most diverse places in Gujarat, both in flora and fauna. |
Flora |
Most of the area is rugged hills, with high ridges and densely forested valleys, wide grassland plateaus, and isolated hilltops. Around half of the forested area of the park is teak forest, with other trees such as khair, dhavdo, timru, amla, and many others. The other half is non-teak forest, with samai, simal, khakhro and asundro jambu, umro, amli, vadand kalam; mostly broadleaf and evergreen trees. The river Hiran is the only one to flow year-round; the rest are seasonal. There are also areas of the park with open scrub and savannah-type grassland. |
Deer and Antelope |
This variety of vegetation provides for a huge array of animals. The most-sighted animal in the park, the chital, or Indian spotted deer, inhabits the dry and mixed deciduous forest, with a population of over 32,000. The more reclusive sambar, the largest of the Indian deer species, weighing 300-500 kg, lives in the wetter western part of the park. Both the sambar and the chausingha, the world's only 4-horned antelope (chau= four,singha= horns), are very dependent on water, and rarely found far from a water source. Another one-of-a-kind is the chinkara, the only gazelle in the world with horns in both males and females. The fastest of the Indian antelopes, the blackbuck, also lives in Gir, but has a relatively small population here compared to Velavadar National Park (near Bhavnagar), as it prefers open grasslands to forests. |
Wild Cats |
Along with the famous lions, who number around 350, the park is also home to four other wild cats. There are around 300 leopards, though they are nocturnal and thus harder to spot. Of the three smaller wildcats, the jungle cat is the most widespread, and lives in deciduous scrub and riverine areas. The mysterious desert cat is almost never seen. The rusty spotted cat, previously thought to only live in the Dangs of southeast Gujarat, has only recently been found in Gir. |
Other animals and reptiles |
The top and middle canopies of the dry, mixed and riverine decidous forests are home to troops of hanuman langur monkeys. The striped hyena is usually seen scavenging alone in the grasslands and scrub forest, far more solitary than the African hyena. Wild boars rooting into the ground for tuber provide aeration of the soil. If you look closer, you may see smaller mammals like pangolins, pale hedgehogs, Indian hares, or grey musk shrews. The ratel or honey badger is renowned for its snake-killing exploits, earning it the “most fearless animal” title in the Guinness Book of World Records. Another snake-killer in Gir is the ruddy mongoose; the snakes they contend with include the common krait, russell’s viper, and the saw-scaled viper. The Kamaleshwar reservoir now houses the largest population of marsh crocodiles in the country. Other reptiles include the soft-shelled turtle, star tortoise, Indian rock python and monitor lizard (which grows to over 1.5 m long; don’t look for the lizards that live in your yard.) |
Birds |
Gir is also home to more kinds of birds than any other park in Gujarat, yet somehow is not known for its birdlife. While it may not have the half-million flamingoes found in Kutch during breeding season, Gir is home to over 300 species of birds, many of which can be seen year-round, from the Malabar whistling thrush to the Paradise flycatcher, from the crested serpent eagle to the king vulture, from pelicans to painted storks. The noted ornithologist Dr. Salim Ali said that if there were no lions here, Gir would be well-known as one of the best bird sanctuaries in western India. |
The Asiatic Lion |
Until the early 19th century, Asiatic lions roamed an immense area of South and Southwest Asia, as far east as Greece and as far west as modern Bangladesh. As humanity has lived in this region for millennia, people coexisted with lions for thousands of years, but in the last few centuries, the growth of the human population has come at the cost of the lions’ habitat. Like the Bengal Tiger and the Asiatic Cheetah, lions saw a dramatic decline in population as their preferred habitat of grasslands and semi-forested areas became overrun with humans. Beyond just habitat reduction, though, once guns arrived and became widespread, from 1800-1860, nearly all the lions remaining outside Gujarat were hunted and killed. The last Asiatic lions in India outside of Gir forest were killed in 1886 at Rewah, and the last wild lion sighted the world outside Gir was in Iran in 1941. |
In 1901, Lord Curzon was offered to be taken lion hunting while visiting Junagadh. Noting that these were the only lions left in Asia, he declined, and reportedly suggested to the Nawab of Junagadh that it would be better to conserve the lion population than to hunt it. The Nawab began what was probably the first institutional wildlife conservation effort in India and one of the earliest in the world (though various human societies have been operating in ways that conserve wildlife throughout the ages), banning all lion hunting entirely. From a population reported to be as low as 20 in 1913 (considered exaggerated by some wildlife experts, noting that the first official census in the 1930s found over 200 lions), the lions have rebounded to now number 359 in the most recent census of 2005. This is due almost entirely to the Nawab’s conservation efforts, and the Indian Government’s post-independence ban on lion killing in 1955.
Though the lions have maintained a small healthy population, their habitat continues to shrink, and they remain a critically endangered species. The Gir forest area, which covered over 3000 square km in 1880, was reduced to just over 2500 square km by the mid-20th century, and only 1400 square km today. Of that, a mere 258 square km make up the National Park itself. While the population has grown due to successful conservation programs in the park, the park is too small for the number of lions it now houses, and lions are straying outside to seek further living space, often not surviving well in the other areas.
Locally called sher or sinh, the Asiatic lion is over two and a half meters long, weighs 115 to 200 kg, and can run short distances at 65 km/h to chase down the sambar, chital,nilgai, and chinkara that are its preferred prey. However, when not hungry, it will never attack an animal; after a lion makes a kill, it will gorge itself on up to 75 kg of meat, and then not worry about eating for a few days, so it is not unusual to see a well-fed lion lounging calmly beside a herd of grazing deer. The lions prefer open scrub and deciduous forest areas, and are very bold, not shy around humans. So even if they seem tame or timid, do not approach them, they are still very powerful wild animals. |
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Modhera Sun Temple |
As one traverses the length and breadth of Gujarattoday one constantly stumbles across architectural legacies of the' Solanki' rule. You keep coming across, living spaces and monuments of another time, offering an eclectic glimpse of the artistic and ingenious beauty that makes this exotically state vibrant.
A soothing drive amidst green farmlands just 35 km away from Mehsana on the way to the temples of goddess Bahucharaji reposes the village of Modhera. Set along the backdrop of River Pushpavati, surrounded by a terra-formed garden of flowering trees and songs of birds, rests the famed Sun temple of Modhera.
As you relax and soothe your nerves, become one with nature and open your mind to the poetry in stone, dedicated to the sun god, living glimpses of the era far elapsed emerge out of the intricacies of narrative sculptures . The remains of the Sun Temples at Modhera are relics of times gone by when reverence of the natural elements fire, air, earth, water and sky were at their peak sharing space with myriad manifestations of Vedic gods. The ancient philosophy venerating natural elements and its association with humans was considered the prime force and energy of the life cycle. A walk around the serene temple campus makes you aware of the positively strong aura of energy which the place radiates and through it brings one closer to the environs.
The exclusively carved temple complex and the magnificently sculpted kund are jewels in the art of masonry of the Solanki period apparently which was also known as the Golden Age of Gujarat. Savor your voyage through time to the magnificent eons of the Golden period as you get welcomed personally by the life like icons, narrating stories and legends of Modhera!
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Modhera |
102 km northwest of Ahmedabad, Modhera is known for it Sun Temple built in the 11th century by King Bhimdev of the Solanki dynasty. The temple is dedicated to Lord Surya, the Sun God and is one of the finest examples of temple architecture in Gujarat. The temple is designed so that the rays at dawn during the equinoxes fall of the image of the Sun God. Both the interior as well as the exterior of the temple are elaborately carved with magnificent images of Gods and Goddesses, birds, flowers as well as erotic images similar to those at Khajuraho. Unlike the Sun Temple at Konark which rests on 12 wheels of a chariot, the one at Modhera was built on the petals of a lotus which runs the whole length of the temple.
The temple comprises three elements.
Surya Kund, which is an intricately carved, stepped tank named after Sun god
Surya.Sabha Mandap, which is a hall used for religious gatherings and conferences.
Guda Mandap, i.e. sanctum sanctorum, which once housed the idol of Sun God.
The Modhera dance festival is scheduled to be held during the third week of January every year, for three days in the backdrop of the Sun temple.The objective is to present classical dance forms in an atmosphere they were originally presented in. |
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Palitana |
Every religion has its focal points on the surface of the earth. In the case of Jainism, the holiest places lie not on the surface, but reaching up into the skies. Along with Mts. Abu, Girnar and Chandragiri, Shatrunjaya is one of the most sacred places for the faith. Climbing the stairs of Shatrunjaya is, for a pilgrim, the ascent to greater knowledge along the path to liberation. For a visitor, it can be a day's journey into the heart of the Jain spirituality, a passage through a new cosmology of total non-violence and devotion. |
LABELS: Hills, Jainism, Temple |
Things to do |
The climb up Shatrunjaya is no doubt the primary activity of a Palitana visit, for Jains and non-Jains alike. The hill is 3 kms from Palitana proper, and the 600 m climb over 3000 stairs to the top of the mountain is an unforgettable experience. Beginning at dawn is recommended, to avoid the mid-day heat. Frequent rest stops to visit temples along the way also help avoid overheating. Many devotees even gather at the highest temples before sunrise, having climbed in the predawn twilight. Be sure to carry enough water and leave a few hours to explore the mountain. Idols are bathed around 9:30am, andpujas tend to be performed around noon. If climbing in the afternoon, be sure to descend with enough time to arrive at the bottom before dark.
The construction of temples of Palitana spanned over a period of 900 years and was structured in two phases. From the 11th to 12th centuries AD as a part of the resurgence of temple building all over India, the first phase of temple architecture was constructed. The second phase followed later, from the 16th century AD onwards. Muslim invaders destroyed some of the earliest temples built in the 11th century AD during the 14th and 15th centuries AD. No one person can be attributed for the construction of these magnificent temples rather it was the effort of the wealthy businessmen who were followers of Jainism.
Several customs must be observed, as the entire hill is sacred to Jains, not only the temples. In keeping with the strict non-violence of Jainism, no leather products (wallets, belts, etc.) should be carried on the mountain. Dress appropriately; shorts and sleeveless shirts are considered disrespectful. Women should avoid tight-fitting clothing. When entering temples, remove your shoes and leave any food outside. Inside the shrines, you should not talk, laugh or smoke. Permission must be obtained from temple attendants for photography. There is no entry fee for any part of the mountain. No one, not even the priests, may remain on the mountain at night, as it is an abode of the gods and they are not to be disturbed.
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LABELS: Hills, Temple, Jainism |
According to Jain scripture, Shatrunjaya hill was the site where Adinath, the 1st Jaintirthankar, achieved enlightenment. The hill thus became one of the holiest sites of Jainism. It is no coincidence that the most sacred sites of Jainism are all mountains, where pilgrims ascend to the heavens, seeking their path to enlightenment.
Some accounts say there are nearly 900 temples on Shatrunjaya, some a great deal less. The date of the first temples’ construction is uncertain, but appears to be around the 11th century. Over the next several centuries, many more temples were built. Some temples were torn down, ravaged by thieves or non-Jains, and the temple complex has seen successive renovations over the last half-milennium. Most of the temples standing today date from the 16th century onward. Under Mughal rule, Emperor Akbar issued an edict granting special status to Shatrunjaya, as well as to Mts. Abu, Girnar and Chandragiri (in the Himalaya), protecting the area from non-Jain influence, prohibiting the killing of animals at the site, and thus allowing Jain tradition to flourish uninhibited.
At the foot of Shatrunjaya, the town of Palitana was the capital of a small princely state, founded by a Gohel Rajput named Shahji. |
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Palitana |
Palitana is an important pilgrimage center in the state of Gujarat & is located about 50 kms from Bhavnagar. Palitana houses the largest cluster of Jain temples & it is the most sacred place for Jains. Palitana was the capital of the state ruled by the Gohil Rajputs. A part of the Saurashtra region, Palitana is known for its exquisitely carved temples. Apart from temples, Palitana is also known for its textiles, handicrafts, palatial buildings & Kathiawadi horses. Palitana lies at the foot of the Shatrunjaya Hill & there are more than 850 temples from the base to the peak of the hill. These temples were built over a span of 900 years & the Jain community has been making contributions over generations to build these temples. |
What to see: |
The Shartunjaya Hill is about 2000 ft above Palitana. There are about 3950 steps and it takes almost two hours to reach the top. It is a tiring climb & dolis are available for hire for those who are unable to walk up. All Jains aspire to climb the hill at least once in their lifetime. (It is a belief that by climbing the hill at least once, one can attain Nirvana). Food cannot be eaten or carried on the way but one must not forget to carry water during the climb. From the foot of the hill to the peak there are numerous temples with exquisite carvings & beautiful motifs. These temples are of great religious as well as architectural importance. The Adishwar temple is the temple of the first theerthankara & is the most important temple on the hill. Also known as the Chaumukh temple, the marble roofs and pillars are carved intricately. The shrine contains a four-faced deity of Adinath on a marble pedestal and the temple was built in the 17th century. The temples on the hill are divided in 9 tuks- a cluster in which the main temple is surrounded by several smaller temples. These temples are beautifully decorated with geometrical designs & floral motifs, exquisitely carved toranas, beautiful arches, and bejeweled idols. The other famous temples are Vimal Shah, Sampriti Raj, Ramaji Gandharia (16th century), Bhulavani, Kumar Pal, Vallabhai Temple, Motisah temple & Adinath temple. The temples are open from dawn to dusk & no person (not even the priests) is allowed to remain on the hill after dusk. Leather items are prohibited. Near the main temple there is a Muslim shrine of Angar Pir, which is often visited by childless women, as it is believed that they will be blessed with children once the Pir blesses them. The Shri Vishal Jain Kala Sansthan and the Stapitya kala graha are the two Jain museums in Palitana. These museums have ancient paintings, manuscripts, ivory idols & other sculptures on display. On special permission from the Hill Inspector or The Manager, Anandji Kalyanji Trust, visitors can also get a chance to view the temple jewellery, which adorns the deities on special occasions. |
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Patan |
In childhood you built yourself a fort of sheets and pillows, and discovered that the enclosure gave you the freedom to explore. Now enter the town of Patan, hugged by its fort walls and gates still largely intact, and re-discover the spirit of play.
You meander through the bustling bazaar of this charismatic town. Tucked away among the havelis in the narrow pols you stumble upon rope or bidi (traditional cigarette) makers, working on their doorsteps. You go on a treasure hunt in search of the uniquepatola and mashru weavers, the snow-white Jain temples, the Hemachandracharya Jain Gnan library of ancient Hindu and Jain texts.
You find yourself leaving the city walls heading north-west, as if something calls you. On your way to Anahilvada Patan, the ancient city that served as Gujarat’s capital for 650 years, you find the 1000 year old Kali temple from where Kali Mata, the kuldevi (family goddess) of the Solanki dynasty, guards the town. Furthest north, you find the Sahasralinga Talav, literally “lake of a thousand lingas”, which is finely constructed to channel water in from the nearby Saraswati, and you begin to realize that it is the sanctity of water that has been and still is, beckoning you. You turn around and come towards the edge of Rani Ki Vav, the “Queen’s stepwell”, and as you descend into the cool air towards the water, the carved stone gods and consorts invite you into their world, the world of spirit and the sacred. Here, in the infinite, your journey is always just beginning.
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LABELS: Fort, Jainism, Lake, Stepwell, Temple, Textile |
The ancient city of Anahilvada Patan was founded by Vanraj Chavda, the first of the Chavda dynasty. Legend has it that he laid the foundation at the place pointed out by Anahil, a shepherd friend from his younger days, and named the city after him.
The city was the capital of Gujarat for 650 years, from 746-1411, after the center of power moved from Saurashtra around the same time that the separate kingdoms of the area were integrated into roughly what we today call Gujarat. It was ruled by a series of dynasties: the Chavda, Solanki, and finally Vaghela. Under the Solanki rule, 942-1244, Anahilvada shone as a center of trade, learning, and architectural achievements. It was also a thriving center for Jainism, and the Solanki rulers commissioned a large number of Hindu and Jain temples, as well as other civic and religious constructions.
During the Vaghela rule towards the end of the 13th century, Ulugh Khan, commander under Alauddin Khilji, plundered the town and destroyed it completely. In 1411 the capital shifted to the newly founded Ahmedabad, leaving Patan as a shadow of its former glory. One of the positive effects of Muslim rule in Patan is the presence of some of the earliest the Muslim buildings in Gujarat, built before even the earliest famous constructions in Ahmedabad.
The ruins of the ancient city, with the famous Rani Ki Vav and Sahasralinga Talav, stand about 2 km northwest of the quaint town of present-day Patan, which is known for itspatola saris and mashru weavers. |
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Patan |
Patan is an ancient fortified town with narrow streets and elaborate wooden houses situated about 130 kms north-west of Ahmedabad. Patan enjoyed a privileged status of being the capital of Gujarat, for about 600 years from 745 to 1304 under Hindu Rulers. The major Rajput clans of Chavdas (746-942), Solankis (942-1244) and Vaghelas (1244-1304) ruled the Hindu Kingdom of Gujarat from Patan. Patan is extremely famous for its Patola weaving centre which produces strikingly beautiful silk saris which involve a laborious process of dyeing each thread separately before weaving.
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Tourist Attraction: |
The main attractions of Patan are the intricately carved Jain temples (over 100 of them) and the Rani-ki-Vav stepwell.
Rani ki Wav built by Rani Udaymati of Solanki dynasty is one of the oldest, finest and well preserved step wells of Gujarat. The step well is a 7 storied richly sculpted monument with intricately carved steps.
Panchmukhi Hanuman, Balia Hanuman, Temple of Jasma Odan, & Mahavir Swami Derasar are the religious places of significance.
Sahastralinga Talav is a water tank build 1000 years ago.
You can also visit the Patola silk weaving centre and pick up some fine silks sarees. |
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Somnath |
In the Shivapurana and the Nandi Upapurana, Lord Shiva is quoted as saying, 'I am omnipresent, but I am especially in twelve forms and places.' These places are known asjyotirlingas, and Somnath is the first to be found in the world. Around the linga the moon god Soma built a mythical temple of gold as an ode to Lord Shiva's glory and compassion. Like the waxing and waning moon, and fittingly for a place associated with Lord Shiva's cosmic dance of creative destruction, the Somnath temple has risen unfailingly from repeated acts of devastation. On Kartik Sud 14 in the Hindu calendar, the day of Shiva's son Kartikeya's birth, a fair is held for four days at the shrine of Somnath. Millions of devotees converge here for these ebullient celebrations on the shores of the Arabian Sea. |
LABELS: Architecture, Hinduism, Shiva, Temple |
According to Puranic legend, Soma, the moon, married 27 sisters, but stubbornly favored one to the neglect of the others. Their father, Daksha Prajapati, therefore cursed him to have his brilliance consumed by the darkness of night. Stricken with grief, the moon went to holy places, trying to alleviate his pain, but to no avail. At last he came here and worshipped Shiva with great devotion for 4000 years. Shiva took pity on him and bade that he should wane in brilliancy for only 15 days in a month, recovering his lost splendor in the following fortnight. Overcome with gratitude, the moon erected a golden temple to Shiva over the previously existing jyotirlinga. As the moon regained his brilliancy, bhas, at this site, it was named Prabhas, which means "the exceedingly brilliant."
The temple came to be known as exceptionally auspicious--people suffering from incurable diseases were reported cured after simply touching the linga. In the Mahabharata, Krishna advised the Yadavas that a pilgrimage to Somnath would absolve them of Durvasa's curse.
Another legend tells that not far from Somnath is a place where Krishna, reclining under a pipal tree, was shot in the foot by a Bhil huntsman named Jara who had mistaken him for a deer. Limping a long way eastward, Krishna was able to reach the bank of the river Hiranya just above the triveni sangam (meeting place of three rivers), and breathed his last in a small cave. His body was taken to the triveni sangam and cremated there. The site where he was shot is known as Bhalka Tirtha, and the site of his cremation, near a temple to Mahakali, is called Dehotsarg.
The first historical temple at Somnath is believed to have been built between 320 and 500 AD. As it grew in importance due to the stories above, pilgrims converged at the temple to offer whatever they could, kings bestowed riches upon it, and the town and temple flourished with great wealth. |
The temple was destroyed a few times during its first several centuries, but little details are available about the successive destructions and reconstructions. In the 11th century AD, the Sunni Muslim iconoclast Mahmud of Ghazni (998-1030), sacked the temple and returned to Ghazna in eastern Afghanistan with the temple treasures, including the famed silver gate. Then, after a rebuilding, in 1297 AD Allaudin Khilji's commander-inchief Afzal Khan destroyed the structure. Over the next 500 years, the temple was successively reconstructed and ransacked, by Muzzafar Shah I in 1390, by Muhammad Begda in 1490, Muzzafar II in 1530 and Aurangzeb in 1706.
In 1783 Maharani Ahalyabai Holkar of Indore built another Somnath temple next to the original site, which was in serious disrepair. After Independence, Sardar Patel visited Somnath, was deeply moved by the poor condition of the original temple site, and resolved to renovate it as soon as possible. In 1951, the new temple was constructed on the original grounds, next to the 18th-century construction of Holkar's. The remains of the old temple are now preserved in a museum for public view. The jyotirlinga was installed by then-President of India, Dr. Rajendra Prasad, in 1950 AD. The overall look reminds one of a Solanki temple in the manner of Modhera, due to the efforts of Sardar Patel, whose statue stands outside. |
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Somnath |
Somnath is a small town situated on the western coast of Gujarat and the Somnath temple here is the location of one of the 12 Jyotirlingas of Lord Shiva. The temple is revered by Hindus due to its association with Lord Shiva and has been plundered and rebuilt about eight times till now. According to the legend the temple was first built by Somraj, the moon god in gold. This was later rebuilt by Ravana, Krishna and Bhimdeva in silver, wood and stone respectively. Travellers to Somnath gave such glorious descriptions of the wealthy temple that it prompted Mahmud of Ghazni to plunder it. The temple was attacked by many Muslim invaders several times and rebuilt each time by Hindus. Finally it was destroyed by Aurangzeb in 1706. After the attack by Aurangzeb the temple was not rebuilt until 1950. Sardar Vallabhbhai Patel played an important role in the reconstruction of the present temple.M |
Tourist Attractions: |
Somnath Temple: |
Also known as Someshwar Mahadev temple, the present Somnath temple was built in the Chalukya style of temple architecture and reflects the skill of the Sompuras, Gujarat's master masons. Photography is prohibited in the temple. |
The Prabas Pata Museum in Somnath is also worth a visit. The museum contains remains of the previous temples.
A few kms from Somnath is Bhalka Tirth. This legendary spot is the confluence of three rivers where Krishnamistaken for a deer was shot by an arrow.
The Suraj Mandir (sun temple), the Junagarh Gate, the Mai Puri (mosque) and the Ahilyabai Temple are other places of tourist interest in and around Somnath. |
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Lavdar Blackbuck National Park |
If you’ve always dreamed of visiting the African savannah, but haven’t quite managed to make the trip, a journey through Saurashtra may help quench your wanderlust. You find lions to the southwest in the peninsula in Gir, and here, at the Velavadar Black Buck Sanctuary and National Park, you'll find a land of wide-spreading golden grasslands under a deep blue sky, where spiral-horned antelope or the Black Bucks can be seen bounding up out of the grasses.
Close to the coast there are wetlands full of birds, and in the evenings, sea-breezes blow up into the savannah and cools things off after a hot day in the sun. At night, wolves and jackals roam the fields, and the flat country offers a tremendous view of a starry sky. |
LABELS: National Park & Wildlife Sanctuaries, Wildlife |
Velavadar National Park was formerly the private grassland of the Maharaja of Bhavnagar, where he would hunt blackbucks with his famous hunting cheetahs. Today, the blackbuck is considerably more endangered, and so is protected from hunting, but this sanctuary is just a tiny patch of safe ground for the blackbuck to inhabit. Created in 1976, and nearly doubled in size in 1980, the park now covers 34 square km, which is barely one-sixth the size of the city of Ahmedabad. Of this area, already small, only a little over half (17.5 square km) is usable grassland. An additional 5 square km are covered by the invasive prosopis shrub, and just over 10 square km is made up of saline lands and high tidal mudflats. These mudflats are the high tide zone of the Gulf of Khambhat, and the lower part of the park (not just the tidal area) also floods every so often. The picturesque golden fields turn a deep shade of green during the monsoon. Floods are not uncommon (and not problematic, as they are a natural part of the ecosystem’s cycle). Droughts, however, are also quite common, but pose more of a problem; park caretakers often have to resupply waterholes by bringing in tankers of water from elsewhere. Cyclones have also battered the park on occasion, the worst being in 1982 when 311 blackbucks were killed in the storm. |
The blackbuck for which the park was created lives mostly in the grasslands on the northern side. Found only in South Asia, the blackbuck once lived all across India, but now the largest population is here, and few are found outside Gujarat. The conservation of the blackbuck here has been a big success, however, it remains endangered due to its dependence on such a limited area to live in, but the local population has risen from a low of 200 in 1966 to around 3400 now. Given such a large population in such a small area, the chances of spotting one are very high, especially since the wide open grasslands make it easy to spot these animals leaping high over the grasses. The breeding seasons are October and February. |
Other animals in the sanctuary include the nilgai (another Indian antelope), jackal, wolf, jungle cat, and fox, but the other main attraction is the bird life. Pelicans, flamingos, white and painted storks, three kinds of cranes, many birds of prey, and the rare Stolizca’s Bushchat all live here, mostly in the southern part of the park, where all the wetlands lie. The extremely rare Lesser Florican, one of the 50 rarest birds in the world, breeds here. If you’re lucky, you might see one of its characteristic courtship displays, in which a male will jump upwards out of the grass to impress females. In the winter, thousands of harriers arrive from central Europe to spend the cooler months here; you can see them in the evenings coming back from feeding around the neighboring cotton fields. One in particular, the Montagu’s Harrier, is a major predator of the locust, a great problem for farms all around the area; as a safe haven for the pest-controlling harriers, the park serves an important role in local agriculture . |
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